Communicate clearly, effectively and imaginatively, selecting and adapting tone, style and register for different forms, purposes and audiences
Organise information and ideas, using structural and grammatical features to support coherence and cohesion of texts
Use a range of vocabulary and sentence structures for clarity, purpose and effect, with accurate spelling and punctuation
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It is important to remember that writers plan their texts deliberately to make the reader respond in certain ways, and think and feel certain things. This task in Question 5 asks you to think about how you can effectively engage your reader and produce a cohesive piece of creative writing.
When you reach Question 5, you will already have read an example of creative writing. You can use the ideas and structure to inform your answer. You should spend some time thinking about the question: not only the content, but also the order of your ideas. An effective piece of creative writing considers plot, setting and characterisation .
In your answer you must:
Question 5 tests your ability to create a text which is constructed in an appropriate manner.
The creative writing question assesses your skill in crafting a convincing piece of creative writing or short story. The question will be worded according to a specific task, for example:
It is worth remembering that you will be given a choice of two tasks in the exam: one will be a creative writing task, and the other will be a descriptive writing task. One will also give you a picture as a prompt for your piece of writing, but this could be to write a story or a description, so it is important that you read both options carefully.
Below are some points on how you might approach the task “Write a story with the title ‘Abandoned’”. It is divided into plot, setting and characterisation.
This task asks you to write a short story. This means you are required to plan your response carefully as you have limited time to create a cohesive plot. It is best to plan how your story will end before you begin writing so that you are in control of your story. Writing a response which has not been planned is likely to have an abrupt ending, or no ending at all, which does not satisfy readers or get you high marks. Your character development will lead the plot; you should decide if your story ends with a clear resolution or with a cliffhanger. Your resolution could be happy, or you can create a tragic ending.
There are lots of different narrative structures or arcs you could use to plan your story. Bearing in mind you only have 45 minutes, including planning time, your story needs to be controlled and concise. One of the easiest ways to achieve this is to consider Freytag’s Pyramid:
| Stick to one main setting and start at the location: |
Hook your reader: | |
Decide which narrative perspective and tense you are going to write your story in: | |
Employ the five senses to create an atmosphere: | |
This paragraph could end with an “inciting incident”, which prompts the rising action and moves the story forward | |
| This paragraph should build tension, drama or interest: |
This paragraph should also develop your character(s): | |
This is the turning point of your story: | |
Your protagonist could face an external problem, or an internal choice or dilemma: | |
You should vary your sentence structure, length and language here for dramatic effect | |
What happens in this paragraph should be as a direct result of the climax paragraph: | |
It also should focus on your characters’ thoughts and feelings as a result of the climax of the story: | |
You can choose to resolve your story, or end on a cliff-hanger: | |
Your setting and atmosphere could reflect a change from the setting or atmosphere you established in your opening paragraph: |
As this task assesses the ability to communicate clearly, effectively and imaginatively, it is important to consider how to use language constructively in a short story to convey an atmosphere or mood. Building an effective setting is key as it contributes to atmosphere and mood.
Remember, Question 5 requires an extended written response. Therefore, the most effective stories will demonstrate a well-planned response which has considered what information is relevant to the reader and the most effective way to order and structure the narrative.
This question asks you to create a short story and therefore you will need to build some elements of detailed characterisation. This means you need to consider what your character(s) represent. They may represent an idea, such as being the victim of abandonment, or as a villain to represent injustice or evil. It is best to limit yourself to two characters in the time you have.
Well-rounded characters are taken on a journey in which a character undergoes some form of development or change. The mark scheme rewards answers which clearly and effectively convey ideas, meaning that you need to consider the most effective ways of building a character in a short piece of writing. Ideally, you should focus more on indirect characterisation than direct characterisation:
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Here, we will consider how to effectively plan your character(s) to engage your reader. This is what the examiner is looking for in your answer:
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| Your character’s appearance may not always be relevant: , remember that it is rare we describe our own appearance perspective can describe appearance more effectively |
| One of the most effective ways to describe a character is through their movements: and can be used to effectively build characterisation |
| If you use the perspective, a monologue helps readers engage with the character: will help your reader understand your character better |
| Dialogue can convey the relationships between your characters and provide insights into what other characters think about each other: |
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Sam is a graduate in English Language and Literature, specialising in journalism and the history and varieties of English. Before teaching, Sam had a career in tourism in South Africa and Europe. After training to become a teacher, Sam taught English Language and Literature and Communication and Culture in three outstanding secondary schools across England. Her teaching experience began in nursery schools, where she achieved a qualification in Early Years Foundation education. Sam went on to train in the SEN department of a secondary school, working closely with visually impaired students. From there, she went on to manage KS3 and GCSE English language and literature, as well as leading the Sixth Form curriculum. During this time, Sam trained as an examiner in AQA and iGCSE and has marked GCSE English examinations across a range of specifications. She went on to tutor Business English, English as a Second Language and international GCSE English to students around the world, as well as tutoring A level, GCSE and KS3 students for educational provisions in England. Sam freelances as a ghostwriter on novels, business articles and reports, academic resources and non-fiction books.
Getting a good GCSE creative writing plot going can be difficult, here are some ideas to help you out.
Ahead of your exams, here are a selection of GCSE creative writing ideas and prompts to hopefully provide some inspiration.
Prompt: In an old, dusty attic, a teenager discovers a mysterious pocket watch that doesn’t seem to tell the correct time.
Potential Story Directions:
Prompt: Behind the overgrown ivy in the school's garden, a student finds a door that wasn't there before.
Prompt: A character receives a mysterious message in a bottle on the beach, written in a cryptic language.
Prompt: A night guard at a museum notices that the exhibits come to life after midnight.
Prompt: A pianist discovers an old, unplayed piano in a neglected music room that plays a melody no one seems to recognize.
Each of these prompts offers a starting point for creative exploration, allowing students to develop their storytelling skills in imaginative and engaging ways.
Prompt: Astronauts on a mission to a distant planet encounter a bizarre, otherworldly storm.
Prompt: A teenager suddenly discovers they have a supernatural ability.
Prompt: A story that mirrors a significant real-life experience involving friendship or a pet.
Prompt: A character discovers a way to travel through time.
Prompt: A natural disaster of unprecedented scale threatens humanity.
Prompt: A detective starts investigating a complex and mysterious murder.
Prompt: Modernize a classic fable or story, such as the Boy Who Cried Wolf, in a contemporary setting.
Prompt: Two characters from vastly different worlds fall in love, against all odds.
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The creative writing component of the English Language GCSE can leave most students petrified. Having not practiced writing creatively since a much younger age, the dive into creative writing, especially when students are hounded to write academically, can be a challenge.
Often the English Language creative writing component will be phrased as so:
'Write a story about a time you felt overwhelmed' or 'Write a story inspired by the picture below'.
All of the above instructions are relatively vague. For students who are used to being told what to do, and for the English Literature component, asked to explore only a very specific area of the text – the idea of writing free reign is enough of an overwhelming story.
However, students shouldn’t be scared. English is nothing but the study of stories – and while you may feel left in the proverbial dark, actually stories are weaved into your every day life. From posts on social media, to newspaper articles and the texts you study for English Literature. So, there’s nothing daunting. You can weave a narrative just as succinctly and easily.
Read anything and everything.
Well, start with novels. When you turn 16, there’s no novel too detailed for you to explore and while I’m not saying you should start off reading War and Peace, you should be reading literature that excites and interests you. Whether it’s The Hunger Games, 1984 or Pride and Prejudice - all of these texts are filled with exciting stories for you to think about. Ask yourself: how does the author create suspense? What about the character is intriguing to you? For example, in The Hunger Games, Katniss Everdeen sacrifices herself for her sister – while she acts bravely, the author still indicates that she is frightened and overwhelmed. There is an internal conflict here that makes the character fascinating.
Words like “nice” and “said” are a bun with no burger, relish or cheese… bland! So, take a look at the example below so you can see for yourself why:
“Good to see you,” she said.
“Likewise,” John said.
Now take a look at the same examples with the “said” removed and some more detail added.
Lucy finished walking her bike up the hill. Drenched and exhausted, she extended a sweaty arm. “Good to see you,” she panted.
“Likewise,” replied John, who shook her outstretched hand lightly and then proceeded to wipe the remains on his tweed trousers.
See the difference?
When writing creatively, especially when you are being asked to write in the first person, you can describe the immediate area drawing on your five senses; taste, touch, sight, sound and smell.
If in the English GCSE exam, you were presented with a picture of a crowded market place and asked to write a story revolving it, you could open with the following (bonus points if you can spot any literary techniques):
The food market was a buzzing hive; its occupants busying themselves with the buying and selling of sweet smelling delicacies sourced from Toulouse to Timbaktu. I caught a whiff of Jasmine on the wind and was delighted to find a pastel painting of Turkish Delight, coated with a light dusting.
“You like?” cried the seller, ignoring the three other customers in the queue and trying to entice me in. I waved an apologetic hand and squeezed my way deeper into the market.
I was trying to remember to the words for ‘excuse me’, but had forgotten the teachings of the busboy at the hotel. The noise built into crescendos at every stand, with gossip, commands and bartering taking place in a rich dialect I couldn’t comprehend. Each and every direction I turned, I was jagged with an elbow or forced to fake-interest in a stall in which I had none. I was becoming overwhelmed, so I stole into a small crevice on the side of the market to seek respite.
Obviously, you will need to write more than this. But try to make your language as rich and engaging as possible.
Your creative writing component will be judged on spelling, grammar and punctuation, so make sure that you read your work once you’re done to iron out any potential mistakes.
If you want a little bit more help, Tutor House offers world-class English GCSE tutors. To find out more, or to book your tutor today, call 0203 9500 320
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How to revise for Creative Writing in GCSE English Language.
With the GCSE language paper coming up, the creative writing element is one that can easily be overlooked. Perhaps you wonder whether you can really learn how to do well in this part of the section or if it is simply down to talent. However, the key to excellent creative writing exam answers is imagination – using your creativity to come up with things to write.
A struggle that students I teach often find with creative questions is that the prompts are typically broad, and image prompts can be sparse with little detail. Sometimes they might spark inspiration, but sometimes you might be looking at them in despair, wondering what on earth you could write about.
Now, one huge advantage of these open-ended questions is that they allow you to have the prerogative to take the answer where you want it to go; there is no way for them to catch you out for not knowing any information. The broad question or image should not be restrictive: for instance, in a description you do not have to stick exactly to describing what you see; using poetic licence to imagine what might be there is strongly encouraged.
A general piece of advice that I give to my students is to plan the structure of your answer. When you hear “creative writing”, you may not think that a plan would be necessary. However, in the mark schemes of all exam boards, the phrase “well controlled paragraphs”, and “well-structured answer” almost always features in the top band. Of course, you do not need to plan out all your similes and metaphors, but setting yourself out a basic structure of what to say in each paragraph will help it to read more clearly.
A key way to make it clear to the examiner that you know what you are doing is through consistency . Ensure that you have the same tone throughout your creative piece, and that your narrative style and tense remains the same. This way, you can show to the examiner that your narrative choices have been deliberate, and based on the purpose and audience of the brief you have been given.
Each GCSE syllabus has a different way of assessing for the creative writing element. Find your exam board below for some tips on how to tackle the specific exam questions you will be presented with.
For the AQA creative writing section in particular, you will be asked to write either a description based on an image, or a short story. For the image description, as well as having a good standard of language, your marks will lie within your ability to use a wide range of language techniques: think metaphors, similes, sensory language, imagery, alliteration etc.
A description of this kind requires you to be very imaginative. If you are stuck on where to begin, look at the image and think about what mood you could extract from it. Does it look spooky? Does it look dangerous? Once you have identified this, try to reflect this mood in the tone of your description.
Some advice that was offered in the November 2017 examiners' report was to ensure that your writing is not too formulaic. For instance, try not to write “I can see… I can smell…” just to ensure you are filling in sensory language: this applies to both the short story and the description. This is perhaps the hardest element of the AQA creative language question: fulfilling all the criteria while making it flow and work as a creative piece.
My advice would be to read over your work after you have finished and try to imagine you are just reading this for fun, outside of the exam context. If it works as a piece of creative writing rather than just as an exam answer, you should be on the right track.
The imaginative writing section of Edexcel requires you to take on a broad prompt, such as the 2017 question “write about a secret” with the aid of an image provided.
For this question, the mark scheme is fairly open as to the approaches you can take. It allows writing in the form of a description, an anecdote, a speech, or a narrative. The image is also only there to provide inspiration – you are not required to reference it directly in your answer if you do not wish to.
A good revision strategy for this question would be to pick a couple of forms that you want to focus on, and practice them before the exam. Then you could pick the form most suited to the question you chose in the exam, and you will be an expert in writing for this form: something that will immediately boost your marks.
A large part of fitting in with the mark scheme is “using appropriate techniques for creative writing”. This may include using a wide vocabulary, imagery, alliteration, similes and metaphors in order to describe and explain.
For the OCR specification, the focus is on writing for purpose and audience . This is a large part of what you are being tested on, so you must always ensure that you identify these two things before you start writing.
In 2017, the options were to write a blog post describing how you successfully overcame a challenging situation, and to write a letter to an employer applying for a job you have always wanted. These two tasks clearly have significantly different purposes and audiences. A blog post would be for the general population, and the tone will need to be readable and informal, whereas the letter to the employer will need to be formal and tailored to the individual reader.
The mark scheme for these questions require you to cover the following areas: tone, style, register, and organisation. The first three in this list will need you to adapt for the purpose and audience. While going over past paper questions, if you’re unsure on how you should write, look up examples of that form online. For instance, looking for a letter to an employer online should give you some good examples, as would looking up examples of newsletter entries or blog posts.
My best piece of advice for OCR’s questions is to practise. Ask a parent or friend to come up with some different forms and audiences for you to write in, and practise adapting your tone, style and register for the different audiences.
OCR have also provided some helpful resources for creative writing (GCSE English Language 9-1 syllabus) .
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Creative writing traditionally stands in opposition to technical writing, so named because it is used to differentiate imaginative and particularly original types of writing from more rigid types. However, creative writing is just as technical, and difficult, as these other types. The assumption is often made that creative writing is a talent – “can I really learn how to write creatively?” – but the true keys to creative writing, whether writing for your own enjoyment, preparing for a school or GCSE exam, are imagination, content, and organisation . This guide will teach you how to improve creative writing and how to excel in your GCSE creative writing answers.
Imagination – the GCSE creative writing prompts are usually very open-ended and broad, remind yourself that broad questions are not restrictive, and allow your mind to explore all caveats of the question, and take the reader on a truly original journey
Content – to showcase your ideas when answering your GCSE creative writing task you need to be able to show your skill with tone, style, and vocabulary; we will touch on just how to do this later!
Organisation – planning the structure of your answer is key. Even though creative writing can be seen as ‘looser’, remember that a good structure is a good way to ensure you are staying in control of your GCSE creative writing task. We will touch on how to plan effectively later too!
1) focussing on the ‘how’ and developing it.
It can be very daunting when you are presented with a vague prompt to think about how you might achieve all of these things, now we know what they mean let’s look at how we might break them down with an example.
Take the example GCSE creative writing task: ‘ Think about a time you were afraid ’.
1) Imagination – where are you going with this? The prompt allows a lot of scope for you as a writer to take this piece wherever you want. You want to plan a piece you are excited by, that you are confident writing, and that is a little bit ‘outside the box’.
We can anticipate many students’ answers describing a spooky forest or a secluded house at night-time; if you are pushing for the higher boundaries in your GCSE creative writing, you want to write something that will make the examiner notice you.
Think about the last time you were afraid – how likely is it that you found yourself in a horror-film-esque eerie setting? Perhaps you want to describe the time you auditioned for the school talent show, or your first trip into the dentist alone. You don’t have to be totally avant-garde but remember a skilled writer can create a sense of unease using literary technique alone – don’t rely on a traditional ‘spooky setting’.
2) Content – how are you going to take us there? You want to ensure your communication is convincing and compelling. This means your need to maintain style and tone throughout.
Make a decision about the characteristics of who is narrating your story early on and stick with it (it will often be directed at you, but the examiner doesn’t know you as a person – be creative! If it suits your story to make yourself smarter, more anxious, quieter etc, then do it). Let’s look back to our prompt above. Perhaps you make the decision that you’re writing the piece as you, and you’re incredibly forgetful. This might mean you ask short questions throughout the piece, raising the tension. Maybe you feign confidence and so while the speech of the piece seems assured and at ease, the internal monologue is vastly different, throwing a sense of unease to the narrative early on.
Be ambitious with your vocabulary! Vocabulary is a great way to help set the tone of a piece. Likewise, explore a wide use of linguistic devices (metaphor, simile, imagery, personification, repetition, symbolism – we will come back to these later!)
3) Organisation – how can you plan effectively? When writing a creative piece, first and foremost, you want to ensure you have a varied use of structural features within your paragraphs.
As a rule of thumb, each new paragraph should aim to develop the story and either bring a new idea into the story or develop a previous one. Within each paragraph, aim to show the examiner that you are capable of developing your idea (i.e. continuing the narrative and plot), but also that you are able to detail this from a different perspective.
An effective way to do this is with a structural feature: pick an interesting way to start a new paragraph, focus on contrast, play around with repetition (if you can, play around with the pace of the writing too – see below!), withhold information, use dialogue, experiment with different sentence structures and paragraph lengths, etc.
U2 Tuition Quick Tip : Have a look at your exam board website to look for sample answers. As you read these creative writing examples GCSE, think about what decisions the writer has made. How is it structured? What kind of language have they used? How have they responded creatively to the question?
Metaphor and simile – metaphors and similes are both ways to introduce comparisons into your work, which is a good way to bring some variety when describing something instead of just listing off more adjectives. Similes are used specifically with the words ‘like’ or ‘as’ (“life is like a box of chocolates”); metaphors are a direct statement of comparison (“life is a rollercoaster”).
o How can you use these originally? When using these in your GCSE creative writing task, you want to showcase not just your ability to use them, but also your imagination and vocabulary. With both of these, think of appropriate comparisons which develop the tone of your piece. For example, if you are writing a piece about happiness – ‘his smile was like that of a child at Christmas time’ (simile), or, if you are writing a piece about loneliness – ‘loneliness was a poison’ (metaphor). See how both comparisons match the tone – when writing a happy piece, we use specific things about happiness (e.g. Christmas), when writing a sadder piece, we use sadder objects for comparison (e.g. poison). This will help develop tone and showcase originality.
Imagery – this is used to develop key motifs within the mind of the reader; again, this is a tool for comparison whereby we are comparing something real with something imagined or ultimately non-literal.
o A good way to think of imagery is to appeal to the reader’s senses: how can you create a sensory world for them? Take the brief above once more. We could say “I was afraid when I left the house”, or, we could appeal to sensory imagery: “I pulled my auburn hair into my mouth to chew it as I closed the door to the house. Thud. The air was cold on my cheeks, and my pink nose stood out against the grey sky and grey pavement.” Here, we paint a far richer picture, even though we don’t necessarily develop the story.
Personification - when a personal nature is given to a non-human object. This can be useful when you are faced with long descriptive paragraphs as it serves as another way to break up boring adjective listing, keeping your GCSE creative writing varied and interesting.
o Be imaginative and try and include this once in every piece if you can. Remember to tie it in with developing the tone of the piece! I.e. if you are writing a happy piece: “the sun smiled down on me, and I beamed back with gratitude” – this sentence creates an immediately positive atmosphere. However, the sentence: “the wind whispered quietly through the long grass” creates a sense of uncertainty. NB: notice how the weather is an easy and subtle way to help develop a ‘feeling’ throughout your writing.
Repetition – a word or phrase is repeated in order to achieve a certain desired effect. We can use different types of repetition to remain original and keep our writing sophisticated:
o Try repeating only the last few words of a line – “If you don’t doubt yourself, and you can keep a clear head, then you can do it. You can do it.”
o Try repeating the same phrase at the end of following sentences – “On the fields there was blood, in the sea there was blood, on the sand banks there was blood, on the ships there was blood…”
o Try repeating the same words in a new sense to reveal information in a new light – “I don’t dance because I am happy, I am happy because I dance”
U2 Tuition Quick Tip : Reading lots is the best way to improve your GCSE creative writing skills. Keep reading at an advanced level, learning new vocabulary and thinking about the way the author has decided to write their text. If you feel sad reading it, how has the author made you feel that way? If you are immersed in the setting, what language has the author used to make you feel like you’re there? Sevenoaks school have a great reading list for Year 10 and 11 that will give you lots of inspiration for your GCSE creative writing task.
Openings – you want to make sure the start of your text entices the reader, so you may want to start with a very developed complex sentence, with heaps of sensory imagery that immediately immerses the reader in the world of the piece; alternatively, or you may wish to grab their attention in a more direct way – “Bang! Oh god, how was I going to get out of this?”
Contrast – highlighting the difference between two things is a compelling way to describe and develop ideas; we have talked in depth about ways to do this above (simile, metaphor, imagery, sometimes repetition for effect)
Pace – experimenting with the pace of the piece is a very sophisticated way to create a mood in your GCSE creative writing. For example, if it is a summer’s day and time does not seem to pass, find a way to highlight this using some of the techniques outlined above – “the sun sat high in the sky, unwavering, for what seemed like forever”, “the sounds of the crickets chirping and the birds merriment overpowered the sound of my watch – we felt truly timeless”. Equally, if you want to build tension, find a way to increase the pace; generally, this can be done by piecing together short, simple sentences: “I knew I had to move fast. Round the door. Up the stairs. Wait. Breathe. Move. Up the next flight. Clear. Move.” Etc, this helps immerse the reader in the mental world of the narrator and as a result they engage far more with the piece.
Dialogue – inserting dialogue into a piece can be a convincing way to introduce new information to a text, think of ways to be inventive with this: does our narrator talk to themselves? What information are we told about additional characters that are introduced? What new approaches have we learned to aid with describing these new characters – and remember – always choose these in line with developing a tone for the piece.
Withholding information – this can be a useful way to build a sense of uncertainty and unease into a piece. Perhaps the narrator is withholding information from other characters, perhaps the narrator is withholding information from the readers themselves! “I knew it had to be done. I didn’t have time to consider the what-if’s and the maybes of it. It had to be done. And it had to be done now.” How much more unsettling is that sentence when we don’t discover what the ‘it’ is – if we want to create humour for a light-hearted piece, perhaps it is getting a tooth removed; if the piece is darker, perhaps the ‘it’ is something far more sinister…
Sentence length – Play around with a variation of simple and complex sentences. Complex sentences can be difficult to construct at first. Remember a few key rules: they are either used effectively to develop one key motif: ‘the snow was white and fell down like tiny elegant dancers in the wind, until at just a moment’s notice, it would land and join a far larger flurry of white across a thousand snow-drenched fields’. Additionally, complex sentences can be used to introduce a lot of new information in one succinct way: ‘It was autumn when he last came, not that I had been counting, but when he last came my hair came only to my shoulders, and I was not yet tall enough to reach the apples on the tree – gosh, what would he think of me now’. The difference between the two is clear, one develops a singular motif and one introduces new ideas quickly – both are effective, and you should aim to be able to write both types well.
While GCSE creative writing can seem daunting at first, using the three keys to success (imagination, content and organisation) alongside these advanced linguistic devices and structural features is a great way to develop and succeed in your GCSE creative writing exam. Start to enjoy taking the reader on a journey, learn to navigate the realms of description, experiment with tone and you will be well on your way to success!
“Write it like it matters, and it will.” – Libba Bray
By U2 mentor, Hazel (Philosophy & Theology, University of Oxford and a published poet!)
If you are interested in support with GCSE creative writing for your GCSE English Language or Literature papers, or general Creative Writing endeavours, why not check out our offerings on the GCSE page and book a free consultation to discuss how we can boost your chance of success. We have a large team of predominantly Oxbridge-educated English mentors who are well-placed to develop students’ written skills, teaching how to structure writing, and the literary and rhetorical techniques that this requires. Get in touch now so we can match you with an English writing tutor online or face-to-face.
How to write a formal letter (11+ to gcse).
Subject: English
Age range: 14-16
Resource type: Assessment and revision
Last updated
3 February 2020
A set of twenty practice exam questions designed for Creative Writing Question 5, AQA 2015 Specification for English Language GCSE (Paper 1, Section B). Each question is an either/or, containing one picture based prompt, and one regular prompt. All questions are formatted similarly to the AQA specimen papers. Licensing for images provided by Unsplash.
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Below, you’ll find a list of narrative and descriptive questions for AQA GCSE English Language, Paper 1 Section B. These questions can also be used more generally as narrative and descriptive prompts for those exploring the craft of creative writing, or studying an alternate GCSE or IGCSE exam board.
Thanks for reading! For all English Language and Literature courses, click here .
AQA GCSE English Language Paper 1
AQA GCSE English Language Paper 2
Write a description of a mysterious place, as suggested by this picture:(2020)
Write a story about an event that cannot be explained. (2020)
Write a story about a magical world as suggested by this picture:
Different Types of Essay Questions
The picture shows a young child in pyjamas, who is standing beside a window, holding a snow globe. The snow globe is lighting up the child’s face. (2019)
Describe a place you think is beautiful. (2019)
Write a story about a time when things turned out unexpectedly. (2018)
Write a description of an old person as suggested by this picture: (2018)
Write a story with the title ‘Discovery’. (2017)
Write a story, set in a mountainous area, as suggested by this picture: (2017)
Write a story about two people from very different backgrounds. (2016)
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Gcse-grade revision from beyond, powered by twinkl, gcse creative writing tips.
GCSE creative writing is our favourite aspect of KS4 English here at Beyond. While it may be our favourite, we understand that it can be daunting for some students. To ensure everyone feels comfortable when expressing themselves, we’ve collated three top GCSE creative writing tips that are sure to coax out your inner author!
Your creative writing will be more engaging and sophisticated if you ‘show, not tell’.
But how do you do this?
Describe the action using a vivid verb to make it interesting and give more information.
e.g. The crowd screamed Beyoncé’s name.
This adds extra information in a creative way. It tells us what the crowd was like and how they were feeling.
Your turn: think of as many as you can…
Now, add some adventurous adverbs to add further detail and information.
e.g. Deafeningly, the crowd screamed Beyoncé’s name.
This adds extra information, building a clearer picture for the reader in just one word!
Now, add some ambitious adjectives to add further detail and information.
e.g. Deafeningly, the large, boisterous crowd screamed Beyoncé’s name.
This builds upon the image, adding extra information to help the reader imagine what is happening.
Now it’s time to put these GCSE creative writing tips to use! Below is a Beyond resource that you might find helpful!
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Posted on August, 2022
Having plenty of ideas for creative writing is one thing, but nailing down the right structure can be a bit more challenging.
There are several steps for children to think about before they begin writing, and that includes creating a structure or plan for how their story will flow.
Creative writing is all about grabbing the reader’s attention immediately, so children in their GCSE years need to understand the importance of structure when writing, in order to organise their ideas and make sure their work reads cohesively.
In this post, we will go through everything your child needs to know from paragraphing, to creating a satisfying ending, providing examples along the way to demonstrate the best way to structure their creative writing.
There are several types of creative writing questions that could come up on the GCSE reading and writing exam. There will be the option to either write creatively based on an image, or a made-up scenario.
Having a solid structure for longer creative writing questions and exercises helps to ensure your child is prepared.
By using a structure that helps to organise your child’s ideas, it helps their writing to flow. It also allows your child to become more confident in their creative writing process.
Planning is more important than you might think, as mark schemes from most exam boards include ‘well-controlled paragraphs’ or something very similar within the top band of criteria for creative writing.
Therefore, children should practise planning out creative writing structures well before their writing exam. Planning gives them time to get into the habit of always providing themselves with a simple, but focused idea of what they are going to write.
Introduction.
Understanding the fundamental structure of a story is crucial for crafting engaging narratives. Beyond basic sequences, story archetypes provide a deeper framework. Christopher Booker , a renowned scholar, identified seven main story archetypes.
Each archetype outlines a distinctive journey and the challenges faced by characters.
This archetype portrays an underdog’s quest to conquer a formidable evil. Examples include the epic tales of Harry Potter battling Lord Voldemort, the classic struggle in Jurassic Park, and the timeless narrative of Jack and the Beanstalk.
Embarking from a starting point of poverty or despair, characters rise to newfound wealth and success. Witness this transformation in stories like Slumdog Millionaire, The Pursuit of Happyness, and The Wolf of Wall Street.
A hero’s journey to discover something, overcoming trials and tribulations along the way. Iconic examples include the Fellowship of the Ring’s quest in The Lord of the Rings, Marlin’s journey to find Nemo, and the epic adventures of Odysseus in The Odyssey.
Protagonists venture into unknown territories, facing adversity before returning home transformed. Dive into this archetype with examples like the curious escapades in Spirited Away, Bilbo Baggins’ journey in The Hobbit, and the enchanting Chronicles of Narnia.
Contrary to our typical perception of humour, this archetype involves destined lovers kept apart by conflicting forces. Delight in the comedic twists of relationships in classics such as 10 Things I Hate About You, When Harry Met Sally, and Notting Hill.
Protagonists with major flaws or errors leading to their inevitable downfall. Witness the unraveling of characters in tragedies like The Great Gatsby, Requiem for a Dream, and the Shakespearean masterpiece Othello.
Characters succumb to darkness but redeem themselves throughout the narrative. Experience the transformative journeys in stories like Atonement, American History X, and the animated Beauty and the Beast.
Beyond literature, these archetypes seamlessly apply to filmmaking and photography. A well-crafted photograph or film can mirror the same narrative arcs, captivating viewers on a visual adventure akin to storytelling. Explore these archetypes to infuse depth and resonance into your creative endeavors.
First of all, paragraphing is central to creative writing as this is what keeps the structure solid.
In order to stick to a creative writing structure, children must know exactly when to end and start a new paragraph, and how much information each paragraph should contain.
For example, introducing the main character, diving into the action of the story, and providing 10 descriptive sentences of the weather and location, could be separated and spread throughout for impact.
Structuring a creative writing piece also involves creating an appropriate timeline of events. Then, you must map out exactly where the story will go from start to finish. This is assuming the writing piece is in sequential order.
Occasionally, there may be a question that requires a non-sequential order.
The Ultimate Creative Writing Workout!
This list below details every section in a creative writing piece and should look something like this:
With this structure, it is important to bear in mind that for the AQA GCSE English Language paper 1 reading and creative writing exam.
You can also use Freitag’s pyramid or a story mountain to help you understand the basic structure of a story:
Children will be expected to spend about 50 minutes on the creative writing section. It’s therefore vital to get them into the habit of planning their writing first. As with anything, practice makes perfect.
If you want to find out more about GCSE English Language papers 1 and 2, check out our blog .
We will dive deeper into the creative writing structure further on in this post, but first, let us go through the importance of paragraphing, and how TipTop paragraphs can help to improve children’s writing.
Before children begin to plan out the structure of their stories, it’s essential that they know the importance of paragraphing correctly first.
At this stage of learning, your child should be comfortable in knowing what a paragraph is, and understand that they help with the layout of their stories throughout the whole writing process.
Paragraphs essentially help to organise ideas into dedicated sections of writing based on your child’s ideas. For example, having a paragraph for an introduction, then another paragraph introducing the main character.
This means your child’s writing will be in a logical order and will direct the reader further on into the writing.
To avoid your child straying from their creative writing structure and overloading paragraphs with too much information, there is a simple way to remind them of when they need to start a new paragraph.
Using the TiPToP acronym is such an easy way for you to encourage your child to think about when they need to change paragraphs, as it stands for:
When moving to a different time or location, bringing in a new idea or character, or even introducing a piece of action or dialogue, your child’s writing should be moving on to new paragraphs.
During creative writing practice, your child can ask themselves a series of questions to work out whether they need to move onto a new paragraph to keep their story flowing and reach that top band of criteria.
Providing opportunities to practise creative writing will help your child to get into the habit of asking themselves these questions as they write, meaning they will stick to the plan they have created beforehand.
Now it’s time to get into the all-important creative writing structure.
Producing a creative writing structure should be a simple process for your child, as it just involves organising the different sections of their writing into a logical order.
First, we need to start at the beginning, by creating an engaging opening for any piece of writing that will grab the reader’s attention. You might also be interested to check out this blog on story structure that I found in my research.
This leads us nicely onto step 1…
There are several ways to engage the reader in the opening of a story, but there needs to be a specific hook within the first paragraph to ensure the reader continues.
This hook could be the introduction of a word that the reader isn’t familiar with, or an imaginary setting that they don’t recognise at all, leaving them questioning ‘What does this all mean?’
It may be that your child opens their story by introducing a character with a description of their appearance, using a piece of dialogue to create a sense of mystery, or simply describing the surroundings to set the tone. This ‘hook’ is crucial as it sets the pace for the rest of the writing and if done properly, will make the reader feel invested in the story.
Read more about hooks in essays .
If your child needs to work more on description, I definitely recommend utilising the Descriptosaurus :
Additionally, it’s important to include a piece of information or specific object within the opening of the creative writing, as this provides something to link back to at the end, tying the whole storyline together neatly.
Providing a complication gets the storyline rolling after introducing a bit of mystery and suspense in the opening.
Treat this complication like a snowball that starts small, but gradually grows into something bigger and bigger as the storyline unfolds.
This complication could be that a secret has been told, and now the main character needs to try and stop it from spreading. Alternatively, you could introduce a love interest that catches the attention of your main character.
In this section, there should be a hint towards a future challenge or a problem to overcome (which will be fleshed out in the development and climax sections) to make the reader slightly aware of what’s to come.
The development seamlessly extends from the previous section, providing additional information on the introduced complication.
During this phase, your child should consider the gradual build-up to the writing piece’s climax. For instance, a secret shared in the compilation stage now spreads beyond one person, heightening the challenge of containment.
Here, your child should concentrate on instilling suspense and escalating tension in their creative writing, engaging the reader as they approach the climax.
The climax is the section that the whole story should be built around.
Before creating a structure like this one, your child should have an idea in mind that the story will be based on. Usually this is some sort of shocking, emotion-provoking event.
This may be love, loss, battle, death, a mystery, a crime, or several other events. The climax needs to be the pivotal point; the most exciting part of the story.
Your child may choose to have something go drastically wrong for their main character. They must regardless, need to come up with a way of working this problem into their turning point and resolution. The should think carefully about this will allow the story to be resolved and come to a close.
After the climax, the story’s turning point emerges, crucial for maintaining reader interest.
During this post-climax phase, address and resolve issues, acknowledging that not every resolution leads to a happy ending.
Turning points need not be confined to the story’s conclusion; they can occur at various junctures, signifying significant narrative shifts.
Even in shorter pieces, introducing turning points early on can captivate the reader.
Creative writing allows for individual storytelling, and effective turning points may differ between your child and you.
Maintain suspense in this section, avoiding premature revelation of the ending despite the climax’s conclusion.
The resolution should highlight the change in the story, so the tone must be slightly different.
At this stage, the problem resolves (happily or unhappily) and the character/s learns lessons. The close of the story must highlight this.
The writer should also not rush the resolution or end of the story.
It needs to be believable for the reader right until the very end. The writer should allow us to feel what the protagonist is feeling.
This creates emotion and allows your reader to feel fully involved.
Remember the piece of information or specific object that was included in the story’s opening?
Well this is the time to bring that back, and tie all of those loose ends together. You want to leave the reader with something to think about. You can even ask questions as this shows they have invested in the story.
To enhance your children’s GCSE creative writing skills, allocate time for practice.
Plan a structure for creative writing to guide children in organising their thoughts and managing time during the GCSE exam.
Apply this structure to various exam questions, such as short stories or describing events.
Focus each creative piece on a climactic event, building anticipation in the beginning and resolving it at the end.
Consider a tutor for GCSE preparation to help children focus on specific areas.
Redbridge Tuition offers experienced tutors for learning from KS2 to GCSE, providing necessary resources for your child’s success.
Get in touch to find out how our tutors could help.
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Yes, as a part of the 11+ Exam, aspirants might be required to complete a creative writing exam. CSSE exam board conducts 11+ Creative writing exam. You can practice 11+ Creative Writing papers to get high marks in the creative writing exam.
You can prepare for the 11-plus Creative Writing exam using 11+ Creative Writing papers . With regular practice of these practice papers, you will have a clear idea of what is being asked for the creative writing exams. You can also improve your creative writing skills by reading books by well acclaimed authors and writing short stories or essays.
No. Due to its digital nature, the English Creative Writing Pack is non-refundable.
Topics included in the 11+ Creative Writing exam:·
With regular practice of 11+ Creative Writing papers , you will pass the exam with a high score.
Examiners mostly look for descriptive language - similes, metaphors, adjectives, sibilance & alliteration. Being proficient in written English will help secure a good score. Students are expected to use proper grammar, punctuation, and spelling. You can practice 11+ Creative Writing papers to score high marks.
We keep on adding more Creative Writing Tasks throughout the year. The existing English Creative members get access to these new tasks.
Hurry! 11+ Exams are approaching in 6 months. High competition. Most parents fail to do structured planning for the 11+ Exam preparation.
Get a plan and strategy from 11+ Expert Tutors. Avoid the common mistakes that other parents make.
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This chapter presents history, economic statistics, and federal government directories of Kemerovo Oblast. Kemerovo Oblast, known as the Kuzbass, is situated in southern central Russia. Krasnoyarsk Krai and Khakasiya lie to the east, Tomsk Oblast to the north, Novosibirsk Oblast to the west, and Altai Krai and the Republic of Altai to the south-west. Kemerovo was founded in 1918 and became the administrative centre of the Oblast upon its formation on 26 January 1943. The city is at the centre of Russia's principal coal mining area. In 2015 Kemerovo Oblast's gross regional product (GRP) amounted to 842,619m. roubles, equivalent to 309,637 roubles per head. The Oblast's main industrial centres are at Kemerovo, Novokuznetsk, Prokopyevsk, Kiselyovsk and Leninsk-Kuznetskii. Kemerovo Oblast's agriculture consists mainly of potato and grain production, animal husbandry and beekeeping. The sector employed 3.6% of the workforce and contributed 4.0% of GRP in 2015.
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Tips and strategies for writing a high scoring GCSE creative writing paper: 1. Learn the formats. Know the different formats and conventions of the different GCSE writing tasks. There is a standard layout for a leaflet, for example, where including contact details and a series of bullet points is part of the mark scheme.
Paper 1 Question 5 is the writing question. It asks you to apply what you know about imaginative and creative fiction writing, such as in the text you read in Section A, and use these same techniques in your own writing. AO5 rewards you for your ideas, as well as the style and the fluency of your writing. As this task is worth 50% of the paper ...
Lastly, it's important to stay calm and confident during your exam. Stress and anxiety can hinder your creativity and writing ability. Practice relaxation techniques and believe in your preparation to help you stay focused and composed during the exam. Remember, creative writing is an opportunity to express yourself and let your imagination run ...
Retold Fable. Prompt: Modernize a classic fable or story, such as the Boy Who Cried Wolf, in a contemporary setting. Potential Story Directions: The story could be set in a modern city, exploring current social issues. It might be told from a different perspective, offering a fresh take on the moral of the story.
Don't just stick to full stops and commas in your writing. As long as you use it correctly, get creative with the types of punctuation you use in your answer for a higher AO6 mark. For example, exclamation marks and question marks to create a more conversational tone between the author and the reader. Hyphens, brackets and colons are just a ...
Your creative writing component will be judged on spelling, grammar and punctuation, so make sure that you read your work once you're done to iron out any potential mistakes. If you want a little bit more help, Tutor House offers world-class English GCSE tutors. To find out more, or to book your tutor today, call 0203 9500 320.
How to revise for Creative Writing in GCSE English Language. With the GCSE language paper coming up, the creative writing element is one that can easily be overlooked. Perhaps you wonder whether you can really learn how to do well in this part of the section or if it is simply down to talent. However, the key to excellent creative writing exam answers is imagination - using your creativity ...
This pack of "past paper" picture questions is designed for AQA GCSE English Language 9-1. They simulate Paper 1 Question 5 where students are given a picture and ar ... GCSE English Creative Writing "Past Papers" - Suitable for Classroom, Cover or Online Delivery. Subject: English. Age range: 14-16. Resource type: Lesson (complete ...
2) Using 'linguistic devices' to set the scene in your GCSE Creative Writing. Metaphor and simile - metaphors and similes are both ways to introduce comparisons into your work, which is a good way to bring some variety when describing something instead of just listing off more adjectives. Similes are used specifically with the words 'like' or 'as' ("life is like a box of ...
A set of twenty practice exam questions designed for Creative Writing Question 5, AQA 2015 Specification for English Language GCSE (Paper 1, Section B). Each question is an either/or, containing one picture based prompt, and one regular prompt. All questions are formatted similarly to the AQA specimen papers.
Write a story about a time when things turned out unexpectedly. (2018) Write a description of an old person as suggested by this picture: (2018) Write a story with the title 'Discovery'. (2017) Write a story, set in a mountainous area, as suggested by this picture: (2017) Write a story about two people from very different backgrounds. (2016)
GCSE Creative Writing Tip 3: Ambitious Adjectives. Now, add some ambitious adjectives to add. further detail and information. e.g. Deafeningly, the large, boisterous crowd screamed Beyoncé's name. Why? This builds upon the image, adding extra information to help the reader imagine what is happening.
3. Make sure to showcase your skills: ( this is your time to show off all the things you learned!) - use a variety of sentence types. - use precise and excellent vocabulary. - accurate punctuation. In narrative writing, - use similes, metaphors, alliteration as they can be very powerful and will help to create the atmosphere. Imagination is key!
Macbeth and Adam and Eve. Gender. Macbeth and Oedipus. Essays. Lady Macbeth as powerful. Macbeth as a strong man. Macbeth and Gender. Macbeth and Ambition. Revision Essay Titles.
To enhance your children's GCSE creative writing skills, allocate time for practice. Plan a structure for creative writing to guide children in organising their thoughts and managing time during the GCSE exam. Apply this structure to various exam questions, such as short stories or describing events.
English Creative Writings with Detailed Answers. Creative Writings Covering Different Styles. Model Answers with Hint, Plan and Checklist. Best for UK Schools Creative Writing Exams. 8000 + Packs Sold. Subscribe Now. Free English Creative Writings & Answers ️. English Creative Writing Paper 1. Answers.
Paper 1:Creative Writing. Paper 1: Creative Writing. In the exam you're normally given two options: a descriptive piece or a narrative piece. Neither is worth more or less than the other so it's up to you to choose which suits you best. Though describing the same thing for 45 minutes can see a little tough, I'd argue that the description is ...
This chapter presents history, economic statistics, and federal government directories of Kemerovo Oblast. Kemerovo Oblast, known as the Kuzbass, is situated in southern central Russia.
By Siberian standards, Kemerovo Oblast is populous, urban, and industrialized. It lies in the heart of the "Kuzbass" (Kuznets Basin) region, home to the world's largest deposits of coal. Accordingly, most of Kemerovo Oblast's cities developed because of economic opportunities related to the coal industry. As a result, the region's cities are often quite polluted, although the situation ...
The Kemerovo region has significant cultural and creative-arts resources. There are three drama theatres, two puppet theatres and a musical theatre, 46 large museums, a regional philharmonic, a symphony orchestra and over 700 libraries. For further endeavors in the arts the region also has the House of Actors, the House of Artists, the House of ...
4. Kuzbass State Museum of Local Lore. 29. Speciality Museums. The Kuzbass state museum of local lore - the leading and oldest museum of Kuzbass, the center of research, local history and methodical work in the area, has been open in 1929. See full details. 5.