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Night Drive

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Refrain from posting comments that are obscene, defamatory or inflammatory, and do not indulge in personal attacks, name calling or inciting hatred against any community. Help us delete comments that do not follow these guidelines by marking them offensive . Let's work together to keep the conversation civil.

User Nithish 30 778 days ago

Really good movie.

victoriadubai 799 days ago

Thrilling ...fight scenes amazing ..script amazing ..suspense ..amazing actors..amazing the best is the story line I �� Love this movie i recommend it

User 812 days ago

Awsome movie 

bobanjim 817 days ago

Isidore ducasse 820 days ago.

What are/were these guys thinking when making this movie. It gave me more cringes per minute than any other movie I've seen lately.

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Night Drive (மலையாளம் 2022)

கு றைந்த முதலீட்டில் வெளிவரும் படங்களில் ஒன்றே Night Drive. Image Credit

Night Drive

காதலர்களான அன்னா பென் & ரோஷன் இருவரும் காரில் Night Drive செல்லும் போது சோதனைக்காக நிறுத்தும் காவல் அதிகாரியுடன் பிரச்சனையாகி விடுகிறது.

அதை முடித்துக் கோபத்தில் செல்லும் போது விபத்து நேர சிக்கலில் மாட்டிக்கொள்கிறார்கள். இதனோடு தங்கக்கடத்தல் பிரச்சனையில் அரசியல்வாதி தலையீடும் நேர்கிறது.

இறுதியில் என்ன ஆகிறது என்பதே Night Drive.

அன்னா பென் / ரோஷன்

அன்னா தொலைக்காட்சியில் செய்தி வாசிப்பாளராகவும் ரோஷன் உபேர் ஓட்டுநராகவும் இருப்பார்கள்.

ரோஷன் மீது அதிக அன்பை கொண்டவராக அன்னா வருகிறார். எதனால், அவர் மிக அன்பாக இருக்கிறார் என்பதற்கான காரணம் இறுதியில் தெரிய வருவது செம மாஸ்.

செய்தியாளர் என்பதாலையே அன்னா வாய் துடுக்காக நடந்து கொள்வார். இதனாலயே இவர்கள் பிரச்சனை அதிகரிக்கும்.

ஒரு காட்சியில் “ உனக்குப் பிரச்சனை என்றவுடன் அமைதியாக இருந்தே ஆனால், பிரச்சனையில்லை என்று தெரியவந்தவுடன் திரும்பத் துடுக்கா பேச ஆரம்பித்துட்டே ” என்று ரோஷன் கூறுவது சூப்பர் 🙂 .

காவல்துறை அதிகாரத்தில் உள்ளவர்கள் அரசியல்வாதிக்குத் துணையாக இருப்பதால் இவர்கள் இருவருக்கும் மேலும் சிக்கல் அதிகரிக்கும்.

ஊகிக்கக்கூடிய காட்சிகள்

துவக்கத்திலிருந்து கிட்டத்தட்ட இறுதிவரை அனைத்துமே ஊகிக்கக்கூடிய காட்சிகளாக இருப்பது திரைக்கதையின் பலவீனம்.

அதே போல இதெப்படி சாத்தியம் என்பது போலக் காட்சிகளும் உள்ளது.

பதற்றமாகக் கொண்டு சென்று இருக்க வேண்டிய காட்சிகளைக் கொஞ்சம் நகைச்சுவையுடன் நகர்த்தியதால், த்ரில்லர் என்பதற்கான வீரியம் குறைந்து விடுகிறது.

ஒளிப்பதிவும் பின்னணி இசையும் நன்றாக உள்ளது, குறிப்பாக ஒளிப்பதிவு.

யார் பார்க்கலாம்?

அனைவரும் பார்க்கலாம்.

ஆகச்சிறந்த படம் என்றெல்லாம் கூற முடியாது. அலுப்புத் தெரியாமல் சுவாரசியமாகக் கொண்டு செல்கிறார்கள் அவ்வளவே.

உங்களுக்குப் பொழுது போகவில்லையென்றால் இப்படத்தைப்பார்க்கலாம், ஏமாற்றமளிக்காது.

ஏற்கனவே ஊகிக்கக்கூடிய கதையென்பதால், மேலும் கூறினால் பார்க்கச் சுவாரசியமாக இருக்காது என்பதால், விரிவாகக் கூறவில்லை.

அன்னா பென், ரோஷன் இருவரும் ஏற்கனவே Kappela என்ற த்ரில்லர் படத்தில் ஒன்றாக நடித்துள்ளார்கள்.

NETFLIX ல் காணலாம்.

Directed by Vysakh Produced by Neeta Pinto, Priya Venu Written Abhilash Pillai Starring Anna Ben, Roshan Mathew, Indrajith Sukumaran, Kalabhavan Shajon Music by Ranjin Raj Cinematography by Shaji Kumar Editing by Sunil S. Pillai Art Direction by Shajie Naduvil Release date March 11, 2022 Country India Language Malayalam

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கிரி, உண்மையிலே மலையாள திரையுலகம் முற்றிலும் வேறு புதிய பாதையில் பயணித்து கொண்டிருக்கிறது.. கடந்த சில மாதமாக கிரிக்கெட் விளையாடுவதில் அதிகம் நேரம் செலவிடுவதால், ஐபில் போட்டிகளை பார்த்தாலும் , எந்த படத்தையும் உடனடியாக பார்க்க முடியவில்லை..

எனக்கு படத்தை பார்க்க ஒரு வித மனநிலை நிச்சயம் வேண்டும்..அந்த மனநிலை இருக்கும் போது மட்டும் படங்களை தொடர்ச்சியாக பார்ப்பேன். இல்லையென்றால் படங்களை தவிர்த்து விடுவேன்.. உங்களை போன்று தொடர்ச்சியாக படத்தை பார்க்க விருப்பம் இல்லாதவன் நான்..

ஆனால் மலையாள படம் என்னுடைய ஆர்வத்தை தூண்டி கொண்டே இருக்கும்.. காரணம் கதைக்களம்.. இதெல்லாம் எப்படிடா?? யோசித்து படமாக உருவாக்குகிறார்கள் என்பதை பார்க்கும் போது வியப்பாகவும், பிரமிப்பாகவும் இருக்கும்.. அதிலும் குறிப்பாக புதிய இயக்குனர்கள்.. இவர்கள் எப்படி கதையை சொல்லி அதை தயாரிப்பாளர்களும் ஓகே செய்கிறார்கள்.

Kappela உம் என்னை வியக்க வைத்த படங்களில் ஒன்று.. சாதாரணமாக செல்லும் ஒரு படம் நாம் எதிர்பார்க்காத திருப்பமாக மாறும் போது, உண்மையில் படத்தோட நம்மை மிரள வைத்து விடுகிறது.. ரோஷன் யதார்த்தமாக சிரிப்பு பார்க்க நன்றாக இருக்கும்..

The Great Indian Kitchen படத்தின் கதை நாம் எல்லோரும் தினசரி வாழ்க்கையில் கடந்து போகின்ற விஷியம்..ஆனால் அதை படமாக்கிய விதம் செம்ம!!! படத்தின் நாயகி Nimisha Sajayan நடிப்பு மிகவும் சிறப்பு..இவர் தற்போது நடிக்கும் படங்களில் தன்னை நிரூபித்து கொண்டே வருகிறார்.. நல்ல அற்புதமாக நடிகை..

மலையாள சினிமா போல் மிக சிறந்த கதையமைப்பை கொண்ட படங்கள் தமிழிலும் வர வேண்டும் என்பது என் விருப்பம்.. 70% பெரிய படங்களும் 30% சிறிய படங்கள் வந்தாலும் ஓகே தான்.. நிச்சயம் தமிழில் நல்ல புதிய இயக்குனர்கள் இருக்கின்றனர்.. ஆனால் இங்கு தயாரிப்பாளர்கள் தான் பிரச்சனை.. சிறிய முதலீட்டில் படத்தை எடுத்தால் படம் வெளியிட திரையரங்கு கிடைக்காமல் போகி விடுமோ என்ற அச்சம் தொடர்ந்து கொண்டே இருக்கிறது..இந்த நிலை மாற வேண்டும்.. பகிர்வுக்கு நன்றி கிரி..

“எனக்கு படத்தை பார்க்க ஒரு வித மனநிலை நிச்சயம் வேண்டும்..அந்த மனநிலை இருக்கும் போது மட்டும் படங்களை தொடர்ச்சியாக பார்ப்பேன்.”

எனக்கும் அதே 🙂

“தெல்லாம் எப்படிடா?? யோசித்து படமாக உருவாக்குகிறார்கள் என்பதை பார்க்கும் போது வியப்பாகவும், பிரமிப்பாகவும் இருக்கும்.”

நானும் நினைத்ததுண்டு.

“ரோஷன் யதார்த்தமாக சிரிப்பு பார்க்க நன்றாக இருக்கும்..”

சரியாக கூறினீர்கள் 🙂 வசீகரமான சிரிப்பு.

“The Great Indian Kitchen”

பார்க்க வேண்டிய பட்டியலில் உள்ளது.

“மலையாள சினிமா போல் மிக சிறந்த கதையமைப்பை கொண்ட படங்கள் தமிழிலும் வர வேண்டும் என்பது என் விருப்பம்”

தமிழ் ரசிகர்கள் எதிர்பார்ப்பு வேறு மாதிரியானது. மலையாளமும் தெலுங்கும் கலந்த கலவை தமிழ்.

இதைப்புரிந்து படம் எடுப்பவர்கள் வெற்றி அடைகிறார்கள்.

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Night Drive movie review: Roshan Mathew, Anna Ben, Indrajith’s unpredictability steer this slick thriller

Though Night Drive starts off as an atypical Vysakh thriller and eventually veers towards the director’s familiar territory, the refreshing casting choices do the film a world of good

• Sanjith Sidhardhan

Last Updated: 01.06 PM, Mar 11, 2022

Story: Tourism minister Rajan Kurup is set to be arrested by the National Investigation Agency in 24 hours, on grounds of being involved in a gold smuggling case. On the same night, Riya, a journalist who breaks the case, and her boyfriend Georgy lock horns with police officer Benni Moopen and hurt the latter’s ego. But as fate would have it, the duo gets themselves tangled in an accident, which isn’t all that it seems to be. How the lives of Rajan Kurup, Riya, Georgy and Benni Moopen intertwine on the same night and who walks away scot-free at the end of it form the plot of Vysakh’s thriller.

Review: Director Vysakh is synonymous with big budget ‘mass’ entertainers like Pulimurugan and Madhuraraja of late. But at the start of his career through movies such as Seniors, he has also shown he has the uncanny knack of entertaining the audience through a clever mix of twists and ‘mass’ elements, while keeping the audience engaged. Add new-age actors such as Roshan Mathew and Anna Ben, who are mostly known for their realistic films, into the mix and the filmmaker has the advantage of making his characters unpredictable, which works so well in Night Drive that is a refreshing change from his usual entertainers.

The film largely belongs to its three protagonists – Anna, Roshan and Indrajith Sukumaran – and Abhilash Pillai, who has written its script, uses the aforementioned unpredictability to the hilt to keep the story moving in riveting fashion. For both Anna and Roshan, it’s a new genre and both prove that they are more than capable of acing it. As Georgy, a good-natured Uber driver who is pushed to the corner after an accident and multiple attempts to frame him and Riya for a crime, Vysakh gives Roshan enough room to play a character that he has hitherto not done. It’s also what drives the ‘mass’ elements of the film and Roshan’s star turn is delightful.

Also read: Exclusive! Vysakh: Anna Ben, Roshan Mathew were so natural in Night Drive that I wished I had used sync sound  

Anna too seems to have fun with her character of a journalist who doesn’t back down. In fact, in the first half, it’s Anna who gets the best scenes, especially during her stand-off with circle inspector Benni Moopen. Indrajith, who plays the cop in the film, proves again why he’s the most versatile character around – handling all shades of his character seamlessly, while also letting his co-stars have their space. Credit must be given to the writer and filmmaker for showing the different sides of the characters while weaving in their past and present in a story that is set in just one night.

While the first half is an engrossing thriller with enough elements of comedy and romance, the latter half slows down as it focuses on the investigation and the set-up of the crime. This is where the movie moves towards Vysakh’s familiar territory of a ‘mass’ entertainer – with kidnapping, fights in a warehouse and punch dialogues. The novelty here stems from the fact that the characters who elevate these sequences aren’t whom the audience are used to seeing. Apart from the trio, Siddique, who plays the minister, and Prashant Alexander, who is the comic relief in the film, also get notable screen time.

Shaji Kumar’s cinematography is slick, with its blue tones, and editor Sunil S Pillai ensures that the film is paced just right for a thriller that has enough twists. Ranjin Raj music also boosts the ‘mass’ scenes.

Verdict: Though Night Drive starts off as an atypical Vysakh thriller and eventually veers towards the director’s familiar territory, the refreshing casting choices do the film a world of good in making it entertaining. At less than two hours, the movie makes for a good, breezy thriller.

Also read: Pada movie review: Kamal KM prioritises core issue over thrills in Kunchacko Boban’s no-frills hostage drama  

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Night Drive Malayalam Movie

One of the best things about Vysakh's movies is that they are unpretentious. Take the gloriously OTT Pokkiri Raja, for instance. The characters in Pokkiri Raja do not behave like they are making some serious masterpiece. Instead, they act like they enjoy the process, making that silly film more enjoyable for the audience. I walked out of Night Drive with a similar feeling, though it is a completely different film from Pokkiri Raja.

Vysakh weaves a modern incident like the Kerala gold smuggling case into the script. A big politician is facing jail time for his involvement in the smuggling case. He tries to cover up his deeds before law enforcement comes knocking on his doors.

In a parallel track, a young couple, Anna Ben's Riya and Roshan Mathew's Georgie, are on a night drive to celebrate the girl's birthday. But their car crashes into a man on the road. It should make them a witness, but a corrupt law enforcement system tries to make them the masterminds behind a crime.

Night Drive is neither a whodunit suspense-thriller nor a howdunit. It has definite characters, and we know who are on the wrong side and the right side of the law. What keeps us engaged in the proceedings is our eagerness about what is going to happen next and how the good characters are going to get out of this mess. Vysakh keeps the tone of the film light enough to ensure that we do not take it too seriously. He also narrates the story with some confidence and derives consistently good performances.

Indrajith Sukumaran plays a cop we are familiar with, but he is such a good actor that his part never becomes uninteresting. He conveys his feelings about the case with his eyes and occasional pauses. This actor is so good that he could let the audience know the intentions of his character without too many dialogues. Roshan Mathew and Anna Ben make for a good couple. Even when the film tries to highlight the love angle between them, the actors ensure that it does not become overboard. Siddique plays the over-the-top politician character as only he can. On the other hand, Kalabhavan Shajohn does a decent job of playing the bad cop role for the nth time.

Characterization is not a strength of Vysakh, though. Siddique's role is a stock character. At the start, it seems that Anna Ben has a promising role to play here, but the more you analyze it, the less convincing it seems. Ben plays a journo, but she does not use her journalistic clout enough to help herself and her boyfriend get out of trouble. It is a case of lazy writing when the heroine only becomes a spectator of the action around her at one point. The movie also has a slightly problematic approach to juvenile crime in that it kind of condones that form of crime. But these are not quite major deal-breakers because Vysakh maintains a light mood for the most part.

Night Drive will not earn Vysakh any brownie points for filmmaking. The lighting seems way off at many points in the film, and the bits of comedy are puerile. Notwithstanding all those flaws, Night Drive is a coherent film that succeeds in entertaining the audience.

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NIGHT DRIVE MOVIE REVIEW CLICK TO RATE THE MOVIE

What if one long ride at night turns your lifeupside down, and the hole you fell in keeps getting deeper? Vyshak's Night Drive is a story of one such car ride. The film has Anna Ben, Roshan Mathew, Indrajit Sukumaran, and Siddique in pivotal roles alongside Kalabhavan Shahjohn, Kailash, Muthumani, Renji Panicker, and Prasant. 

Night Drive follows Riya, a bold journalist whose recent exclusive led to an NIA investigation on Kerala's Tourism Minister's Gold smuggling operation. She is in a relationship with her childhood friend, George, who is an Uber driver, trying to get a job abroad. On the night of her birthday, Riya and George go on a night drive to celebrate the occasion. During their drive, the couple gets into an accident. How the duo handle the consequences of the accident forms the crux of the story. 

Vyshak is known for his mass movies like Pulimurugan, and such movies are what the audience would expect from the director. However, Night Drive is different from such films; for instance, Vyshak movies tend to be extremely hero centric but Night Drive focuses on more than one character. Moreover, the number of mass dialogues are at a low in this movie, which is certainly a plus.  

A big credit goes to newcomer screenwriter Abhilash Pillai, who has created a moderately engaging screenplay. Even though the entire film takes place in a single night, the movie doesn't feel muchstretched—at least in the first half. Moreover, even at slower moments, you are kept at the edge of your seats to find out what happens next.  

Roshan as George and Anna as Riya are brilliant as they accurately portray the desperation that their situation calls for. Indrajit as always can pull off a grey character effortlessly. Similarly, Siddique as a corrupt government official is the norm in many such movies. Prasanth's Udaippu plays the role of that comedic relief efficiently. Unfortunately, Renji Panicker's character became a mere cameo, with scenes lasting for a few minutes. 

Despite its neatly written screenplay, Night Drive is not without its faults. For instance, while the first half of the film has a good pace despite an avoidable song, the second half became a bit lengthy with an unexpected twist added simply to create a mass moment towards the climax. 

An entire fight sequence was avoidable and felt even forced, eventhough they were shot well. Regardless of all this, Night Drive is watchable but highly predictable thriller for the weekend. 

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பிரேக்கிங் சினிமா செய்திகள், திரை விமர்சனம், பாடல் விமர்சனம், ஃபோட்டோ கேலரி, பாக்ஸ் ஆபிஸ் செய்திகள், ஸ்லைடு ஷோ, போன்ற பல்வேறு சுவாரஸியமான தகவல்களை தமிழில் படிக்க இங்கு கிளிக் செய்யவும்      

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Night Drive: Fasten your seat belts for this thriller-diller

Sometimes, small is big. With Night Drive, Vysakh seems to have operated on this mantra as he delivers a tight thriller filled with performances grounded in reality, unlike his last few outings.

With a simple story, complex screenplay, and no big names to snatch the limelight away from the plot, Night Drive makes for an absolutely engrossing watch from the moment go.

Georgy (Roshan Mathew) and Riya (Anna Ben) are dating each other. They decide to go for a peaceful night drive on Riya's birthday when things go haywire, changing the tone of the night and the movie. The harrowing moments the characters go through make up the plot of Night Drive.

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The movie opens with Georgy, who is an Uber driver, and takes a comic route giving little clues on what's in store.

Vysakh then gradually shifts gears and raises the tension, turning the air into 'full-thriller mode' right at the interval, and leaving the audience glued to their seat.

The second half is all about delivering on the tagline of Night Drive, which is, “The hunted become the hunters”. The crew has done a fabulous job of ensuring the audience feel the tension till the last minute.

The chemistry between Roshan and Anna deserves a special mention, besides their thoroughly convincing individual performances. Indrajith, who plays a police officer, proves yet again that he is grossly underrated in the industry.

Kalabhavan Shajon also delivers a satisfying performance. Siddique, who has been on the lookout for flashy roles recently, catches our attention as the minister who talks in a unique style.

The remaining cast, which includes Renji Panicker, Muthumani, Prasanth Alexander and Santhosh Keezhattoor, have done their bit decently.

Abhilash Pillai, who wrote the screenplay, deserves a pat on the back for presenting the story in a nerve-racking manner.

Shaji Kumar, who is the director of photography, has done a beautiful job capturing the night's eeriness and calmness with his frames. That, coupled with Ranjin Raj's background score, and you have a quality thriller on your hands.

Vysakh, though known for his larger-than-life movies (Pokkiriraja, Pulimurugan), is a director who can experiment with genres of any scale. Movies like Vishudhan and Night Drive are an example of this.

If you're still looking for a hero in Night Drive, it's the story. Making a thriller that resonated with the audience is by no means easy. By successfully establishing a connect with the audience, Vysakh has yet another winner in Night Drive.

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சினிமா விமர்சனம்

ராயன் விமர்சனம்

இந்தியன் 2 விமர்சனம்

மகாராஜா விமர்சனம்

அஞ்சாமை விமர்சனம்

கருடன் விமர்சனம்

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பி.டி. சார் விமர்சனம்

இங்க நான் தான் கிங்கு விமர்சனம்

ஸ்டார் விமர்சனம்

ரசவாதி விமர்சனம்

அக்கரன் விமர்சனம்

அரண்மனை 4 விமர்சனம்

சினிமா விமர்சனப் பக்கத்தில் புதிதாக திரைக்கு வரும் திரைப்படங்களின் வெற்றி, தோல்விகளை நடுநிலையோடு சமயம் தமிழ் அலசுகிறது. திரைக்கதை, நடிகர், நடிகைகளின் தேர்வு, அவர்களின் நடிப்பு, இசைக்கு அளிக்கப்பட்ட முக்கியத்துவம், கலை அம்சங்கள், ஒளிப்பதிவு, எடிட்டிங் என ஒவ்வொரு பகுதியாக ஆழமாக தெரிந்து கொள்ள முடியும். சினிமா விமர்சகர்களின் பார்வை, ரசிகர்களின் பார்வை, சமூக வலைதள விமர்சனங்கள் என பல்வேறு கோணங்களில் திரைப்படத்தின் மீதான பார்வையை பெறலாம். திரைப்படத்தில் சொல்ல வந்த சமூக கருத்து, அது வெளிப்பட்ட விதம், மக்கள் மன்றத்தில் அதற்கான வரவேற்பு உள்ளிட்ட தகவல்களை விமர்சனப் பகுதியில் தெரிந்து கொள்ளலாம்.

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Deadpool & Wolverine

Deadpool is offered a place in the Marvel Cinematic Universe by the Time Variance Authority, but instead recruits a variant of Wolverine to save his universe from extinction. Deadpool is offered a place in the Marvel Cinematic Universe by the Time Variance Authority, but instead recruits a variant of Wolverine to save his universe from extinction. Deadpool is offered a place in the Marvel Cinematic Universe by the Time Variance Authority, but instead recruits a variant of Wolverine to save his universe from extinction.

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• Trivia Hugh Jackman said he really was done playing the character of Wolverine after Logan (2017) . He then said he regretted that statement after watching the first Deadpool movie and expressed to Ryan his interest in the two characters meeting on the big screen. When asked why he chose to return for this film, he simply said, "I just wanted to do it, and I felt it in my gut", adding that he wanted to have the best possible time ever on a movie set together with Ryan Reynolds .
• Goofs While Wolverine and Deadpool are making their odyssey in the Honda Odyssey, the car's clock jumps ahead three hours during their conversation.

Deadpool : Welcome to the MCU. You're joining at a bit of a low point.

• Crazy credits The closing credits are accompanied by clips and behind-the-scenes footage from the 20th Century Fox superhero movies (the X-Men franchise, the Fantastic Four films, and Elektra).
• Connections Edited from Thor: The Dark World (2013)
• Soundtracks Only You (and You Alone) (re-recorded) Written by Buck Ram and Ande Rand Performed by The Platters Courtesy of Cleopatra Records By arrangement with The Orchard

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