collection of good essays

The 25 Greatest Essay Collections of All Time

Today marks the release of Aleksandar Hemon’s excellent book of personal essays, The Book of My Lives , which we loved, and which we’re convinced deserves a place in the literary canon. To that end, we were inspired to put together our list of the greatest essay collections of all time, from the classic to the contemporary, from the personal to the critical. In making our choices, we’ve steered away from posthumous omnibuses (Michel de Montaigne’s Complete Essays , the collected Orwell, etc.) and multi-author compilations, and given what might be undue weight to our favorite writers (as one does). After the jump, our picks for the 25 greatest essay collections of all time. Feel free to disagree with us, praise our intellect, or create an entirely new list in the comments.

The Book of My Lives , Aleksandar Hemon

Hemon’s memoir in essays is in turns wryly hilarious, intellectually searching, and deeply troubling. It’s the life story of a fascinating, quietly brilliant man, and it reads as such. For fans of chess and ill-advised theme parties and growing up more than once.

Slouching Towards Bethlehem , Joan Didion

Well, obviously. Didion’s extraordinary book of essays, expertly surveying both her native California in the 1960s and her own internal landscape with clear eyes and one eyebrow raised ever so slightly. This collection, her first, helped establish the idea of journalism as art, and continues to put wind in the sails of many writers after her, hoping to move in that Didion direction.

Pulphead , John Jeremiah Sullivan

This was one of those books that this writer deemed required reading for all immediate family and friends. Sullivan’s sharply observed essays take us from Christian rock festivals to underground caves to his own home, and introduce us to 19-century geniuses, imagined professors and Axl Rose. Smart, curious, and humane, this is everything an essay collection should be.

The Boys of My Youth , Jo Ann Beard

Another memoir-in-essays, or perhaps just a collection of personal narratives, Jo Ann Beard’s award-winning volume is a masterpiece. Not only does it include the luminous, emotionally destructive “The Fourth State of the Matter,” which we’ve already implored you to read , but also the incredible “Bulldozing the Baby,” which takes on a smaller tragedy: a three-year-old Beard’s separation from her doll Hal. “The gorgeous thing about Hal,” she tells us, “was that not only was he my friend, he was also my slave. I made the majority of our decisions, including the bathtub one, which in retrospect was the beginning of the end.”

Consider the Lobster , David Foster Wallace

This one’s another “duh” moment, at least if you’re a fan of the literary essay. One of the most brilliant essayists of all time, Wallace pushes the boundaries (of the form, of our patience, of his own brain) and comes back with a classic collection of writing on everything from John Updike to, well, lobsters. You’ll laugh out loud right before you rethink your whole life. And then repeat.

Notes of a Native Son , James Baldwin

Baldwin’s most influential work is a witty, passionate portrait of black life and social change in America in the 1940s and early 1950s. His essays, like so many of the greats’, are both incisive social critiques and rigorous investigations into the self, told with a perfect tension between humor and righteous fury.

Naked , David Sedaris

His essays often read more like short stories than they do social criticism (though there’s a healthy, if perhaps implied, dose of that slippery subject), but no one makes us laugh harder or longer. A genius of the form.

Against Interpretation , Susan Sontag

This collection, Sontag’s first, is a dazzling feat of intellectualism. Her essays dissect not only art but the way we think about art, imploring us to “reveal the sensuous surface of art without mucking about in it.” It also contains the brilliant “Notes on ‘Camp,'” one of our all-time favorites.

The Common Reader , Virginia Woolf

Woolf is a literary giant for a reason — she was as incisive and brilliant a critic as she was a novelist. These witty essays, written for the common reader (“He is worse educated, and nature has not gifted him so generously. He reads for his own pleasure rather than to impart knowledge or correct the opinions of others. Above all, he is guided by an instinct to create for himself, out of whatever odds and ends he can come by, some kind of whole- a portrait of a man, a sketch of an age, a theory of the art of writing”), are as illuminating and engrossing as they were when they were written.

Teaching a Stone to Talk , Annie Dillard

This is Dillard’s only book of essays, but boy is it a blazingly good one. The slender volume, filled with examinations of nature both human and not, is deft of thought and tongue, and well worth anyone’s time. As the Chicago Sun-Times ‘s Edward Abbey gushed, “This little book is haloed and informed throughout by Dillard’s distinctive passion and intensity, a sort of intellectual radiance that reminds me both Thoreau and Emily Dickinson.”

Thirteen Ways of Looking at a Black Man , Henry Louis Gates Jr.

In this eloquent volume of essays, all but one of which were originally published in the New Yorker , Gates argues against the notion of the singularly representable “black man,” preferring to represent him in a myriad of diverse profiles, from James Baldwin to Colin Powell. Humane, incisive, and satisfyingly journalistic, Gates cobbles together the ultimate portrait of the 20th-century African-American male by refusing to cobble it together, and raises important questions about race and identity even as he entertains.

Otherwise Known As the Human Condition , Geoff Dyer

This book of essays, which won the National Book Critics Circle Award in the year of its publication, covers 25 years of the uncategorizable, inimitable Geoff Dyer’s work — casually erudite and yet liable to fascinate anyone wandering in the door, witty and breathing and full of truth. As Sam Lipsyte said, “You read Dyer for his caustic wit, of course, his exquisite and perceptive crankiness, and his deep and exciting intellectual connections, but from these enthralling rants and cultural investigations there finally emerges another Dyer, a generous seeker of human feeling and experience, a man perhaps closer than he thinks to what he believes his hero Camus achieved: ‘a heart free of bitterness.'”

Art and Ardor , Cynthia Ozick

Look, Cynthia Ozick is a genius. One of David Foster Wallace’s favorite writers, and one of ours, Ozick has no less than seven essay collections to her name, and we could have chosen any one of them, each sharper and more perfectly self-conscious than the last. This one, however, includes her stunner “A Drugstore in Winter,” which was chosen by Joyce Carol Oates for The Best American Essays of the Century , so we’ll go with it.

No More Nice Girls , Ellen Willis

The venerable Ellen Willis was the first pop music critic for The New Yorker , and a rollicking anti-authoritarian, feminist, all-around bad-ass woman who had a hell of a way with words. This collection examines the women’s movement, the plight of the aging radical, race relations, cultural politics, drugs, and Picasso. Among other things.

The War Against Cliché , Martin Amis

As you know if you’ve ever heard him talk , Martin Amis is not only a notorious grouch but a sharp critical mind, particularly when it comes to literature. That quality is on full display in this collection, which spans nearly 30 years and twice as many subjects, from Vladimir Nabokov (his hero) to chess to writing about sex. Love him or hate him, there’s no denying that he’s a brilliant old grump.

Cultural Amnesia: Necessary Memories From History and the Arts , Clive James

James’s collection is a strange beast, not like any other essay collection on this list but its own breed. An encyclopedia of modern culture, the book collects 110 new biographical essays, which provide more than enough room for James to flex his formidable intellect and curiosity, as he wanders off on tangents, anecdotes, and cultural criticism. It’s not the only who’s who you need, but it’s a who’s who you need.

I Feel Bad About My Neck: And Other Thoughts on Being a Woman , Nora Ephron

Oh Nora, we miss you. Again, we could have picked any of her collections here — candid, hilarious, and willing to give it to you straight, she’s like a best friend and mentor in one, only much more interesting than any of either you’ve ever had.

Arguably , Christopher Hitchens

No matter what you think of his politics (or his rhetorical strategies), there’s no denying that Christopher Hitchens was one of the most brilliant minds — and one of the most brilliant debaters — of the century. In this collection, packed with cultural commentary, literary journalism, and political writing, he is at his liveliest, his funniest, his exactingly wittiest. He’s also just as caustic as ever.

The Solace of Open Spaces , Gretel Ehrlich

Gretel Ehrlich is a poet, and in this collection, you’ll know it. In 1976, she moved to Wyoming and became a cowherd, and nearly a decade later, she published this lovely, funny set of essays about rural life in the American West.”Keenly observed the world is transformed,” she writes. “The landscape is engorged with detail, every movement on it chillingly sharp. The air between people is charged. Days unfold, bathed in their own music. Nights become hallucinatory; dreams, prescient.”

The Braindead Megaphone , George Saunders

Saunders may be the man of the moment, but he’s been at work for a long while, and not only on his celebrated short stories. His single collection of essays applies the same humor and deliciously slant view to the real world — which manages to display nearly as much absurdity as one of his trademark stories.

Against Joie de Vivre , Phillip Lopate

“Over the years,” the title essay begins, “I have developed a distaste for the spectacle of joie de vivre , the knack of knowing how to live.” Lopate goes on to dissect, in pleasantly sardonic terms, the modern dinner party. Smart and thought-provoking throughout (and not as crotchety as all that), this collection is conversational but weighty, something to be discussed at length with friends at your next — oh well, you know.

Sex and the River Styx , Edward Hoagland

Edward Hoagland, who John Updike deemed “the best essayist of my generation,” has a long and storied career and a fat bibliography, so we hesitate to choose such a recent installment in the writer’s canon. Then again, Garrison Keillor thinks it’s his best yet , so perhaps we’re not far off. Hoagland is a great nature writer (name checked by many as the modern Thoreau) but in truth, he’s just as fascinated by humanity, musing that “human nature is interstitial with nature, and not to be shunned by a naturalist.” Elegant and thoughtful, Hoagland may warn us that he’s heading towards the River Styx, but we’ll hang on to him a while longer.

Changing My Mind , Zadie Smith

Smith may be best known for her novels (and she should be), but to our eyes she is also emerging as an excellent essayist in her own right, passionate and thoughtful. Plus, any essay collection that talks about Barack Obama via Pygmalion is a winner in our book.

My Misspent Youth , Meghan Daum

Like so many other writers on this list, Daum dives head first into the culture and comes up with meat in her mouth. Her voice is fresh and her narratives daring, honest and endlessly entertaining.

The White Album , Joan Didion

Yes, Joan Didion is on this list twice, because Joan Didion is the master of the modern essay, tearing at our assumptions and building our world in brisk, clever strokes. Deal.

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The best essay collections to read now

From advice on friendship and understanding modern life to getting a grasp on coronavirus, these books offer insight on life. 

What better way to get into the work of a writer than through a collection of their essays? 

These seven collections, from novelists and critics alike, address a myriad of subjects from friendship to how colleges are dealing with sexual assaults on campus to race and racism. 

Trick Mirror by Jia Tolentino (2019)

As a staff writer at The New Yorker , Jia Tolentino has explored everything from a rise in youth vaping to the ongoing cultural reckoning about sexual assault. Her first book Trick Mirror takes some of those pieces for The New Yorker as well as new work to form what is one of the sharpest collections of cultural criticism today.

Using herself and her own coming of age as a lens for many of the essays, Tolentino turns her pen and her eye to everything from her generation’s obsession with extravagant weddings to how college campuses deal with sexual assault.

If you’re looking for an insight into millennial life, then Trick Mirror should be on your to-read list.

In Search of Our Mothers’ Gardens by Alice Walker (1983)

Sometimes essays collected from a sprawling period of a successful writer’s life can feel like a hasty addition to a bibliography; a smash-and-grab of notebook flotsam. Not so In Search of Our Mother’s Gardens , from which one can truly understand the sheer range of the Pulitzer Prize winner’s range of study and activism. From Walker’s first published piece of non-fiction (for which she won a prize, and spent her winnings on cut peonies) to more elegiac pieces about her heritage, Walker’s thoughts on feminism (which she terms “womanism”) and the Civil Rights Movement remain grippingly pertinent 50 years on.

Me Talk Pretty One Day by David Sedaris (2000)

That David Sedaris’s ascent to literary stardom happened later in his life – his breakthrough collection of humour essays was released when he was 44 – suited the author’s writing style perfectly. Me Talk Pretty One Day is both a painfully funny account of his childhood and an enduring snapshot of mid-forties malaise. First story ‘Go Carolina’, about his attempt to transcend a childhood lisp, is told from a perfect distance and with all the worldliness necessary to milk every drop of tragic, cringeworthy humour from his childhood. It never falters from there: by the book’s second half, in which Sedaris is living in France, he’s firmly established his niche, writing about the ways that even snobs experience utter humiliation ­– and Me Talk Pretty One Day is all the more human for it. 

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Nine New Women-Authored Essay Collections

"Essay" could perhaps use a rebranding as the word may conjure up something you've been assigned to write in school, rather than something pleasurable to consume. Essay collections usually have an overarching question or theme, but each individual essay works as a self-contained narrative or argument inviting you to read at your own pace, skip around, and take in the central topic from multiple angles. From essay-style memoirs to more heady topics touching on culture, politics, and art, enjoy these collections below, all by women, released this past spring and summer.

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by CJ Hauser

Ten days after calling off her wedding, CJ Hauser went on an expedition to Texas to study the whooping crane. After a week wading through the gulf, she realized she'd almost signed up to live someone else's life. Expanding on her viral sensation essay “The Crane Wife,” the author presents this deeply personal, candid and humorous memoir-in-essays that ponders what more expansive definitions of love might offer us all. 

She's Nice Though: Essays on Being Bad at Being Good

by Mia Mercado

Pondering her identity as an Asian woman living in the Midwest, including what “nice” means—and why anyone would want to be it, the author, in this thought-provoking and funny collection of essays, offers a mind-bending glimpse into our misperceptions and misconceptions as humans.

Some of My Best Friends: Essays in Lip Service

by Tajja Isen

Catapult  editor-in-chief and award-winning voice actor Tajja Isen explores the absurdity of living in a world that has grown fluent in the language of social justice but doesn’t always follow through. These nine daring essays explore the sometimes troubling and often awkward nature of that discord. Isen takes on the cartoon industry’s pivot away from colorblind casting, the pursuit of diverse representation in the literary world, the law’s refusal to see inequality, and the cozy fictions of nationalism. Isen deftly examines the quick, cosmetic fixes society makes to address systemic problems and reveals the unexpected ways they can misfire.

Brown Neon: Essays

by Raquel Gutiérrez

Part butch memoir, part ekphrastic travel diary, part queer family tree, Raquel Gutiérrez’s debut essay collection,  Brown Neon,  gleans insight from the sediment of land and relationships. Whether contemplating the value of adobe as both vernacular architecture and commodified art object, highlighting the feminist wounding and transphobic apparitions haunting the multigenerational lesbian social fabric, or recalling a failed romance, Gutiérrez traverses complex questions of gender, class, identity, and citizenship with curiosity and nuance.

Awake With Asashoryu and Other Essays

by Elisabeth Sharp McKetta

Whether she is spending sleepless nights watching the sumo wrestler Asashoryu with her father, settling into a new life in a fishing hamlet in Cornwall, struggling with a beloved and ultimately untrainable corgi named Goblin, or emerging from a night in the woods rethinking who she might be, McKetta’s essays sparkle and twist round and about—funny and insightful and compelling.

I'll Show Myself Out: Essays on Midlife & Motherhood

by Jessi Klein

The New York Times best-selling author and Emmy Award-winning writer and producer hilariously destroys the cultural myths and impossible expectations of modern-day motherhood and explores the humiliations, poignancies, and possibilities of midlife.

How to Read Now: Essays

by Elaine Castillo

A deeply personal and searching history of one woman’s reading life, and a wide-ranging and urgent intervention into our globalized conversations about why reading matters today. Castillo attacks the stale questions and less-than-critical proclamations that masquerade as vital discussion: reimagining the cartography of the classics, building a moral case against the settler colonialism of lauded writers like Joan Didion, taking aim at Nobel Prize winners and toppling indie filmmakers, and celebrating glorious moments in everything from popular TV like  The Watchmen  to the films of Wong Kar-wai and the work of contemporary poets like Tommy Pico.

Ripe: Essays

by Negesti Kaudo

Essays at the intersection of race, sexuality, and pop culture that confront Kaudo's experience as a Black woman and ask what it means to own one's Blackness and body when contemporary white America simultaneously denigrates and appropriates Black culture. 

Crying in the Bathroom

by Erika L. Sánchez

In these essays, Sánchez writes about everything from sex to white feminism to debilitating depression, revealing an interior life rich with ideas, self-awareness, and perception. Raunchy, insightful, unapologetic, and brutally honest,  Crying in the Bathroom  is Sánchez at her best—a book that will make you feel that post-confessional high that comes from talking for hours with your best friend.

Summaries provided via NYPL’s catalog, which draws from multiple sources. Click through to each book’s title for more.

100 Best Essays Books of All Time

We've researched and ranked the best essays books in the world, based on recommendations from world experts, sales data, and millions of reader ratings. Learn more

Men Explain Things to Me

Rebecca Solnit | 5.00

Chelsea Handler Goes deep with statistics, personal stories, and others’ accounts of how brutal this world can be for women, the history of how we've been treated, and what it will take to change the conversation: MEN. We need them to be as outraged as we are and join our fight. (Source)

See more recommendations for this book...

Me Talk Pretty One Day

David Sedaris | 4.96

Between the World and Me

Ta-Nehisi Coates | 4.94

Barack Obama The president also released a list of his summer favorites back in 2015: All That Is, James Salter The Sixth Extinction, Elizabeth Kolbert The Lowland, Jhumpa Lahiri Between the World and Me, Ta-Nehisi Coates Washington: A Life, Ron Chernow All the Light We Cannot See, Anthony Doerr (Source)

Jack Dorsey Q: What are the books that had a major influence on you? Or simply the ones you like the most. : Tao te Ching, score takes care of itself, between the world and me, the four agreements, the old man and the sea...I love reading! (Source)

Doug McMillon Here are some of my favorite reads from 2017. Lots of friends and colleagues send me book suggestions and it's impossible to squeeze them all in. I continue to be super curious about how digital and tech are enabling people to transform our lives but I try to read a good mix of books that apply to a variety of areas and stretch my thinking more broadly. (Source)

Slouching Towards Bethlehem

Joan Didion | 4.94

Peter Hessler I like Didion for her writing style and her control over her material, but also for the way in which she captures a historical moment. (Source)

Liz Lambert I love [this book] so much. (Source)

We Should All Be Feminists

Chimamanda Ngozi Adichie | 4.92

Bad Feminist

Roxane Gay | 4.88

Irina Nica It’s hard to pick an all-time favorite because, as time goes by and I grow older, my reading list becomes more “mature” and I find myself interested in new things. I probably have a personal favorite book for each stage of my life. Right now I’m absolutely blown away by everything Roxane Gay wrote, especially Bad Feminist. (Source)

Trick Mirror

Reflections on Self-Delusion

Jia Tolentino | 4.86

Lydia Polgreen This book is amazing and you should read it. https://t.co/pcbmYUR4QP (Source)

Maryanne Hobbs ⁦@jiatolentino⁩ hello Jia :) finding your perspectives in the new book fascinating and so resonant.. thank you 🌹 m/a..x https://t.co/BoNzB1BuDf (Source)

Yashar Ali . @jiatolentino’s fabulous book is one of President Obama’s favorite books of 2019 https://t.co/QHzZsHl2rF (Source)

Consider the Lobster

And Other Essays

David Foster Wallace | 4.85

A Room of One's Own

Virginia Woolf | 4.75

Dress Your Family in Corduroy & Denim

David Sedaris | 4.73

Adam Kay @penceyprepmemes How about David Sedaris, for starters - "Dress your family in corduroy and denim" is an amazing book. (Source)

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The Fire Next Time

James Baldwin | 4.69

Barack Obama Fact or fiction, the president knows that reading keeps the mind sharp. He also delved into these non-fiction reads: Age of Ambition: Chasing Fortune, Evan Osnos Thinking, Fast and Slow, Daniel Kahneman Moral Man And Immoral Society, Reinhold Niebuhr A Kind And Just Parent, William Ayers The Post-American World, Fareed Zakaria Lessons in Disaster, Gordon Goldstein Sapiens: A Brief History of... (Source)

When You Are Engulfed in Flames

David Sedaris | 4.67

David Sedaris | 4.63

David Blaine It’s hilarious. (Source)

The White Album

Joan Didion | 4.62

Dan Richards I feel Joan Didion is the patron saint of a maelstrom of culture and environment of a particular time. She is the great American road-trip writer, to my mind. She has that great widescreen filmic quality to her work. (Source)

Steven Amsterdam With her gaze on California of the late 60s and early 70s, Didion gives us the Black Panthers, Janis Joplin, Nancy Reagan, and the Manson follower Linda Kasabian. (Source)

A Supposedly Fun Thing I'll Never Do Again

Essays and Arguments

David Foster Wallace | 4.61

Tressie McMillan Cottom | 4.60

Melissa Moore The best book I read this year was Thick by Tressie McMillan Cottom. I read it twice and both times found it challenging and revelatory. (Source)

David Sedaris and Hachette Audi | 4.60

Sister Outsider

Essays and Speeches

Audre Lorde, Cheryl Clarke | 4.60

Bianca Belair For #BHM  I will be sharing some of my favorite books by Black Authors 26th Book: Sister Outsider By: Audre Lorde My first time reading anything by Audre Lorde. I am now really looking forward to reading more of her poems/writings. What she writes is important & timeless. https://t.co/dUDMcaAAbx (Source)

Let's Explore Diabetes with Owls

David Sedaris | 4.58

Austin Kleon I read this one, then I read his collected diaries, Theft By Finding, and then I read the visual compendium, which might have even been the most interesting of the three books, but I’m listing this one because it’s hilarious, although with the interstitial fiction bits, it’s sort of like one of those classic 90s hip-hop albums where you skip the “skit” tracks. (Source)

Notes from a Loud Woman

Lindy West | 4.56

Matt Mcgorry "Shrill: Notes From a Loud Woman" by Lindy West @TheLindyWest # Lovvvvveeedddd, loved, loved, loved this book!!!  West is a truly remarkable writer and her stories are beautifully poignant while dosed with her… https://t.co/nzJtXtOGTn (Source)

Shannon Coulter @JennLHaglund @tomi_adeyemi I love that feeling! Just finished the audiobook version of Shrill by Lindy West after _years_ of meaning to read it and that's the exact feeling it gave me. Give me your book recommendations! (Source)

The Collected Schizophrenias

Esmé Weijun Wang | 4.52

Tiny Beautiful Things

Advice on Love and Life from Dear Sugar

Cheryl Strayed | 4.49

Ryan Holiday It was wonderful to read these two provocative books of essays by two incredibly wise and compassionate women. Cheryl Strayed, also the author of Wild, was the anonymous columnist behind the online column, Dear Sugar and boy, are we better off for it. This is not a random smattering of advice. This book contains some of the most cogent insights on life, pain, loss, love, success, youth that I... (Source)

James Altucher Cheryl had an advice column called “Dear Sugar”. I was reading the column long before Oprah recommended “Wild” by Cheryl and then Wild became a movie and “Tiny Beautiful Things” (the collection of her advice column) became a book. She is so wise and compassionate. A modern saint. I used to do Q&A sessions on Twitter. I’d read her book beforehand to get inspiration about what true advice is. (Source)

We Were Eight Years in Power

An American Tragedy

Ta-Nehisi Coates | 4.47

The Myth of Sisyphus and Other Essays

Albert Camu | 4.47

David Heinemeier Hansson Camus’ philosophical exposition of absurdity, suicide in the face of meaninglessness, and other cherry topics that continue on from his fictional work in novels like The Stranger. It’s surprisingly readable, unlike many other mid 20th century philosophers, yet no less deep or pointy. It’s a great follow-up, as an original text, to that book The Age of Absurdity, I recommended last year. Still... (Source)

Kenan Malik The Myth of Sisyphus is a small work, but Camus’s meditation on faith and fate has personally been hugely important in developing my ideas. Writing in the embers of World War II, Camus confronts in The Myth of Sisyphus both the tragedy of recent history and what he sees as the absurdity of the human condition. There is, he observes, a chasm between the human need for meaning and what he calls... (Source)

The Penguin Essays Of George Orwell

George Orwell, Bernard Crick | 4.46

Peter Kellner George Orwell was not only an extraordinary writer but he also hated any form of cant. Some of his most widely read works such as 1984 and Animal Farm are an assault on the nastier, narrow-minded, dictatorial tendencies of the left, although Orwell was himself on the left. (Source)

The Opposite of Loneliness

Essays and Stories

Marina Keegan, Anne Fadiman | 4.46

Dear Ijeawele, or a Feminist Manifesto in Fifteen Suggestions

Chimamanda Ngozi Adichie | 4.45

The Tipping Point

How Little Things Can Make a Big Difference

Malcolm Gladwell | 4.45

Kevin Rose Bunch of really good information in here on how to make ideas go viral. This could be good to apply to any kind of products or ideas you may have. Definitely, check out The Tipping Point, which is one of my favorites. (Source)

Seth Godin Malcolm Gladwell's breakthrough insight was to focus on the micro-relationships between individuals, which helped organizations realize that it's not about the big ads and the huge charity balls... it's about setting the stage for the buzz to start. (Source)

Andy Stern I think that when we talk about making change, it is much more about macro change, like in policy. This book reminds you that at times when you're building big movements, or trying to elect significant decision-makers in politics, sometimes it's the little things that make a difference. Ever since the book was written, we've become very used to the idea of things going viral unexpectedly and then... (Source)

Selected Essays

Mary Oliver | 4.44

We Are Never Meeting in Real Life.

Samantha Irby | 4.44

Complete Essays

Michel de Montaigne, Charles Cotton | 4.42

Ryan Holiday There is plenty to study and see simply by looking inwards — maybe even an alarming amount. (Source)

Alain de Botton I’ve given quite a lot of copies of [this book] to people down the years. (Source)

Is Everyone Hanging Out Without Me? (And Other Concerns)

Mindy Kaling | 4.42

Angela Kinsey .@mindykaling I am rereading your book and cracking up. I appreciate your chapter on The Office so much more now. But all of it is fantastic. Thanks for starting my day with laughter. You know I loves ya. ❤️ https://t.co/EB99xnyt0p (Source)

Yashar Ali Reminds me of one of my favorite lines from @mindykaling's book (even though I'm an early riser): “There is no sunrise so beautiful that it is worth waking me up to see it.” https://t.co/pS56bmyYjS (Source)

Not That Bad

Dispatches from Rape Culture

Roxane Gay, Brandon Taylor, et al | 4.40

Henry David Thoreau | 4.40

Laura Dassow Walls The book that we love as Walden began in the journal entries that he wrote starting with his first day at the pond. (Source)

Roman Krznaric In 1845 the American naturalist went out to live in the woods of Western Massachusetts. Thoreau was one of the great masters of the art of simple living. (Source)

John Kaag There’s this idea that philosophy can blend into memoir and that, ideally, philosophy, at its best, is to help us through the business of living with people, within communities. This is a point that Thoreau’s Walden gave to me, as a writer, and why I consider it so valuable for today. (Source)

Confessions of a Common Reader

Anne Fadiman | 4.40

I Feel Bad About My Neck

And Other Thoughts on Being a Woman

Nora Ephron | 4.39

Holidays on Ice

David Sedaris | 4.37

An American Lyric

Claudia Rankine | 4.36

Cheryl Strayed A really important book for us to be reading right now. (Source)

Jeremy Noel-Tod Obviously, it’s been admired and acclaimed, but I do feel the general reception of it has underplayed its artfulness. Its technical subtlety and overall arrangement has been neglected, because it has been classified as a kind of documentary work. (Source)

Christopher Hitchens | 4.36

Le Grove @billysubway Hitchens book under your arm. I’m reading Arguably. When he’s at his best, he is a savage. Unbelievable prose. (Source)

Notes of a Native Son

James Baldwin | 4.35

The Man Who Mistook His Wife for a Hat and Other Clinical Tales

Oliver Sacks | 4.34

Suzanne O'Sullivan I didn’t choose neurology because of it but the way Oliver Sacks writes about neurology is very compelling. (Source)

Tanya Byron This is a seminal book that anyone who wants to work in mental health should read. It is a charming and gentle and also an honest exposé of what can happen to us when our mental health is compromised for whatever reason. (Source)

Bradley Voytek I can’t imagine one day waking up and not knowing who my wife is, or seeing my wife and thinking that she was replaced by some sort of clone or robot. But that could happen to any of us. (Source)

The Empathy Exams

Leslie Jamison | 4.33

This is the Story of a Happy Marriage

Ann Patchett | 4.31

Sex, Drugs, and Cocoa Puffs

A Low Culture Manifesto

Chuck Klosterman | 4.30

Karen Pfaff Manganillo Never have I read a book that I said “this is so perfect, amazing, hilarious, he’s thinking what I’m thinking (in a much more thought out and cool way)”. (Source)

Bird By Bird

Some Instructions on Writing and Life

Anne Lamott | 4.29

Susan Cain I love [this book]. Such a good book. (Source)

Timothy Ferriss Bird by Bird is one of my absolute favorite books, and I gift it to everybody, which I should probably also give to startup founders, quite frankly. A lot of the lessons are the same. But you can get to your destination, even though you can only see 20 feet in front of you. (Source)

Ryan Holiday It was wonderful to read these two provocative books of essays by two incredibly wise and compassionate women. [...] Anne Lamott’s book is ostensibly about the art of writing, but really it too is about life and how to tackle the problems, temptations and opportunities life throws at us. Both will make you think and both made me a better person this year. (Source)

Zadie Smith | 4.29

Barack Obama As 2018 draws to a close, I’m continuing a favorite tradition of mine and sharing my year-end lists. It gives me a moment to pause and reflect on the year through the books I found most thought-provoking, inspiring, or just plain loved. It also gives me a chance to highlight talented authors – some who are household names and others who you may not have heard of before. Here’s my best of 2018... (Source)

What the Dog Saw and Other Adventures

Malcolm Gladwell | 4.28

Sam Freedman @mrianleslie (Also I agree What the Dog Saw is his best book). (Source)

The Witches Are Coming

Lindy West | 4.27

Against Interpretation and Other Essays

Susan Sontag | 4.25

How to Write an Autobiographical Novel

Alexander Chee | 4.25

Eula Biss Alex Chee explores the realm of the real with extraordinarily beautiful essays. Being real here is an ambition, a haunting, an impossibility, and an illusion. What passes for real, his essays suggest, becomes real, just as life becomes art and art, pursued this fully, becomes a life. (Source)

Changing My Mind

Occasional Essays

Zadie Smith | 4.25

Barrel Fever

David Sedaris | 4.24

Chelsea Handler [The author] is fucking hilarious and there's nothing I prefer to do more than laugh. If this book doesn't make you laugh, I'll refund you the money. (Source)

The Fire This Time

A New Generation Speaks About Race

Jesmyn Ward | 4.24

Why Not Me?

Mindy Kaling | 4.24

The View from the Cheap Seats

Selected Nonfiction

Neil Gaiman | 4.24

I Was Told There'd Be Cake

Sloane Crosley | 4.24

The Intelligent Investor

The Classic Text on Value Investing

Benjamin Graham | 4.23

Warren Buffett To invest successfully over a lifetime does not require a stratospheric IQ, unusual business insights, or inside information. What's needed is a sound intellectual framework for making decisions and the ability to keep emotions from corroding that framework. This book precisely and clearly prescribes the proper framework. You must provide the emotional discipline. (Source)

Kevin Rose The foundation for investing. A lot of people have used this as their guide to getting into investment, basic strategies. Actually Warren Buffett cites this as the book that got him into investing and he says that principles he learned here helped him to become a great investor. Highly recommend this book. It’s a great way understand what’s going on and how to evaluate different companies out... (Source)

John Kay The idea is that you look at the underlying value of the company’s activities instead of relying on market gossip. (Source)

Tell Me How It Ends

An Essay in Forty Questions

Valeria Luiselli | 4.23

Tina Fey | 4.22

Sheryl Sandberg I absolutely loved Tina Fey's "Bossypants" and didn't want it to end. It's hilarious as well as important. Not only was I laughing on every page, but I was nodding along, highlighting and dog-earing like crazy. [...] It is so, so good. As a young girl, I was labeled bossy, too, so as a former - O.K., current - bossypants, I am grateful to Tina for being outspoken, unapologetic and hysterically... (Source)

They Can't Kill Us Until They Kill Us

Hanif Abdurraqib, Dr. Eve L. Ewing | 4.22

Saadia Muzaffar Man, this is such an amazing book of essays. Meditations on music and musicians and their moments and meaning-making. @NifMuhammad's mindworks are a gift. Go find it. (thank you @asad_ch!) https://t.co/htSueYYBUT (Source)

This Is Water

Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life

David Foster Wallace | 4.21

John Jeremiah Sullivan | 4.21

Greil Marcus This is a new book by a writer in his mid-thirties, about all kinds of things. A lot of it is about the South, some of it is autobiographical, there is a long and quite wonderful piece about going to a Christian music camp. (Source)

The Mother of All Questions

Rebecca Solnit | 4.20

The Partly Cloudy Patriot

Sarah Vowell, Katherine Streeter | 4.20

Essays of E.B. White

E. B. White | 4.19

Adam Gopnik White, for me, is the great maker of the New Yorker style. Though it seems self-serving for me to say it, I think that style was the next step in the creation of the essay tone. One of the things White does is use a lot of the habits of the American newspaper in his essays. He is a genuinely simple, spare, understated writer. In the presence of White, even writers as inspired as Woolf and... (Source)

A Field Guide to Getting Lost

Rebecca Solnit | 4.19

A Man Without a Country

Kurt Vonnegut | 4.18

No Time to Spare

Thinking About What Matters

Ursula K. Le Guin, Karen Joy Fowler | 4.17

Pilgrim at Tinker Creek

Annie Dillard | 4.16

Laura Dassow Walls She’s enacting Thoreau, but in a 20th-century context: she takes on quantum physics, the latest research on DNA and the nature of life. (Source)

Sara Maitland This book, which won the Pulitzer literature prize when it was released, is the most beautiful book about the wild. (Source)

Maggie Nelson | 4.14

Furiously Happy

A Funny Book About Horrible Things

Jenny Lawson | 4.13

Women & Power

A Manifesto

Mary Beard | 4.13

Twenty Lessons from the Twentieth Century

Timothy Snyder | 4.12

George Saunders Please read this book. So smart, so timely. (Source)

Tom Holland "There isn’t a page of this magnificent book that does not contain some fascinating detail and the narrative is held together with a novelist’s eye for character and theme." #Dominion https://t.co/FESSNxVDLC (Source)

Maya Wiley Prof. Tim Snyder, author of “In Tyranny” reminded us in that important little book that we must protect our institutions. #DOJ is one of our most important in gov’t for the rule of law. This is our collective house & #Barr should be evicted. https://t.co/PPxM9IMQUm (Source)

Small Wonder

Barbara Kingsolver | 4.11

The Source of Self-Regard

Selected Essays, Speeches, and Meditations

Toni Morrison | 4.11

Hyperbole and a Half

Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened

Allie Brosh | 4.11

Bill Gates While she self-deprecatingly depicts herself in words and art as an odd outsider, we can all relate to her struggles. Rather than laughing at her, you laugh with her. It is no hyperbole to say I love her approach -- looking, listening, and describing with the observational skills of a scientist, the creativity of an artist, and the wit of a comedian. (Source)

Samantha Irby | 4.10

Both Flesh and Not

David Foster Wallace | 4.10

David Papineau People can learn to do amazing things with their bodies, and people start honing and developing these skills as an end in itself, a very natural thing for humans to do. (Source)

So Sad Today

Personal Essays

Melissa Broder | 4.10

Hope in the Dark

Untold Histories, Wild Possibilities

Rebecca Solnit | 4.09

Prem Panicker @sanjayen This is from an essay Solnit wrote to introduce the updated version of her book Hope In The Dark. Anything Solnit is brilliant; at times like these, she is the North Star. (Source)

The Faraway Nearby

How to Be Alone

Jonathan Franzen | 4.08

Regarding the Pain of Others

Susan Sontag | 4.08

The Essays of Warren Buffett

Lessons for Corporate America, Fifth Edition

Lawrence A. Cunningham and Warren E. Buffett | 4.08

One Day We'll All Be Dead and None of This Will Matter

Scaachi Koul | 4.07

Amy Poehler | 4.06

The Souls of Black Folk

W.E.B. Du Bois | 4.05

Barack Obama According to the president’s Facebook page and a 2008 interview with the New York Times, these titles are among his most influential forever favorites: Moby Dick, Herman Melville Self-Reliance, Ralph Waldo Emerson Song Of Solomon, Toni Morrison Parting The Waters, Taylor Branch Gilead, Marylinne Robinson Best and the Brightest, David Halberstam The Federalist, Alexander Hamilton Souls of Black... (Source)

In Praise of Shadows

Jun'ichiro Tanizaki | 4.05

Kyle Chayka Tanizaki is mourning what has been paved over, which is the old Japanese aesthetic of darkness, of softness, of appreciating the imperfect—rather than the cold, glossy surfaces of industrialized modernity that the West had brought to Japan at that moment. For me, that’s really valuable, because it does preserve a different way of looking at the world. (Source)

Ways of Seeing

John Berger | 4.04

Robert Jones He’s a Marxist and says that the role of publicity or branding is to make people marginally dissatisfied with their current way of life. (Source)

David McCammon Ways of Seeing goes beyond photography and will continue to develop your language around images. (Source)

John Harrison (Eton College) You have to understand the Marxist interpretation of art; it is absolutely fundamental to the way that art history departments now study the material. Then you have to critique it, because we’ve moved on from the 1970s and the collapse of Marxism in most of the world shows—amongst other things—that the model was flawed. But it’s still a very good book to read, for a teenager especially. (Source)

Tackling the Texas Essays

Efficient Preparation for the Texas Bar Exam

Catherine Martin Christopher | 4.04

The Book of Delights

Ross Gay | 4.04

Mere Christianity

C. S. Lewis | 4.04

Anoop Anthony "Mere Christianity" is first and foremost a rational book — it is in many ways the opposite of a traditional religious tome. Lewis, who was once an atheist, has been on both sides of the table, and he approaches the notion of God with accessible, clear thinking. The book reveals that experiencing God doesn't have to be a mystical exercise; God can be a concrete and logical conclusion. Lewis was... (Source)

I Remember Nothing

and Other Reflections

Nora Ephron | 4.04

On Photography

Susan Sontag | 4.03

Susan Bordo Sontag was the first to make the claim, which at the time was very controversial, that photography is misleading and seductive because it looks like reality but is in fact highly selective. (Source)

Notes from No Man's Land

American Essays

Eula Biss | 4.03

The Doors of Perception

Heaven and Hell (Thinking Classics)

Aldous Huxley, Robbie McCallum | 4.03

Michelle Rodriguez Aldous Huxley on Technodictators https://t.co/RDyX70lnZz via @YouTube ‘Doors of Perception’ is a great book entry level to hallucinogenics (Source)

Auston Bunsen I also really loved “The doors of perception” by Aldous Huxley. (Source)

Dr. Andrew Weil Came first [in terms of my interests]. (Source)

The Geek Feminist Revolution

Kameron Hurley | 4.02

Wow, No Thank You.

Samantha Irby | 4.01

A Modest Proposal

Jonathan Swift | 4.01

At Large and at Small

Familiar Essays

Anne Fadiman | 4.00

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11 Places to Find Great College Essay Examples

College Essays

 Sure, you might know the theory behind what a college essay is supposed to sound and look like . But just like reading a description of the Golden Gate Bridge pales in comparison to seeing it in person, there’s no replacement for seeing actual college essays written by students just like you. Well, almost like you – they’ve since gotten into college.

But where do you find good sources for reading sample college essays? How can you make sure that these resources will actually strengthen and improve your writing? And what is the best way to use the college essay examples that you do find? In this article, I’ll go over the best books and websites for finding essays, I’ll point out a few to avoid, and I’ll explain how to make the most out of other people’s essays while avoiding common pitfalls.

Why Look At College Essay Examples?

There are some very good reasons for wanting to check out how other people have handled the college admissions essay.

First, because you'll be able to get a better sense of what colleges are looking for, you will necessarily broaden your own topic brainstorming past your first, easiest, and most c lichéd i deas . It's one thing to hear that a completely mundane topic is way better than one focusing on your greatest sports moment. But once you see other students writing about a family meal, or an obsession with a particular board game, or a love of cultivating cacti, you'll be convinced to find your essay in the small moments of your life.

Second, you'll see how your life and writing compares to that of your peers . The great diversity of voices, topics, tones, points of view will show you just how many things you could possibly write about, and how to keep the essay connected to your personality and your voice.

Finally, if you really do have a good story to tell about something that gets written about a lot, like divorce, pet death, a community service trip, or winning the big game, you can get ideas for how to approach a potentially lackluster essay topic in a novel and striking way .

What Makes A Good Sample College Essay Resource?

First, the basics. A source is only as good as its content, so make sure you're reading  college essays that worked, from people who actually got into the schools they applied to . Also, it's best to focus on new essays (not older than 10-15 years), so you are reading what has worked in the most recent past, rather than seeing outdated ideas and historical perspectives.

Next, what you really want is diversity in voice and perspective . Make sure the essays featured come from many different kinds of students: either from applicants to both top and lower-tier schools; or from students with different ethnic, economic, and racial backgrounds; or from writers using both formal and more experimental essay techniques.

Finally, the best sources of admission essays will feature explanatory material . This will give each essay some kind of context: commentary on what makes the essay good, explanations of the drafting process, or, at least, biographical information about students. Without commentary or context, it’s hard to know what you’re supposed to learn from the essays you read.

Where to Find Great College Essay Examples

Here are my recommendations for excellent resources, as well as some warnings about resources that I think you should avoid. 

College Essays Collected in Books

I've taken a look at many of the books that collect college essays, so here are my recommendations. I've divided them into three categories:

• Excellent  – meaning  having really diverse essays or very helpful commentary on each essay, or both
• Worthwhile  – meaning either a helpful collection of essays without a lot of context or commentary, or some great advice but a narrow selection of essays geared toward one particular type of school
• Don't Bother   – not useful either as a source of college essays or as a source of essay-writing advice and explanations

Also, please note that although I’ve listed the Amazon prices for all the books, you should definitely check your school and public library for copies before buying them. And even if your library doesn't have a copy, ask them to request one either from another library in the same system or even from the Library of Congress through interlibrary loan .

Excellent Books

Heavenly Essays: 50 Narrative College Application Essays That Worked

Written by Janine W. Robinson, who blogs about college essays at EssayHell , this book features great sample essays. But it's Robinson's precise and clear explanations of how to use a narrative style in your essay to tell a story about your life that make the book really outstanding. Through long and detailed commentary on each essay, Robinson shows why narrative is exactly the kind of structure that works best for personal essays. You can check out sample sections from the book on her blog. The book retails for $10 new on Amazon.

On Writing the College Application Essay, 25th Anniversary Edition: The Key to Acceptance at the College of Your Choice

Harry Bauld used to be an admissions officer at Brown, so he certainly knows what he is talking about when he writes about  how and why to avoid clichés and explains how to find and keep your specific voice . Bauld demonstrates his points with sample essays, showing how they go from first to final draft. The book is easy to read, uses humor to make points, and his advice will carry over into your college writing as well. It is $12.50 new on Amazon, but there are much cheaper used copies available there as well.

The Berkeley Book of College Essays: Personal Statements for California Universities and Other Select Schools

This compilation features college admissions essays written by seniors from Berkeley High School (which is not affiliated with UC Berkeley). Because the city of Berkeley is economically, racially, and ethnically very diverse, these essays are about many different interests, perspectives, and experiences, and are written in many different styles and tones . Although there is no commentary for the essays, this collection is a great way to get a sense of the broad array of essay possibilities.

Also, because many of the students from Berkeley High apply to UC schools, this collection separates out UC application essay packages. (If you are interested in UC, also check out our own guide to writing excellent UC essays !) This book is currently $15 on Amazon. 

50 Successful Harvard Application Essays: What Worked for Them Can Help You Get into the College of Your Choice

Edited by the staff of the Harvard Crimson, this is a great collection of essays from a not particularly diverse group of students. It is very useful to see how the very top students approach the college essay, as long as their best effort neither intimidates nor stymies you. The contextual material is excellent, with helpful explanations of what makes each essay work well. This book retails for $12 new on Amazon, with much cheaper used copies also available.

Worthwhile Books

College Essays That Made a Difference, 6th Edition

This Princeton Review guide is mostly distinguished by its introductory material, which has detailed interviews with many different colleges at many different tiers about what role essays play in college applications, what kind of mistakes are okay, and what to write and not to write about. The sample essays themselves come without commentary, but each features a very short bio of the student, including test scores, GPA, a list of colleges where the person applied, and a list of colleges where the person got in. Right now, it's $11.50 new on Amazon, but there are cheaper used copies as well.

50 Successful Ivy League Application Essays

This collection of of college essays that worked, edited by Gen and Kelly Tanabe, has somewhat spare, but insightful, commentary explaining what each essay does well and what it could have done better . It also includes an interview with an admissions officer explaining how essays are used in admissions decisions and some comments from students about the writing process. The link above is to a downloadable PDF file.

50 Successful Stanford Application Essays: Get into Stanford and Other Top Colleges  

If you like the Tanabes' approach (they are the authors of the previous book), then you will find this one useful as well. The narrow diversity of essay content and the style of commentary (thoughtful, but not particularly detailed or expansive) is very similar. It's priced at $13.25 new on Amazon with some used options as well.

Fiske Real College Essays That Work  

The "Fiske" of the title is Edward Fiske, who used to be the Education editor of the NY Times, and who therefore has some experience with what colleges want from their applicants. The book itself features an introduction with some helpful essay-writing tips, a diverse selection of essays built around narrative, but unfortunately has very little commentary to go with each essay . It retails for $12.50 new on Amazon, with cheaper used options available.

2015 Elite College Application Essays

Although there's almost no commentary or discussion of what makes these essays work, this book is a reasonably good collection of essays from students who are now enrolled at Ivy and other top-tier schools. What's particularly appealing about this college essay compilation is how very new these essays are: all are from students who became freshmen in 2015 . The book is $14 new on Amazon.

Don't Bother

100 Successful College Application Essays

I'd recommend not spending your time on any of the editions of this collection. The essays are decades old in some cases, the topics are clichéd and boring, and there is little to no commentary to make any of them useful. 

College Essays Published Online

I'll split my recommendations here into "worthwhile" and "don't bother" categories. There aren't any truly great collections of sample college essays online.

Individual College Websites . There are many essays published online by the various colleges where these students now go. This means these essays are guaranteed to be real, authentic, and to have worked on someone's application . Some of the essays even come with brief commentary by admissions officers about what makes them great. (The link will take you to our list of over 130 essays from more than 15 different colleges.)

Teen Ink Magazine . Teen Ink publishes all sorts of writing by teens, including college admission essays, which are split off into their own section on the site. The essays necessary feature a wide range of experiences and perspectives, so this is a great place to get a broad sense of what other students are writing about. The essays don't have any context except comment sections that run the gamut from generic “this is good” comments to some insight. Readers also get a chance to vote on which essays are featured as #1, #2, etc., which may be misleading because readers of Teen Ink aren't admissions officers.

Don't Bother 

Watch out for paid websites like AdmitSee, CollegeMapper, and Acceptional, which claim to give you access to college essays for a monthly or fixed fee. Because of the paywall, there's no way to verify the quality of the essays these sites have. Also, there are enough books that you could borrow from your library that you don’t need to pay monthly fees to these places. Finally, I would particularly stay away from AdmidSee, which uses Amazon reviews for other essay resources as a marketing platform.

The Best Ways To Use College Admission Essay Samples

So now that you've rounded up a bunch of sample college essays, what should you do with them? Here are some tips for your next steps.

When Should You Read Essay Examples?

I'd advise waiting until after you've done some brainstorming of your own before you start immersing yourself in other people's work and ideas. (If you're not sure how to brainstorm, check out our guide to coming up with great college essay topics .)

This way, you can use other people’s essays to think about different possibilities for writing about your own topic. For example, looking at how other people tackled their life experience can show you:

• how to focus on a different detail in your own story
• how to change the insight you want to draw from your story
• how to think about different ways to start and end your narrative

What Can Good College Essays Teach You?

There are both broad and specific learning opportunities to be found in reading other people's work.

Broadly speaking, seeing how other people are approaching the problem of writing a college essay can jog your own creative process. Likewise, reading a diversity of thoughts and voices will show you that even the most normal and boring seeming experiences be made into riveting essays.

More specifically, if you find essays from applicants to your target school, you can get some sense of the level of sophistication they expect to see from your writing. 

Finally, good context and commentary on the essays can show you how they are put together and what makes them work. You can then put this advice to use when rewriting your essay later.

Pitfalls To Avoid

Of course, being surrounded by other people's work, especially when some of that work is much better than what you think you can manage, has its share of temptations. So what do you need to guard against when looking at sample essays?

Plagiarism. This one is basic and obvious. Do not copy these sample essays! Admissions officers have seen them all, read them all, memorized them all – you will not get away with it.

Copying and mimicry. Think of this as a softer kind of plagiarism. Even if you really like someone else’s style, don’t borrow it. Even if someone’s life sounds more exciting than yours, don’t steal a piece of it for your own essay. Why? Because if you don’t sound like yourself, it will be visible to an experienced reader (and guess what, admissions officers are very experienced readers). Also, if you’re writing about experiences that aren't yours, your unfamiliarity will show through the lack of believable details.

Resources for Essay Writing Advice

In researching this article, I came across books and websites that don't necessarily feature a lot of sample essays, but that give really excellent advice on writing your own college essay. I strongly recommend you spend some time checking them out.

Essay Hell blog . This great resource is written by Janine Anderson Robinson, an English teacher and a journalist, whose book Heavenly Essays I recommended above. The blog posts feature lots and lots of well-explained, detailed, easy to understand advice about how to write your essay, and are broken down into easy to understand, bite-sized nuggets of usefulness.

Slate 's Getting In podcast . The entire series is an interesting look at the college application process, with useful tips and explanations about all aspects what seniors are going through. Check out Episode 2: The Essay , in which a student gets feedback in real time on their essay from a former Princeton director of admissions and a panel of experts talk about essay dos and don’ts. The episode is 26 minutes long.

The College Essay Trap: Rescue Your College Application Essay From the "Maybe" Pile

This is incredibly concise and excellent explanation of what not to do and what to avoid when writing your personal statement. It's short, sweet, to the point, and is praised to the skies by legendary Princeton admissions dean Fred Hargadon. Currently $12 new on Amazon.

The Bottom Line

• Look at college essay examples to broaden your own topic brainstorming and get ideas for fixing lackluster topics.
• Look for resources with diverse and recent essays, from many different kinds of students and with explanatory material that explains what makes each essay good.
• Look at essay samples after you’ve generated some of your own ideas to think about different possibilities for writing about your own topic.
• Seeing how other people are approaching the problem of writing a college essay can jog your creative process.
• Avoid both actual plagiarism and “borrowing”: don’t use someone else’s style, voice, or life experiences as your own.

What’s Next?

If you’re starting to work on college essays, check out our article laying out every single kind of essay prompt out there and a step by step guide to writing a great college essay .

Are you working on the Common App essay? Read our breakdown of the Common App prompts and our guide to picking the best prompt for you.

Or maybe you're interested in the University of California? Check out our complete guide to the UC personal statements .

Working on other pieces of your college applications? We’ve got guides to choosing the right college for you ,  writing about extracurriculars , and requesting teacher recommendations .

Thinking about taking the SAT one last time, or prepping for your first run at it? Read our ultimate guide to studying for the SAT and make sure you're as prepared as possible.

These recommendations are based solely on our knowledge and experience. If you purchase an item through one of our links, PrepScholar may receive a commission.

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Anna scored in the 99th percentile on her SATs in high school, and went on to major in English at Princeton and to get her doctorate in English Literature at Columbia. She is passionate about improving student access to higher education.

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Writing Tips Oasis - A website dedicated to helping writers to write and publish books.

How to Write a Collection of Essays

By Georgina Roy

Table of Contents

1. Defining the genre

2. the writing process, 3. choosing the right essays, 4. publishing multiple collections, 5. selecting compatible themes, 6. the importance of arrangement, 7. chronological arrangement, 8. arranging for impact, 9. dealing with difficult themes, 10. the importance of second opinion, 11. analysis: are you offering something new, 12. presenting radical ideas, 13. writing and language style, 14. pre-publication options, 15. publishing the collection of essays.

Welcome to Writing Tips Oasis and our newest guide – how to write a collection of essays.

This guide will be different than others, and this is due to the fact that the type of work you’re trying to publish will not fall into a traditional genre – and by that, we mean literary fiction, non-fiction, and genre fiction , including everything from chic lit to dystopian fantasy and science fiction.

If we can call philosophy a genre – and not an academic discipline – then that’s where a collection of essays would belong to. However, philosophy is not isolated from other scientific studies, it encompasses learnings from many other academic disciplines, from history to psychology. A collection of essays may touch upon these, however, most often, a collection of essays is the place where a writer shares their own views and perspective on the world, the life they’ve lived, and the lessons they’ve learned along the way.

In other words, a collection of essays can be quite a niche, and that comes with its own consequences. In this guide, we will analyze the different aspects and things that you need to be careful about when writing a collection of essays, and, at the end, we will take a look at the publishing process and how it differs from publishing a fiction or a non-fiction book.

A collection of essays might fall under the umbrella of philosophy – barely, but it has an even more difficult time falling into a genre. It’s a mix of autobiography, memoir, and, well, blog posts, and as such, it can be a tough ordeal to even find the right audience for it.

For example, you may want to explore the things you learned while in your teens, and maybe your essays will provide a fascinating insight into what it’s like to be a teenager and what you would’ve liked to know at that age. However, who will read that? The teenagers you’re writing about may be more interested in reading YA vampire novels, people in their early twenties or even thirties may not be so keen to go back to those years – or even think about what they should have known at that age – and people who are older than that may have different things on their minds, which means your book of insightful essays may fall into the hands of other writers or a small group of people who like to think about those things.

Similarly, you may want to document everything you’ve learned as a new parent. Now, that, is a different story altogether, because there will be a lot of people who will relate to that – and be interested in reading it in order to see what they could learn from you. So, from a pure business and marketing point of view, a collection of essays on parenthood will have a better chance at attracting many readers than a collection of essays on being a teenager.

So, what can you do?

Well, for starters, write the essays first. So, let’s cover that aspect before we continue.

The writing process of a collection of essays is quite different compared to a novel or a non-fiction book. Could you decide upon each title in your collection and sit down to write them? Of course, but would those essays be genuine? Chances are, they would sound more like textbook passages, or, even worse, schoolwork assignments.

As such, what you really need to have when you decide to publish a collection of essays are written essays. Whether these will be written over the course of a year, five years, or a decade, is up to you and your writing habits. However, there is one truth that we may be able to claim with relative certainty: all writers write essays. If you’re a writer and you’re not writing essays at the moment, chances are you haven’t noticed that you do. For example, many writers would write essays as a warm up to writing in their novel. Moreover, what are non-fiction books these days but the author’s knowledge and opinion on a certain, specific topic? Of course, good non-fiction novels are supported by facts and a lot of research, but at the core of it, they are still a series of essays in a very specific, very narrow even, topic.

Of course, now, you may find yourself thinking that you should better give up on your goal to publish a collection of essays because you have none at the moment. Our advice is twofold. First, dig into your writing – especially your free writing, musings in your notebooks or forgotten word files in your laptop. Chances are, there is a lot of wisdom hiding in there. Second, make a habit to write down your thoughts. Life is chaos, that’s true, but we learn something every day, and we create the narrative of our lives through our thought processes. Start creating the habit to write these things down, as often as you can. Soon, you will begin to want to do it, because writing can also serve as a form of therapy where we make sense of things. Before you realize it, you will begin to write essays, and you may have enough essays to publish in a collection within a few months or a year.

But, the process does not end there. If the first goal is to have the essays already written, the second goal is to choose the right essays.

Let’s take a look at what that means.

In the first section, we talked about two different types of collections of essays, teenage years and parenthood. But, those two are nothing but examples of the themes and topics that your collection of essays will cover. In other words, you can have collections of essays on many aspects of life. From finding love in a busy world to being a new pet owner after a lifetime of fear of animals, for example. Dealing with hypochondria, dealing with mental illnesses, becoming a parent, choosing not to be a parent and the consequences of that – both personal and social and where and how they meet. You can have collections of essays on sociology, social issues, psychology, even history – if you can offer a different perspective on past events.

The opportunities are endless. Meanwhile, chances are, your essays will revolve around your own life, and what you learn along the way. This means that there will be a variety of topics that you will cover in your essays.

As such, welcome to the one and only rule of writing and publishing an essay collection: choose the correct essays, essays that will revolve around either a single topic or a variety of topics that will revolve around a similar theme or phase in life. You will write many essays in the course of your writing career – even more so if you decide to adopt the habit of writing things down – but that does not mean that every essay you’ve ever written will get to be published. To double down on it even, not every essay you’ve written will be publishable in the first place.

But, of those that are publishable, they will cover a variety of topics, each topic as different from the other as night and day, and those essays will ideally belong in different collections. So, let’s cover that first before we continue on what it means to combine different themes and topics in a single collection.

Some authors have found their niche and publish their essay collections and that is what their career as an author is based upon. Can you do the same?

The answer to that question is complicated. In theory – yes, you can. If you have enough material for many different collections, then you have completed the first step in achieving such a goal. The second step, unfortunately, depends on the wheel of fortune and lady luck herself. You can self-publish, yes; but will your first publication be successful without the backing (and the marketing team) of a publishing house that specializes in publishing essays? Moreover, will you even have the luck to get published traditionally without an agent – who, yes, also specializes in authors who write essay collections?

However, you can publish different collections of essays even if you are predominantly a fiction author. Look at how many authors from the 20 th century, like Bukowski, Bradbury, Vonnegut, and yes, even Stephen King have published their collections of essays throughout the years. Stephen King’s On Writing is one of the most famous books that aspiring writers are recommended to read (and again, consider this mention a recommendation too, because Stephen King is the king of writer discipline, which is what has made him so prolific over the years).

So, maybe after you analyze your essays, you will realize that you have material for three or four different collections. Which then begets the task of organizing the essays into a cohesive whole.

And that’s when you need to begin to think in terms of themes.

Before you even begin to think about which essays to select for your collection, you need to decide on the theme or themes that you will talk about. As writing essays can often be a stream-of-consciousness effort rather than a planned one, you may be tackling different themes as you write them. So, when the moment comes to decide which theme will be prevalent in the essays, you may feel strangled by the need to choose just one.

However, that is the furthest thing from the truth. The goal here is to not promise something that you will not deliver upon – in the title, in the description, in the blurb of the book. If you wish to gather all the essays you’ve written while living in a certain town – whether your hometown or not – then, by all means, allow the reader to understand that the town will be what connects all of them. On the other hand, if you wish to cover your life experiences as an expat for example, or what living as an expat has taught you, then make sure to keep within that margin. The difference between the first and the second example is that the first one is a lot narrower. To continue with the example, let’s say that you were born in one town, but are writing about your experiences while living in another town. In this case, your essays about your hometown will not belong in that collection.

On the other hand, if what connects all your essays together is your life as an expat (still continuing on the other example above), then you can include not only essays about your hometown, and the new town where you moved, but you can include every other essay where your perspective as an expat comes into play.

Again, these two are just examples. You may wish to write about being a feminist (or, as is the case of Roxane Gay, about being a Bad Feminist), and what that means to you. In this case, you would include all the essays where the ideas you express come from that aspect – and it doesn’t matter whether you are talking about the interpretation of dreams or the most prevalent pop culture ideas of the current times.

As such, do not mix essays that do not have a correlation between them. For example, you should not really mix essays on the prevalent homelessness in NYC, while in the same collection, include an essay about what partying at Columbia University was really like. Not only are those two topics quite disconnected from one another, but it would also be in bad taste and give an impression that you, as the writer, are unaware of your own privilege.

Once you make a decision on what would be the theme or aspect about yourself or your life that will connect all of the essays in your collection, you can begin to think about the arrangement of the essays.

How you arrange the essays in your collection is just as important as the essays themselves. There are a few different ways that you can do this: chronologically, for impact, or, to create a cohesive narrative whole.

First and foremost, each essay you have chosen needs to present a point and argue for or against that point, based on your perspective. A collection of essays is not a memoir or an autobiography that will recount past events or experiences – but, an essay will contain those past experiences, along with a certain amount of established, confirmed research findings if you’re dwelling into themes and topics where you need the support of such findings to argue your points. But, an essay needs to have a point, it should end on an abrupt note where it feels unfinished, even if that note may seem powerful to you personally.

A collection of essays, in turn, needs two things: each essay needs to correspond well with the overall theme that connects all of them, and, ultimately, it needs to form a cohesive collection of ideas on the established theme. Whether this will be done through a chronological arrangement, an arrangement for impact, or through an arrangement that hints at a narrative without delving too much into fiction, will depend on both the theme and the author themselves – or, upon you as the author. But, once you decide on which path to take, then make sure to stick to it to ensure that reader gets to close your book after reading all of your essays with the feeling that they have, by reading your essays, gained a new perspective of the theme you are talking about in the essays.

Since it’s impossible to distil these different arrangements without using examples, we will go back to our two previous examples: a collection of essays written in one town, and a collection of essays about your (supposed) life as an expat. And, since we mentioned three ways, we will add another example theme, which can be feminism.

Of our previous examples of themes, the example of life as an expat works best for chronological arrangement of essays. There will be a difference in the essays one would have written in the beginning of such a major change in life, and as time goes along, those essays will have gained a different tone and perspective.

There are other themes that can benefit from chronological arrangement. For example, coming of age in a certain country, coming of age in a certain time period (the 60’s, the 70’s, the 80’s and so forth), coming of age in the time period of the early to late 2000’s, and the major worldwide changes that ensued as a result of the technology boom, or, growing up with a smartphone in hand (something that we assume newly fledged adults will be writing about in the next decade).

The common correlation between all of these themes is time: as time passes, the perspective changes. There is always a change in the tone from the first to the last essay, and the last essay should wrap things up and offer a conclusion on the overall theme presented in the collection. In the end, reading such a collection makes the reader feel that they have gone through a philosophical journey just as much as the author did, and are able to understand the author’s perspective and ideas – even if they don’t agree with them.

Another title for this section could be “arranging due to impact” because there are two different paths the author can take here. First, you can arrange the essays to create a different impact with each of them. Meaning, each essay’s impact will be calculated and placed specifically in that spot in the collection because that essay will be more painful, powerful, or maybe, more humorous than the ones before and after it. Depending on the difficulty of the themes you’re tackling, you might want to arrange the essays in such a way so as to not overwhelm your readers.

To go back to our example, let’s say that your collection is about living a single town. Life in a single town, in which case you can have essays about life, which yes, will include death and birth and everything in between. For example, if your first essay is about death, grief, or mourning, you may have exhausted the reader completely, even though they’ve just begun reading your collection of essays.

However, on the other hand, maybe you do want to start with a bang and then continue on with the other essays. In this case, you want to ensure that you do not use up the most powerful essays all at once in the beginning of the collection, because then your readers might not stick around when the individual themes and topics of the essays become lighter.

In the end, when it comes to arranging for impact – or as a result of the impact of the individual essays – you are the one who should make the final decision on which way you will go. However, it’s very important to keep this impact in mind because ultimately, you want the readers to enjoy reading your collection, even if it deals with difficult themes (and, truthfully, though often humorous, most collection of essays do deal with difficult themes that would make most people even a little uncomfortable). So, the idea is to ease your readers into it before presenting them with some of the most difficult essays – essays that would have a great emotional impact on the readers.

Which brings us to arranging with hints of narrative – and dealing with difficult themes.

When it comes to dealing with difficult themes – or, perhaps the better word here would be traumatic themes – like rape, grief, mourning, murder, suicide, – arranging the essays in such a collection can be a huge challenge.

And the truth is that there is no “correct” way of arranging the essays when it comes to themes like these. Your readers will always fall into two categories: people who have gone through that traumatic experience, and people who haven’t. And each individual from both groups will experience your collection differently.

The reason why we mentioned arranging the essays with a hint of a narrative is because when it comes to themes like dealing with trauma and grief, arranging the essays in such a way can give the reader hope – especially if you do have essays that focus on the aspect of healing. If that’s the case, you have the opportunity to divide the essays in three parts (just like a novel has a beginning, a middle, and an ending). You have the essays that talk about life before the traumatic event, the traumatic event, the post-traumatic period, and the healing period.

Please note that this doesn’t mean that you need to create a fictional story or to rewrite your essays so that they read like fiction, or a string of loosely connected short stories. If you do that, you’ve delved either into fiction territory, or the territory of a memoir or an autobiography (about a certain time period of life). What we talk about is having the essays arranged in such a manner as to show the process of dealing with the trauma and healing.

Or, in other words, you are not always right. Here, we will get a bit away from difficult themes and talk about the other type of difficult topics that we are dealing with today: social issues. As the year 2020 showed, the world is full of social injustices based on race, religion, ethnicity, wealth, sexual orientation, gender (or non-gender) … we can go on and on.

And you may have some strong opinions on these issues. That, however, automatically, will not make you right. In fact, these issues are so complicated, and each person’s views will differ so much that the writer’s background always gets involved into the importance of their opinion – which is not necessarily a good thing – but it happens. Even when a woman writes about what it means to be a feminist, there may be other women who will disagree with her views. Or, a person of color might write about what it means to be oppressed, and then another person of color may come forward and dispute all of those claims. Alas, that is the world we live in.

The best thing you can do is try to get a second opinion – not from a friend, a lover, or a family member, or a person who you know will agree with your views. Quite the opposite actually. Have your essays read by someone who may actually disagree with your views. Have your essays beta read by strangers whose opinion you cannot gauge before you give them your collection. Try to get as many unbiased opinions as possible, and then listen to their feedback.

And this isn’t just because you’re not always right. Additionally, there will always be the chance that some people will not understand your essays. Maybe you did not express your views in the correct manner (which happens quite often), maybe you said something that can be easily taken in a negative connotation out of context – which can later on be posted in reviews of your collection. And don’t forget that cancel culture exists – these days, any public figure can get “cancelled” really quickly because of a wrong word in a wrong spot in a single sentence. It’s not just about not offending a person, a group of people, or a whole nation or gender, it’s about not having your career ruined before it has even begun.

We’ll talk more later about the difference between being honest in your views and being offensive, but first, let’s take a look at what you would be offering in the essays themselves.

Like with any other genre of fiction or non-fiction niche, before you start with the publishing process of your essay collection, read other author’s collections – yes, in the particular theme or topic you wish to tackle.

Read as many as you can. And then, start analyzing.

In fiction, it is advisable to read as many novels in your genre so that you will ensure that you will not publish something that has been seen before. For example, you may have a great idea about a love story between an overbearing, overprotective Alpha-male, and a not-quite-submissive heroine who still needs the hero to rescue her on occasion. And if you thought how that sounds like Twilight (and its adult spawn, 50 Shades of Grey ), you’d be correct.

The same applies to non-fiction niches too. You may have a great idea about a cookbook full of your grandmother’s southern cooking recipes. But then, you do your research and discover that there are about a hundred books out there on southern cooking, and about half of them have the same recipes that you thought were unique to your grandmother’s kitchen.

The same applies to essay collections. You may think that you have great ideas and great insight into life, the universe, and everything, but you may also discover that about a hundred other authors have already said the same thing in different words.

However, do not despair! The chances of that particular scenario happening with a collection of essays is quite slim (but not impossible). Worst case scenario, a few of your essays may present ideas that have been explored by other authors. But, that doesn’t mean that your particular individual perspective will not offer anything new to the table. Because of that, read as many collections as you can, and then analyze your own essays. Decide which essays fall into the category of “no one has said this before” and the category of “someone has talked about this, but they haven’t proposed this idea’ and “people have already talked at length about this, and I’m not really offering anything new.”

And, even better news: the chances of your essays falling into the third category are even slimmer, unless you’re talking about how it’s really bad to hit and abuse street animals, for example. In other words, your essays would need to be written about universal topics with views that are easily shared by most good and kind people in the world. On the other hand, if you’re proposing new and radical ideas about what society should do to protect these street cats and street dogs, then, most of the same good and kind people in the world would probably be all ears.

So, what happens when you do have radical ideas?

First and foremost, the term “radical idea” is both vague and specific, because an idea that was radical fifty years ago is a normal and accepted idea today. An idea that goes against the established common norm is a radical idea, even if it may seem like a normal idea to you, personally. Some radical ideas are positive, however, some can be quite negative. And then, there are the ideas that appeared radical at a first glance, but in reality, they are what should have been the norm all along (like, for example, women having the right to vote and the right to equal wages in comparison to men).

As such, the first thing to do is to analyze – in the same way as in the previous section – whether your ideas can or would be considered radical by your readers. The second step is to see whether you are presenting your ideas properly. As we talked before, you do not want to be misunderstood, because that can be something that will kill your career before you’ve even begun it properly, and this can be especially important if you are planning on making a career as a public speaker and writer of essay collections.

To put it into an example, let’s use feminism as a theme here. Today, the word feminist can often be correlated with a person who believes in equal rights for all genders. On the other hand, a feminist can be also correlated with a person who believes that women need and should not only get special rights, but also special treatment. And, the line between those two gets really, really blurry quite often, so much so that, as we’ve mentioned before, a feminist can read an essay written by another feminist and disagree with the writer and call their views radical (and maybe even harmful).

The best thing to do to avoid being mislabeled and misunderstood is to be very clear in your essays that you do not discard the established norm – or the general view of the idea, but that your idea also deserves merit and consideration. To go back to feminism, or, even deeper, rape culture. Today, it is widely considered that one in five women will be the recipient of unwanted sexual and/or romantic attention. A study in the The New England Journal of Medicine suggested that this number can be lessened by teaching young girls and women to speak up when they feel that their boundaries are being threatened. However, it would be easy for that statement to be misinterpreted as “we need to teach women how to defend themselves, but there is no need to teach men about consent.”

You might think, “Oh, they are my essays, and I will write them in any writing style I want.”

You’d be very wrong.

The language and writing style is your choice – however, remember what we talked about in a previous section: you do not wish to alienate your readers by false advertising. Meanwhile, different topics will require a different writing style. For example, observations about life in the modern small town will sound the best written in a language style that would be easy to follow and understand. You might even call it, workman-like prose that does not ask the readers to have had a high SAT score to understand.

On the other hand, if you’re writing about grief and dealing with grief, your language style will have a different requirement. Yes, it’s okay to use workmanlike prose in it too; but, since you would also want to add credibility to your opinions through established psychological research, you might want to find a balance between an academic style and workmanlike prose.

Moreover, you have essays on topics that require a more academic-sounding voice, like societal issues and similar topics. In this case, it’s best to lean slightly towards a more formal, more academic prose that will convince the readers that you know what you’re talking about.

The good news is that this is an issue you would have to deal with in the editing process – after you have chosen your essays and determined their arrangement in the collection. When the time comes for you to edit the collection – and editing is necessary, even if your essays have already been written – you can work on the writing style and use of language in your prose. That is to say, you will not be changing your views or opinions on anything, you will basically be tightening the prose.

Another thing to ensure when you’re editing the essays (which is the final step before starting the publication process), is that all of the essays use the same writing style – regardless of whether the style is humorous, serious, academic, or workmanlike prose. Even so, we would not recommend using workmanlike prose too much in your essays as this can harm your credibility and make people feel that they are reading your blog posts in print – or eBook version of them. Your writing style needs to reassure the readers that your opinions are worth reading about, that they are worth something, and that your insights into the topics you’re talking about are valuable and worth paying for (since ultimately, readers would be buying your essay collection, and you want to ensure that they have gotten their value for the money).

Finally, you would have to proofread your collection. In this step, you should pay attention to spelling and grammar mistakes, yes, but also, pay attention to repetitive words and phrases. When you’re writing in free form (or free writing), you may tend to use the same phrases over and over again without even realizing it. If your essay collection will be beta read, then ask your beta readers (even if they are your friends), to tell you about the phrases that you use most often. In fact, a good beta reader will tell you this even without you asking for that.

Finally, your collection will be ready and in mint condition. And the question that arises after that is: what now?

Well, let’s take a look at some of your options.

First and foremost, understand that publishing any book requires a lot of patience. The road to a successful release of a book is long and difficult, and it will ask you to work for a long time before you will see the fruits of your labor. This is true for any book.

Sure, you might say, but how did this author or that author do it? Well, the answer to that is: it doesn’t matter. It doesn’t matter what the experience was for another author because each author will have their own unique story of how they got published, and, even if you follow their way step by step, you still might not get the same result because publication – successful publication – depends half on luck, and half on the quality of your work.

However, the good news is that there are some things that you can do to make the road to publication for your own essay collection easier.

1) Get out there: Meaning, establish yourself online. Create professional social media accounts for yourself, create a website and a blog. Make sure you’re not an unknown commodity because in that case, publishers will not bet on your book collection being successful, which will make it more difficult for you to get traditionally published. And, if you’re self-publishing, the same applies. A self-published book by an author with a large following online will get more traction, because you would already have a fan base waiting for your book – even if that fan base is small.

2) Get published in magazines: Both online and in print. This will require you to do your homework – meaning, do a lot of research. There are plenty of online magazines out there, as well as magazines that are still in print. Analyze your essays. The good news is that you can publish your essays individually in these magazines to gain traction, and then you will be able to attract publishers for the whole collection. The bad news is that you need to pitch your essays to the right magazines. First, you want to get published in magazines that have a large reader base. Second, you need to make sure that the content and writing style will match the magazine’s style and content. However, you can try to get published in many different magazines, which in this case, can be very helpful because it might enable you to gain traction as an essay writer (or a columnist) quicker. In other words, depending on the content of your essays, you can seek out different types of magazines that will match different essays from your collection.

3) Be a columnist or a guest blogger: Seek out bloggers who have a wide audience and try to be a guest blogger on their blog. Make sure, again, that the topics of your essays will match the topics of the blogger, and, make sure that that particular blogger is a person whom you would not mind to be associated with later on. On the other hand, when it comes to magazines, instead of trying to sell your essays to them, try to become their guest columnist. Again, this doesn’t mean that you need to track down a cooking magazine and try to write a column for them. The magazine should be publishing material that fits you as a writer and fits the themes that you like to write about, especially because a column is a piece that is very close to an essay – meaning, the writer shares their own personal opinion about a certain theme, topic or an issue.

To conclude here, before you begin the publishing process – of which we’ll talk about next – try to make a name for yourself out there. For example, some vloggers from YouTube have landed publishing deals due to garnering a big following there. Having a platform that will wait for your work to get published can be a huge help in having a successful publication that will kick-start your career as a writer – even if you’re not getting traditionally published.

As with any other publication process, you can take two different routes: self-publishing, or traditional publishing. And, if you think that one or the other is easier, you’d be terribly wrong, because both routes are difficult, and, as we’ve already said in this guide, it will require patience.

First, getting an online platform – or getting followers online on social media and websites like YouTube or even Twitch, can be a huge help. It’s not a guarantee that when you publish your essay collection, it will be a major success. You may sell a lot of copies, but the general feedback might not be as optimal as you’d hoped (and nothing will hurt your ratings like bad reviews or Goodreads and Amazon, the two platforms that people use the most these days when they choose the next books).

But, let’s talk about the two publishing processes so far.

Self-publishing: it can be done through Amazon and other platforms, but Amazon also offers print-on-demand, which means that you can get published both in print and in eBook format easily. In this case, your job will involve becoming your own marketing consultant, your own publicist, and your own sponsor for ads and other paid promotion options. And yes, this can be a huge cost for you, and you will not have the guarantee that your investment will pay off. What you can do is ensure that the book has a catchy title and a blurb. Focus on who you are: what makes you unique? Is it your cultural background, or is it your personal experience with the topics you would be covering in your essay collection? Whatever makes you, the writer, unique, needs to be put in the blurb for your essay collection. Read other books’ blurbs.

For example, Roxane Gay’s extremely successful Bad Feminist has what makes her unique in the title: she considers herself an unconventional feminist, and the essays in that essay collection all revolve around that topic. On the other hand, you have Aleksandar Hemon’s The Book of My Lives , which chronicles his life in Sarajevo before the war, and his life in Chicago while his hometown is under siege, where the only thing he was able to do was watch from afar. The one similarity it has with Bad Feminist is in the title: it immediately points to what makes the author unique and what makes their perspective unique. So, your book collection’s title itself should point out to both what makes you, as the writer, unique, and it should point to the topics you are talking about in your essays.

Meanwhile, don’t forget about the cover. Again, it should suit the themes and topics you are covering, and, it should look professional and well done. If you have the skills to create a cover on your own, that’s great, but if your cover looks like something a teenager created while writing fanfiction on Wattpad (and even on that platform, fanfiction covers have become better and better), then you might consider hiring a professional to do it for you.

Traditional publishing: you might think that getting traditionally published will save you the headache of dealing with everything we’ve described above. Again, you’d be wrong. Getting traditionally published means finding a publisher for your novel. Many publishing houses do not accept unsolicited manuscripts, no matter how well written they are, and if they do, you might end up in the slush pile that gets touched upon once or twice every quarter. With a lot of other manuscripts, essay collections written by authors like yourself.

To avoid this, you would need an agent, someone who will pitch your essay collection to the correct publishing houses that, in turn, might want to sign you on. First, you need the right agent – someone who is established in the niche that is essay collections, and who has successfully worked with other authors who’ve published similar works, like biographies, autobiographies, and memoirs. Even so, your best bet might be an agent who’s worked with author’s who’ve published essay collections – or at least one or two authors. Next, it would be a good idea if the agent also has experience in publishing essay collections in similar topics to the ones in your collection.

Furthermore, the publishing house you will be aiming for – if you have a good agent, they will probably already know which publishing houses would be interested in publishing your work. However, if you do not have an agent yet and you still want to send your manuscripts to publishing houses that do accept unsolicited manuscripts, make sure it’s the right publishing houses – meaning, again, they will have published similar work before. Do not send your manuscript of essay collections to a publishing house – or an imprint of a publishing house – that publishes collections of short stories or anthologies. First, they will probably not sign you on, second, even if they do, their audience is not the right audience for your essay collection.

Again, even if you do get an agent, that agent will need something to work with, and not just your essays and the topics you’re covering. For example, sure, you might have written several essays on race and social injustice, but, today, there are many essay collections that deal with that topic, so, there has to be something about you – or your essays – that sets your work apart from all of those that have come before. Moreover, a publisher might reject your manuscript simply because you’re an unknown author who hasn’t established themselves yet, and, even though your essays are well written and have great insights into many problems of the world today, they might not sign you on because they don’t believe that your essay collection will sell well.

That’s why we can’t recommend this enough: create an online presence for yourself, first and foremost. Even if it takes you a year to actually publish your essay collection, start building that online presence right now. Moreover, there are different ways to use social media in a way that will benefit you, the author, and your brand (or the brand you will build around your name as an author). Be careful not to post something or say something online that will backfire on you in the future.

If you want to self-publish, do not do it immediately. Start with the online presence. Then, create a book page for your book on Goodreads. Set up a publication date some months in the future, and create a pre-order page on Amazon. Create a website and a blog, and connect your online presence with the website and the blog. Send out ARCs (advanced reading copies) to reviewers who have a following, and, more importantly, who have reviewed essay collections before. Try to gain traction by being a guest blogger with bloggers who focus on similar themes as yours, and who, ideally, have a large platform themselves and are willing to have you on their blog.

Ultimately, whichever publication route you take, prepare yourself for a lot of work and a lot of patience. It might be a while before your work sees the light of day. Make sure that your essays in the collection have a timeless value (for example, if your essay is talking about a topic that was prevalent and specific when you originally wrote it in 2014, it might not be quite relevant in 2021). More importantly, once you start building your author’s brand online, do not stop, and do not quit. Keep going, even if it takes you a while to build your platform – because, without it, all of your effort might not lead to the commercial success you want. And again, while a platform is no guarantee, it certainly will help to an extent.

Georgina Roy wants to live in a world filled with magic. As a screenwriting student, she is content to fill notebooks and sketchbooks with magical creatures and amazing new worlds. When she is not at school, watching a film or scribbling away in a notebook, you can usually find her curled up, reading a good urban fantasy novel, or writing on her own.

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A Collection of Essays Paperback – October 21, 1970

• Print length 336 pages
• Language English
• Publisher Mariner Books Classics
• Publication date October 21, 1970
• Reading age 14 years and up
• Dimensions 5.31 x 0.83 x 8 inches
• ISBN-10 0156186004
• ISBN-13 978-0156186001
• See all details

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Editorial Reviews

Amazon.com review.

This essay alone would be worth the cover price, and the dozen other pieces collected here prove that, given the right thinker/writer, today's journalism actually can become tomorrow's literature. "The Art of Donald McGill," ostensibly an appreciation of the jokey, vaguely obscene illustrated postcards beloved of the working classes, uses the lens of popular culture to examine the battle lines and rules of engagement in the war of the sexes, circa 1941. "Politics and the English Language" is a prose working-out of Orwell's perceptions about the slippery relationship of word and thought that becomes a key premise of 1984 . "Looking Back on the Spanish War" is as clear-eyed a veteran's memoir of the nature of war as you're likely to find, and Orwell's long ruminations on the wildly popular "good bad" writers Charles Dickens and Rudyard Kipling showcase his singular virtues--searing honesty and independent thinking. From English boarding schools to Gandhi's character to an early appreciation of Henry Miller's Tropic of Cancer , these pieces give an idiosyncratic tour of the first half of the passing century in the company of an articulate and engaged guide. Don't let the idea that Orwell is an "important" writer put you off reading him. He's really too good, and too human, to miss. --Joyce Thompson

About the Author

George Orwell (1903–1950), the pen name of Eric Arthur Blair, was an English novelist, essayist, and critic. He was born in India and educated at Eton. After service with the Indian Imperial Police in Burma, he returned to Europe to earn his living by writing. An author and journalist, Orwell was one of the most prominent and influential figures in twentieth-century literature. His unique political allegory  Animal Farm  was published in 1945, and it was this novel, together with the dystopia of 1984 (1949), which brought him worldwide fame. 

Product details

• Publisher ‏ : ‎ Mariner Books Classics; First Edition (October 21, 1970)
• Language ‏ : ‎ English
• Paperback ‏ : ‎ 336 pages
• ISBN-10 ‏ : ‎ 0156186004
• ISBN-13 ‏ : ‎ 978-0156186001
• Reading age ‏ : ‎ 14 years and up
• Item Weight ‏ : ‎ 2.31 pounds
• Dimensions ‏ : ‎ 5.31 x 0.83 x 8 inches
• #1 in Historical Event Literature Criticism
• #1 in Political Literature Criticism
• #84 in Essays (Books)

About the author

George orwell.

George Orwell is one of England's most famous writers and social commentators. Among his works are the classic political satire Animal Farm and the dystopian nightmare vision Nineteen Eighty-Four. Orwell was also a prolific essayist, and it is for these works that he was perhaps best known during his lifetime. They include Why I Write and Politics and the English Language. His writing is at once insightful, poignant and entertaining, and continues to be read widely all over the world.

Eric Arthur Blair (George Orwell) was born in 1903 in India, where his father worked for the Civil Service. The family moved to England in 1907 and in 1917 Orwell entered Eton, where he contributed regularly to the various college magazines. From 1922 to 1927 he served with the Indian Imperial Police in Burma, an experience that inspired his first novel, Burmese Days (1934). Several years of poverty followed. He lived in Paris for two years before returning to England, where he worked successively as a private tutor, schoolteacher and bookshop assistant, and contributed reviews and articles to a number of periodicals. Down and Out in Paris and London was published in 1933. In 1936 he was commissioned by Victor Gollancz to visit areas of mass unemployment in Lancashire and Yorkshire, and The Road to Wigan Pier (1937) is a powerful description of the poverty he saw there.

At the end of 1936 Orwell went to Spain to fight for the Republicans and was wounded. Homage to Catalonia is his account of the civil war. He was admitted to a sanatorium in 1938 and from then on was never fully fit. He spent six months in Morocco and there wrote Coming Up for Air. During the Second World War he served in the Home Guard and worked for the BBC Eastern Service from 1941 to 1943. As literary editor of the Tribune he contributed a regular page of political and literary commentary, and he also wrote for the Observer and later for the Manchester Evening News. His unique political allegory, Animal Farm was published in 1945, and it was this novel, together with Nineteen Eighty-Four (1949), which brought him world-wide fame.

It was around this time that Orwell's unique political allegory Animal Farm (1945) was published. The novel is recognised as a classic of modern political satire and is simultaneously an engaging story and convincing allegory. It was this novel, together with Nineteen Eighty-Four (1949), which finally brought him world-wide fame. Nineteen Eighty-Four's ominous depiction of a repressive, totalitarian regime shocked contemporary readers, but ensures that the book remains perhaps the preeminent dystopian novel of modern literature.

Orwell's fiercely moral writing has consistently struck a chord with each passing generation. The intense honesty and insight of his essays and non-fiction made Orwell one of the foremost social commentators of his age. Added to this, his ability to construct elaborately imaginative fictional worlds, which he imbued with this acute sense of morality, has undoubtedly assured his contemporary and future relevance.

George Orwell died in London in January 1950.

Customer reviews

• 5 star 4 star 3 star 2 star 1 star 5 star 73% 16% 6% 1% 4% 73%
• 5 star 4 star 3 star 2 star 1 star 4 star 73% 16% 6% 1% 4% 16%
• 5 star 4 star 3 star 2 star 1 star 3 star 73% 16% 6% 1% 4% 6%
• 5 star 4 star 3 star 2 star 1 star 2 star 73% 16% 6% 1% 4% 1%
• 5 star 4 star 3 star 2 star 1 star 1 star 73% 16% 6% 1% 4% 4%

Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.

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Customers say

Customers find the book a great read with interesting essays by a brilliant author. Opinions are mixed on the writing quality, with some finding it inspiring and well-written, while others find typos that make the book unreadable.

AI-generated from the text of customer reviews

Customers find the book a great read, a classic of English literature, and engaging. They also say it's much longer than expected.

"...The thinking laid out in this book is that good ; that clear; that unique...." Read more

"...comics for boys, or explaining his own compulsion to write, Orwell is always engaging and writes in clear, crisp prose that most essayists can only..." Read more

"...but the clarity and incisiveness of Orwell's writing makes him worth reading whether he's discussing the trouble with leftist politics or the..." Read more

"...It kept my attention though it was much longer than I had anticipated. I did struggle through it at times and breezed through it at others...." Read more

Customers find the author interesting, with decades of experience and insight. They also say the descriptions are strong and able to induce particular emotions, but the style remains clear.

"...in which Orwell lived and simultaneuosly displayed an absolutely timeless thought process ...." Read more

"...It is insightful on Dickens the man and his politics, and how they relate to his work...." Read more

"...His writings and this collection of essays are very introspective of the eccentricities of human nature; his satire is cutting to the bone in it's..." Read more

"The collection provides a nice variety of topics and eras in Orwell's life...." Read more

Customers find the book collection great.

"...This is a great collection ." Read more

"...So this collection is worth buying - assuming one wants a print copy of essays which are available online. It decently presents the full Orwell...." Read more

"The collection provides a nice variety of topics and eras in Orwell's life..." Read more

Customers are mixed about the writing quality. Some mention that the essays are well written, representative, and excellent. They also appreciate the detached thinking and writing, clear and cutting voice, and straightforward style. However, others say that there are so many typos that the edition is unreadable, the table of contents is unreadable, and some of the essays were quite dull.

"...Aside from that, these are clearly the writings of a balanced thinker , someone who could mentally stand apart from the times he lived in and the..." Read more

"...These essays are the best in the genre , and definitely among Orwell's best essays...." Read more

"...Some of the essays were quite dull , however, But I enjoyed the ones on writing and how written English often moves toward obscurity...." Read more

"...This collection contains several classic essays -- "Shooting an Elephant", "Politics and the English Language", "Such, Such were the Joys"..." Read more

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17 Short Story And Essay Collections For When You Want To Laugh, Cry, Think, Or Swoon

Whether you're in a reading slump or just want to read something different, these collections will revitalize you!

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1. Girls Can Kiss Now by Jill Gutowitz

Jill Gutowitz's debut essay collection has solidified her own place in the lesbian canon, which she explores in-depth in one of her essays where she lists vital pieces of it, including oat milk, elderflower syrup, and "Eliza Dushku just existing." If you haven't read Jill's work yet, I don't know what you're waiting for — she is consistently the funniest and best person to follow on Twitter and her Gaylor missives are not to be missed. 

Jill's exploration of her own identity is told through era-defining anecdotes, a reminder of just how influential pop culture really is on our lives — which isn't a bad thing, according to Jill. If you love the early aughts-setting of PEN15 , Lindsay Lohan , and folklore , this is the perfect read for you.

Get it from Bookshop or through your local bookstore via Indiebound . You can also try the audiobook version through Libro.fm.  

2. Game On: 15 Stories of Wins, Losses and Everything In Between edited by Laura Silverman

This YA anthology is a prime example of the millions of ways a prompt can be interpreted. While the cover may trick you into believing this anthology is all about sports, it's not the case. For instance, Nina Moreno, author of Don't Date Rosa Santos , has an endearing sapphic story about two girls who fall in love playing a farming sim (aka what queer cottagecore dreams are made of). And the first story in the collection, Sona Charaipotra's "Let It Spin," tells of a game of spin the bottle that changed the direction of its MC's life, detailing a devastating friendship breakup . Editor Laura Silverman also has a story in the anthology about sexism and tabletop gaming. And sure, there are sports stories in it, too, ranging from cheerleading to soccer and everywhere in between. There's something for everyone here.

3. Body Work: The Radical Power of Personal Narrative by Melissa Febos

A new collection of essays by writer Melissa Febos navigates the relationship between mind and body, how they are less separated than we think, and how our bodies dictate the way we remember and tell stories. A craft book at its core, the ideas presented will invoke thoughts about process for writers, but it's an insightful read whether you're a writer or not. 

Get it from Bookshop or through your local bookstore via Indiebound . You can also try the audiobook version through Libro.fm . 

4. The Last Suspicious Holdout: Stories by Ladee Hubbard

Ladee Hubbard's collection of 13 short stories offer vignettes of different Black families living in an unnamed "sliver of Southern suburbia" in a time between the beginning of Bill Clinton's presidency to the inauguration of President Barack Obama . Their stories range from funny to sad; always vivid, mostly hopeful, with a strong focus on matters that affect Black families at disproportionate rates: namely the quality and accessibility of education and healthcare, the war on drugs, and the criminal justice system. There is a strong sense of community throughout the stories, told in a world where resilience and hope are the only options, and nothing is taken for granted. 

5. Cost of Living: Essays by Emily Maloney

It's no secret that our healthcare system, especially in the US, is beyond broken. This collection of essays from Emily Maloney tells two sides of the story: as a patient and as a healthcare professional, the ways she was wronged and pushed into debt, and the stories of patients she cared for as an emergency room technician. Rather than choosing between a focus on how mental health treatment is not handled properly in this country or a focus on how the smallest of injuries can send someone into massive debt, Maloney explores it all: the different creaks and crevices of the ways the healthcare industry can fail its patients over and over again. 

6. New Teeth by Simon Rich

Simon Rich's new collection of short stories is an ode to growing up, which is something we can never have enough of. Wholly imaginative, like a child should be, the stories play up a child's fears and big questions, asking: What if they were true? And rather than just dream up the nightmares, Rich provides the answers, letting every insane scenario end in a place of comfort and certainty, at least to some degree. Whether you're looking to get in touch with your inner child, wanting a voice that hears you as a new parent, or just in need of a laugh, you'll find what you're in search of in New Teeth.

Get it from Bookshop or through your local bookstore via Indiebound. You can also try the audiobook version through Libro.fm.  

7. In the Margins: On the Pleasures of Reading and Writing by Elena Ferrante

Elena Ferrante ( My Brilliant Friend ) has long established herself as an author to look out for. So much so that she was invited to give a public series of lectures on writing at the University of Bologna, but the pandemic put a halt to those plans. Instead, she compiled those lessons in this book.

While she's well-known for her fiction, and for being an anonymous author, this book of essays allows her to explore nonfiction writing and allows readers to get a closer glimpse into the mind of this mysterious writer. Elena's prose does not suffer in this different medium; if anything, it's as strong and beautiful as ever.

Get it from Bookshop or through your local bookstore via Indiebound . 

8. Reclaim The Stars: 17 Tales Across Realms & Space edited by Zoraida Córdova

Featuring both new and acclaimed voices in the Latin American writing space, this anthology explores the world of science fiction, magic, and fantasy through different lenses in the Latin American diaspora, divided into sections. From stories with magical space princesses (Anne-Marie McClemore's "Reign of Diamonds") to stories with plant-growing magic (Zoraida Cordova's "Tame the Wicked Night"), underneath all the supernatural forces are stories about love, death, grief, acceptance, family pressure, coming to terms with your sexuality, and much more. You're bound to find a new favorite story or author here.

Get it from Bookshop or through your local bookstore via Indiebound. You can also try the audiobook version through Libro.fm . 

9. Dear Damage: Essays by Ashley Marie Farmer

Ashley Farmer's collection of essays on grief are gripping from the start, as she sets the scene of a turning point in her grandparents' marriage. A bad fall paralyzes her grandmother unexpectedly, and trying to do what he thinks is right, her grandfather shoots and kills her shortly after in a "mercy killing." He tries to kill himself, too, but fails. And thus starts the collection of hybrid essays focused on Farmer's grandparents, interspersed with internet comments on the news story, audio transcripts, legal documents, and more, making for a truly unique and fascinating book.

Get it from Bookshop or through your local bookstore via Indiebound.

10. Shit Cassandra Saw by Gwen E. Kirby

Gwen E. Kirby's debut collection of short stories dares to ask: What if we just let women be their messiest selves? Through this lens, she imagines scenarios women (and men!) may have encountered since the Hellenic times up until today, playing with different structures including a "How To" essay and a scathing Yelp review that has a lot more bubbling under the surface. These hilarious stories use satire to examine real struggles and criticisms of the world and patriarchal standards. If you want to laugh and think, pick this one up. 

Get it from Bookshop or through your local bookstore via Indiebound. You can also try the audiobook version through Libro.fm. 

11. Up All Night: 13 Stories Between Sunset and Sunrise edited by Laura Silverman

This genre-blending anthology features contemporary stories, romance, horror, and even stories about superheroes, all from acclaimed YA authors such as Nina LaCour, Tiffany D. Jackson, Karen M. McManus, and more. What do these stories have in common? They take place in the wee hours of the night, where the magic happens. With disability rep, queer rep, Black rep, and Asian rep, this diverse collection of stories explores both exciting and painful firsts, like first loves and first heartbreaks, as well as stories about friendship breakups and friendship rekindlings, and poignant lessons in self-discovery. 

Get it from Bookshop or through your local bookstore via Indiebound . You can also try the audiobook version through Libro.fm. 

12. The Way Spring Arrives and Other Stories edited by Yu Chen and Regina Kanyu Wang

Told and translated by a team of female and nonbinary creators, The Way Spring Arrives  is a collection of short stories and nonfiction essays centered on underrepresented voices in Chinese science fiction and fantasy. The stories are often existential and sometimes dystopian, exploring deep and dark "what if's" in the real world and other universes, flush with vivid setting descriptions. Aside from the gorgeously translated stories, there are essays on the art of translation that will give you a new appreciation for the intricacies of translation, including some written by critically acclaimed author of The Poppy Wars  trilogy, R. F. Kuang.

Get it from Bookshop or through your local bookstore via Indiebound . You can also try the audiobook version through Libro.fm. 

13. That Way Madness Lies edited by Dahlia Adler

Whether or not you love Shakespeare, you're sure to love this collection of contemporary reimaginings of some of the Bard's most famous stories, as told by a diverse group of prominent YA authors. There are prom stories based off Twelfth Night (Mark Oshiro's "Shipwrecked"), road trip stories based off Sonnet 147 (Brittany Cavallaro's "His Invitation"), troubled sibling stories based off The Tempest (Austin Siegemund-Broka and Emily Wibberley's "Severe Weather Warning") and so much more, including some spectacular queer and genderfluid rep in quite a few stories, sure to make William himself proud. 

14. Seeking Fortune Elsewhere by Sindya Bhanoo

This debut collection of short stories from Sindya Bhanoo is a rich exploration of the South Indian immigrant experience, telling varying stories from different characters all detailing the hard and surprising parts of their journeys, reminding readers that these decisions are never easy to make. Raw, honest, and intimate, Bhanoo's gift for storytelling shines in these short stories that paint full pictures and connect with each other, though they take place in different countries. 

15. Fiona and Jane by Jean Chen Ho

In Fiona and Jane , author Jean Chen Ho takes advantage of the short story format to freely jump around different eras and shift perspectives while telling the stories of two Asian American best friends who find themselves on opposite sides of the country in their adulthood, recounting their personal and joint explorations of identity, love, sexuality, and ambition. Told in the way two real friends may be telling the same stories with varying perspectives to their kids or partners, the honesty and emotions in Fiona and Jane  sheds a beautiful light on the joy of female friendship and how it can shape a person, ground them, and help them see themselves for who they really are. 

16. Lesser Known Monsters of the 21st Century by Kim Fu

A collection of stories that are horrifying and fantastical, Lesser Known Monsters of the 21st Century is more than just stomach-churning imagery of bugs and other creatures. With unique perspectives, the stories explore the monsters hiding in plain sight — the effects of technology, the aftermath of grief, the pain of growing up, the trouble that is being a part of a family. As unsettling as the stories may be, they are often relatable, too, and at the very least, thought-provoking.

17. A Manual For Cleaning Women: Selected Stories by Lucia Berlin

I couldn't write a list of short stories without including this posthumous, must-read collection from the late Lucia Berlin. With a haunting and poignant voice, Berlin weaves tales about alcoholism, tainted love, motherhood, grief, and more, set across a number of settings across the United States. Painfully honest, every emotion explored by Berlin is palpable. An unforgettable collection of stories that belongs on everyone's bookshelf.  

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25 Great Nonfiction Essays You Can Read Online for Free

Alison Doherty

Alison Doherty is a writing teacher and part time assistant professor living in Brooklyn, New York. She has an MFA from The New School in writing for children and teenagers. She loves writing about books on the Internet, listening to audiobooks on the subway, and reading anything with a twisty plot or a happily ever after.

View All posts by Alison Doherty

I love reading books of nonfiction essays and memoirs , but sometimes have a hard time committing to a whole book. This is especially true if I don’t know the author. But reading nonfiction essays online is a quick way to learn which authors you like. Also, reading nonfiction essays can help you learn more about different topics and experiences.

Besides essays on Book Riot,  I love looking for essays on The New Yorker , The Atlantic , The Rumpus , and Electric Literature . But there are great nonfiction essays available for free all over the Internet. From contemporary to classic writers and personal essays to researched ones—here are 25 of my favorite nonfiction essays you can read today.

“Beware of Feminist Lite” by  Chimamanda Ngozi Adichie

The author of We Should All Be Feminists  writes a short essay explaining the danger of believing men and woman are equal only under certain conditions.

“It’s Silly to Be Frightened of Being Dead” by Diana Athill

A 96-year-old woman discusses her shifting attitude towards death from her childhood in the 1920s when death was a taboo subject, to World War 2 until the present day.

“Letter from a Region in my Mind” by James Baldwin

There are many moving and important essays by James Baldwin . This one uses the lens of religion to explore the Black American experience and sexuality. Baldwin describes his move from being a teenage preacher to not believing in god. Then he recounts his meeting with the prominent Nation of Islam member Elijah Muhammad.

“Relations” by Eula Biss

Biss uses the story of a white woman giving birth to a Black baby that was mistakenly implanted during a fertility treatment to explore racial identities and segregation in society as a whole and in her own interracial family.

“Friday Night Lights” by Buzz Bissinger

A comprehensive deep dive into the world of high school football in a small West Texas town.

“The Case for Reparations” by Ta-Nehisi Coates

Coates examines the lingering and continuing affects of slavery on  American society and makes a compelling case for the descendants of slaves being offered reparations from the government.

“Why I Write” by Joan Didion

This is one of the most iconic nonfiction essays about writing. Didion describes the reasons she became a writer, her process, and her journey to doing what she loves professionally.

“Go Gentle Into That Good Night” by Roger Ebert

With knowledge of his own death, the famous film critic ponders questions of mortality while also giving readers a pep talk for how to embrace life fully.

“My Mother’s Tongue” by Zavi Kang Engles

In this personal essay, Engles celebrates the close relationship she had with her mother and laments losing her Korean fluency.

“My Life as an Heiress” by Nora Ephron

As she’s writing an important script, Ephron imagines her life as a newly wealthy woman when she finds out an uncle left her an inheritance. But she doesn’t know exactly what that inheritance is.

“My FatheR Spent 30 Years in Prison. Now He’s Out.” by Ashley C. Ford

Ford describes the experience of getting to know her father after he’s been in prison for almost all of her life. Bridging the distance in their knowledge of technology becomes a significant—and at times humorous—step in rebuilding their relationship.

“Bad Feminist” by Roxane Gay

There’s a reason Gay named her bestselling essay collection after this story. It’s a witty, sharp, and relatable look at what it means to call yourself a feminist.

“The Empathy Exams” by Leslie Jamison

Jamison discusses her job as a medical actor helping to train medical students to improve their empathy and uses this frame to tell the story of one winter in college when she had an abortion and heart surgery.

“What I Learned from a Fitting Room Disaster About Clothes and Life” by Scaachi Koul

One woman describes her history with difficult fitting room experiences culminating in one catastrophe that will change the way she hopes to identify herself through clothes.

“Breasts: the Odd Couple” by Una LaMarche

LaMarche examines her changing feelings about her own differently sized breasts.

“How I Broke, and Botched, the Brandon Teena Story” by Donna Minkowitz

A journalist looks back at her own biased reporting on a news story about the sexual assault and murder of a trans man in 1993. Minkowitz examines how ideas of gender and sexuality have changed since she reported the story, along with how her own lesbian identity influenced her opinions about the crime.

“Politics and the English Language” by George Orwell

In this famous essay, Orwell bemoans how politics have corrupted the English language by making it more vague, confusing, and boring.

“Letting Go” by David Sedaris

The famously funny personal essay author , writes about a distinctly unfunny topic of tobacco addiction and his own journey as a smoker. It is (predictably) hilarious.

“Joy” by Zadie Smith

Smith explores the difference between pleasure and joy by closely examining moments of both, including eating a delicious egg sandwich, taking drugs at a concert, and falling in love.

“Mother Tongue” by Amy Tan

Tan tells the story of how her mother’s way of speaking English as an immigrant from China changed the way people viewed her intelligence.

“Consider the Lobster” by David Foster Wallace

The prolific nonfiction essay and fiction writer  travels to the Maine Lobster Festival to write a piece for Gourmet Magazine. With his signature footnotes, Wallace turns this experience into a deep exploration on what constitutes consciousness.

“I Am Not Pocahontas” by Elissa Washuta

Washuta looks at her own contemporary Native American identity through the lens of stereotypical depictions from 1990s films.

“Once More to the Lake” by E.B. White

E.B. White didn’t just write books like Charlotte’s Web and The Elements of Style . He also was a brilliant essayist. This nature essay explores the theme of fatherhood against the backdrop of a lake within the forests of Maine.

“Pell-Mell” by Tom Wolfe

The inventor of “new journalism” writes about the creation of an American idea by telling the story of Thomas Jefferson snubbing a European Ambassador.

“The Death of the Moth” by Virginia Woolf

In this nonfiction essay, Wolf describes a moth dying on her window pane. She uses the story as a way to ruminate on the lager theme of the meaning of life and death.

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Are Voting Ballots Marked by Poll Workers Disqualified?

Concerns about voter fraud grew ahead of the 2024 u.s. presidential election., taija perrycook, published aug. 5, 2024.

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In August 2024, mere months away from the 2024 U.S. presidential election , a rumor spread across multiple social media platforms that ballots marked by poll workers with "a letter, a checkmark, a Star, an R or a D, a number or any writing of any kind" could disqualify them.

The most common version of the claim appeared in the form of a text message that read:

A very reliable good friend of mine just finished pollworker training and she texted me this.....Just finished Poll Manager training! I passed all the classes. I want you all to know something...if you are checking in at the polls and they happen to write anything on your ballot before they give it to you to put in the voting machine...a letter, a checkmark, a star, an R or a D any writing of any kind...please request a new ballot. Your ballot could be disqualified if it is written on. Please be on the lookout for this type of behavior.

Several readers submitted the claim to Snopes, requesting we fact-check its authenticity; luckily, we've covered this rumor before . In the months leading up to the 2020 presidential election, a similar assertion — that p oll workers in South Carolina were trained to mark ballots in order to invalidate them — gained traction. We rated this claim "False" using direct testimony from poll training managers and official government spokespersons.

What Did Official Spokespersons Say?

We checked in with various states about their rules. Debra O'Malley, a spokesperson for the Office of the Secretary of the Commonwealth in Massachusetts, confirmed to Snopes that poll workers very rarely write on a ballot, and even if they did, ballots are not disqualified at the polling place. Rather, voters whose ballots are, for instance, not legible are offered a new ballot. She told us:

There is no reason any poll worker would ever mark anything on a ballot, with the very rare exception of a challenged ballot. If a ballot is challenged for legal cause, the voter's name and address, as well as the challenger's, are written on the ballot to be reviewed only in the case of a recount or court order. Again, this is very rare. Ballots are not disqualified at the polling place. If a tabulator cannot read a ballot, the voter is offered a new ballot. If they do not want to spoil their ballot, it is set aside to be counted by hand at the end of the night.

A spokesperson for the Maryland State Board of Elections provided a similar statement, saying:

A poll worker should never have possession of a voter's voted ballot. If a poll worker ever did have a voter's voted ballot and made a mark, it would not disqualify the ballot. It's possible that the mark could impact the ballot's ability to be scanned, but the voter would be present when the scanner rejected it and the voter would be issued a replacement ballot to vote. The only time a poll worker may write on a voted ballot is if the voter made a mistake on the ballot and needed a replacement ballot. The poll worker instructs the voter to "overvote" every contest on the ballot and write "spoiled" on the ballot, but if the voter didn't write "spoiled" on the ballot, the poll worker may need to write it. This is unlikely to occur as the poll worker is with the voter and instructing the voter on each step.

A spokesperson for Maine's Bureau of Corporations, Elections and Commissions told Snopes: "The State of Maine does not reject ballots because of a stray mark on the ballot."

Do Certain States Require Notations on Ballots?

Certain states require poll workers to make notations on ballots as necessary, such as in North Carolina, whose representative confirmed that a poll worker writing on a person's ballot would "absolutely not" cause that vote to be rejected, writing:

In North Carolina, poll workers must write the voter's one-stop (OS) number on the ballot. This is part of the process in NC that allows us to retrieve ballots if challenged, etc. They also write the voter's precinct on the ballot so that one-stop early voting ballots can be sorted back into the proper precincts after the election for reporting and data purposes. Early voters can cast their ballot at any early voting site in their county.

On Oct. 15, 2020, the North Carolina State Board of Elections released a public statement clarifying that if an election worker writes on a ballot, it will not invalidate it.

(North Carolina State Board of Elections)

A few days later, USA Today published a fact check confirming that "poll workers make notes on ballots as required to ensure the integrity of the election," and "those notations do not automatically cause your ballot to be rejected or disqualified."

Accounts that shared the viral message in question did not provide any evidence to back the claim. As we previously reported, states are responsible for running their own elections, so it's difficult to make a blanket statement covering all poll-worker training sessions across the country. However, spokespersons from multiple states confirmed that marking a ballot does not result in disqualification — in fact, in some cases, notation on the ballot is required. Therefore, it was not true that if a poll worker makes a notation on a ballot, that ballot is automatically disqualified.

Evon, Dan. 'Can Poll Workers Invalidate Ballots by Writing on Them?' Snopes , 13 Oct. 2020, https://www.snopes.com//fact-check/poll-workers-ballots-invalidated/.

In North Carolina, Election Workers Must Write on Your Ballot | NCSBE . https://www.ncsbe.gov/news/press-releases/2020/10/15/north-carolina-election-workers-must-write-your-ballot. Accessed 2 Aug. 2024.

Woolverton, Paul. 'Fact Check: Are Poll Workers Putting Notes on Ballots? Yes, to Enforce Election Laws'. USA TODAY , https://www.usatoday.com/story/news/factcheck/2020/10/20/fact-check-poll-workers-notes-dont-mean-ballot-rejected/5989181002/. Accessed 2 Aug. 2024.

By Taija PerryCook

Taija PerryCook is a Seattle-based journalist who previously worked for the PNW news site Crosscut and the Jordan Times in Amman.

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How to accept being ‘a fat person’ and quiet your inner critic

In “More Please,” Emma Specter reflects on her binge-eating and reframes her self-image

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As an only child who moved around a lot, Emma Specter learned to comfort herself, as a lot of kids do, with familiar foods — whether it was the Dunkin Donuts she sought out in Rome or the candy bars she stock-piled from Manhattan bodegas. By the time she entered high school, she’d begun using food as more than just a source of soothing, but as a kind of numbing agent she’d administer in secret. Mindlessly eating cookie dough to the point of physical discomfort, she discovered, could help ease the pain of life’s most unpleasant moments — that is, until the shame set in, followed by an urge to count calories.

Shelf Help is a new wellness column where we interview researchers, thinkers and writers about their latest books — all with the aim of learning how to live a more complete life.

Specter eventually came to identify this behavior as bingeing, an eating disorder she describes viscerally in her memoir, “ More Pease: On Food, Fat, Bingeing, Longing, and the Lust for ‘Enough ’” ( HarperCollins ). Bingeing can look different for different people, but for Specter, it involves “shoving food furtively into my mouth as quickly and passively” as possible, she writes. Her debut book, which pairs a deeply personal (and often humorous) narrative with academic research and journalistic inquiry, explores the origins of her disordered eating while also searching for a motive: “Why do I do this?” Specter said in an interview.

The Los Angeles-based Vogue culture writer is still trying to answer that question. In addition to lots of therapy and introspective writing, her process so far has been to interview writers, scholars and fat activists about diet culture and its societal underpinnings.

The Times spoke to Specter about how she realized she had an eating disorder, why she decided to ditch dieting and what happened when she began to reframe her thinking about her body.

This interview has been edited and condensed for clarity.

In your book, you describe how any sort of event in your life — no matter how big or small — could trigger a binge. What did this pattern look like for you and how did you recognize that it was part of a disorder?

I definitely was and still am more likely to binge on a bad day than a good one, but sometimes something very minor would go wrong and I would react by bingeing. When I’m in a bad mood or bored or lonely or tired, it’s hard for me to self-regulate without food. I think a lot of us use food for comfort and that doesn’t have to look like a disordered attachment. But for me, it was very much about shutting out the world with food.

I think that’s the tricky thing, too, is that obviously everyone eats food for survival, for comfort, for all of these things. Was there a moment where you recognized, ‘Oh, what I’m doing is maybe a little bit destructive,’ if that’s how you see it?

Absolutely, that is how I see it. When I was in my early to mid-20s, I started to recognize that something was off. A lot of things that I had desperately wanted came to fruition. I had jobs in media, I had a big group of friends, I came out [as queer], dating was better and more exciting, or at least existent. But I felt like there was this real disconnect where I started bingeing almost more once I had more in my life. I was more fulfilled and happy, but still bingeing and then realizing, ‘What function is this playing for me? And is it an escape when I’m feeling overwhelmed or scared or stressed about the stakes of my new life?’

Right. How do you work toward not relying on food so much as an escape from your feelings?

I’ve found a lot of beauty in communal meal-making and eating together with my partner and their roommates and my friends and just reminding myself that food can absolutely be this huge source of comfort when I’m feeling overwhelmed, and it doesn’t have to go along with solitude and hiding.

When I was in the diet-binge cycle that I was in for so long, I was very concerned about ‘How am I going to have a group dinner with friends and still stick to my Weight Watchers points?’ I’m thrilled to say that I haven’t dieted in a long time, but that lizard brain mentality is still with me sometimes telling me what I should and shouldn’t be eating or enjoying. The more that I can come together with other people around food, the less I feel like it has to be this solitary kind of respite that I only engage in in a disordered way.

So the journey you describe in the book is twofold: You’re recognizing that you’re bingeing and figuring out what’s behind it and how to manage it, but you’re also learning to abandon diet culture. Do you feel like those two things go hand in hand?

Absolutely. I do think giving up dieting was really crucial to getting to a place where I can just accept myself as a fat person. It was truly one of the most ingrained habits of my life to the point where — I think as so many people, and especially women — do, I still know the caloric value for foods and I’m trying to chase that out of my brain. It doesn’t hurt to know what’s in your food, but I’m trying to chase away the sense of “Oh, my god, this banana has so-and-so calories, I can’t have it.” I think saying goodbye to dieting has really been crucial in just accepting the body that I have now and not the body that I could have if I cut out carbs and worked out for two hours every day.

I was a little disappointed that quitting dieting didn’t fix my bingeing, which maybe should have been obvious to me because bingeing is a very ingrained habit that I’ve been engaging in over the course of my life. But part of me thought that if I’m not dieting anymore then I won’t ever have the urge to overindulge. It can be demoralizing to feel like I’m doing all this work [toward having a positive relationship with food] and still I find myself bingeing, but I think that’s just part of the balance — especially in the place that I’m at in my recovery, which centers very much around harm reduction. I’ve made a tenuous peace with the idea that bingeing is going to be a part of my life.

You write about your bingeing as a form of self-harm, about the way it caused you shame and embarrassment, nausea and indigestion. Could you talk about some of the other ways it affected and still affects your life?

Something I want to highlight is just the amount of money that I spent on binge food. Obviously it was not a ton — an individual binge could be a thing of ice cream, which costs $7, but that stuff adds up — and it’s not my favorite use of money. It’s not my favorite use of how to engage with the world and the economy, especially through the use of food delivery apps. Being dependent on somebody else’s precarious labor to bring you food you don’t even want doesn’t feel great and it isn’t the way that I want to engage with my community.

I also think for a long time, I felt like my consequences, for lack of a better word, were fatness. I remember at a certain point catching a glimpse of myself in the mirror after I gained weight and thinking, ‘Look what you’ve done to yourself.’ You know, just really unkind self thoughts that I try really hard not to harbor anymore, but they sneak in ‘cause we live in a fat-phobic society. But I do think it has been a really beautiful reframe to just be like, my body is not a negative outcome and it’s not a consequence of anything. It’s just my body and it can do a lot of incredible things.

from “More, Please”

✔️ Look for enriching and supportive ways to build communities, either online or in person.

✔️ Cultivate self-compassion.

✔️ Keep in mind that your body is just a body, and you don’t have to suffer to feel good in it.

✔️ Seek out meaningful conversations, whether it’s with a friend, a medical professional or someone who can relate to your situation.

Reading your book, it’s obvious that you didn’t arrive at body acceptance overnight, and that it’s still a work-in-progress. Can you talk about what has helped you become kinder to yourself along the way?

I can’t think of something that has had a bigger impact on me than having fat friends. Just being surrounded by fat people who love each other and are loved — which sounds so corny — but I just think it gives me a script every day for my own self-acceptance. I can’t overstate the importance of having fat community in my life, and I really hope that for every fat person.

I know that being fat can be tricky because it can often feel like it’s your rest stop on the road to thinness, but I have felt so deeply that if I want to live in my body happily as it is, I need to surround myself with other people who do that and who accept themselves and who still have difficult moments and who have journeys that I might not necessarily even know about because every single person is going through their own world and journey in their own meat suit.

What advice would you give to someone who wants to start re-evaluating their relationship with food or with their body?

Try not to be alone with it. “It” being your fear and your anxiety over what you’re eating or not eating or what your body looks like or doesn’t look like. Sometimes that means talking to people in your life, but I think people dealing with disordered eating and binge eating in particular can often feel so much shame that it’s really hard to start that conversation. In your Notes app or your Google Docs is as good as any place to start a conversation, even just with yourself while you’re figuring out what another level of help might look like for you.

I just hope, as corny as this sounds, that you’re as nice to yourself as you can summon the ability to be in the process of finding your version of therapy, or writing about your issues, or talking to your loved ones about what’s going on with you. None of that is possible without this little glimmer of self-compassion, and the self-compassion has to be first.

Shelf Help is a wellness column where we interview researchers, thinkers and writers about their latest books — all with the aim of learning how to live a more complete life. Want to pitch us? Email [email protected] .

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Shawn Johnson East's New Wayfair Home Collection Is Gold-Medal Worthy

The former Olympic gymnast shares how she turned her Nashville home into a stylish yet practical retreat for her family of five.

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Collaborating with Wayfair in the retailer’s latest installment of their “House to Home” series, Johnson East opens the door to her Nashville home and shares how she finds both function and style in her furniture and decor. With a mix of neutral colors, textured upholstery and patterned rugs, she has transformed her home into a stylish yet functional haven that reflects her family's lifestyle. The former Olympic champion is bringing those family-friendly finds to you through her new Wayfair home collection, which is available to shop now.

“Everything beforehand didn’t feel like a reflection of our family, character or personality, and now it feels warm, welcoming and homey,” says Johnson East in Wayfair’s “House to Home” series.

Shop the Shawn Johnson East x Wayfair Collaboration

Monette Pillow Insert

Striped Marble Round Coaster

Upholstered Swivel Armchair

Linen Napkin Set

Checkered Area Rug

Knit Throw Blanket

Like many families, the heart of Johnson East’s home is the kitchen. In order to make it more functional, she brought in a large table with ample chairs for hosting. When it came to designing the dining room , Johnson East wanted a more casual setup. By taking away her traditional dining table, she converted the room into a cozy, quiet space with comfortable seating where her family could relax. Browse through the Olympian’s contemporary Nashville home below.

Although we all know her for her gymnastics career, Johnson East now takes pride in being a wife and mom of three. Like many families with young children, building a home that works for everyone can be a difficult task.

See Shawn Johnson East’s Nashville Home Transformation

"We have toddlers who are constantly coloring on everything, so I wanted it to feel like a space you could truly live in and use, and you didn't have to tippy-toe around," says Johnson East.

If you’re looking for a practical yet modern home refresh that works for everyone, the Shawn Johnson East x Wayfair collection consists of family-friendly favorites for every room in the house. Plus, there are tons of items on sale. Go ahead and shop while there's still time!

Laura Millar (she/her) is the assistant editor for Good Housekeeping , where she covers home design. Prior to joining Good Housekeeping in 2024, she wrote for NBC’s TODAY.com where she covered everything from entertainment news to product reviews to pop culture updates.

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The Memoir in Essays: A Reading List

Elizabeth kadetsky on the multiple ways we can look at the self.

While the personal essay has enjoyed continued popularity, a book-length collection of linked essays, centered on an author’s self or life, is less common than a traditional memoir or novel. A truly successful essay collection can reveal the author processing experiences at many different points in time and through many different lenses. As a writer, I’ve always been drawn to the essay as a form, for its concision, for its ability to highlight an intriguing gap between author and narrator that lends an inherent tension and self-questioning. A collection of essays treating the same or related inquiries multiplies this effect.

The distance afforded by those multivalent lenses can allow an author to regard one’s younger self as a different character, a different persona. This can create an unease or uncertainty that is exciting, and also very relatable to the reader. An author’s ability to forgive that earlier version of herself is especially prevalent in the memoir-in-essays, perhaps because of the extended time period covered as a writer composes essays across years or even decades.

We are lucky enough to be in the middle of a renaissance. Several recent and upcoming memoirs-in-essays use the inquisitive essay form to tell life stories from different vantage points and make the reader question and revel in unreliable narrators and new perspectives. The more traditional memoir focuses on seeking and attaining redemption. The nonlinear structure of an essay collection reveals that there is never easy redemption, never clear resolution: bad things happen for no reason; overcoming one trial does not lessen the need to adapt in the next.

These new, enchanting and powerful collections are a welcome reminder that in our collective state of unrest and unknown futures, there is a comfort in knowing that there is an inherent uncertainty in having the answers.

Emily Arnason Casey, Made Holy: Essays (University of Georgia Press)

In beautiful, scenic prose, Emily Arnason Casey probes her middle American childhood from the stance of different venues, times of life, and primary characters—a family cabin and repository for memories both happy and sad; a little sister who grew up and wasn’t a sidekick anymore; a mother who didn’t reveal the family propensity to alcoholism until it was too late; an aunt who succumbed to the illness’s lure. In a spiral-like structure that keeps returning to a central and unanswerable question—how, and why, must this family battle the draws and effects of alcohol addiction—Arnason Casey tells a poignant story of a “normal” family that through its quirks and desires must find a path to survival. The author finds solace in nostalgia and a way forward by examining the errors of the past and by embracing, as a mother, the promise of the future generation. Her probing and compulsive need to question reminds us that alcoholism has no simple etiology, and that its cures are as individual as they are elusive.

Sonja Livingston, The Virgin of Prince Street: Expeditions into Devotion } (University of Nebraska Press)

At a time of dwindling religiosity, Livingston finds herself wishing for greater connection to her Catholic roots while also exploring the physical space of the church in upstate New York that made memories for her as a child. Because of religious attrition, the church that she grew up in becomes the gathering space for dozens of rescued saint statues deaccessioned from other churches nearby. Livingston embarks upon a quest to find a missing Virgin Mary statue, that moves not in straight lines but elliptically, following a parallel physical and emotional journey that is an exploration into faith, Catholicism, and a desire for spiritual connection on modern terms. In examining the sustained power of a central icon of the Catholic church and an object of personal, sentimental attachment, Livingston’s linked essays highlight the irresolvable paradox of modern religiosity—that the seeker must follow an uncharted middle pathway when the old texts and their tropes, their patriarchy and their strictures, necessarily fall away.

Amy Long, Codependence (Cleveland State University Poetry Center)

In this haunting and troubling book, Long revisits scenes and anecdotes from her  boyfriend’s heroin addiction and her subsequent dependence on opioids for chronic pain. Formal experiments such as essays disguised as lists, prescription forms, and medical reports are interspersed among scene-driven recollections from different points in time: the author’s first introduction to the drug; the allure of an older addict; attempts at recovery. The grounding presence of the author’s supportive mother is offset by the narrative’s tragic other constant—the euphoria and escape offered by the drug. By eschewing a linear narrative structure, Long illustrates the difficulty of achieving recovery and puts lie to the myth that addiction is a logical disease that naturally ends with a cure. In its very form, this memoir undermines the narrative so prevalent in media treatments of this illness—that in order to trounce the beast, the individual suffering from addiction need only attend a recovery program. Having written about and witnessed my own sister’s decades’ long struggle to overcome opioid addiction, I was drawn to Long’s wisdom in portraying addiction not as a problem to be solved so much as a complexity to be observed and penetrated.

Sejal Shah, This Is One Way to Dance (University of Georgia Press)

The Indian-American author continually revisits her troubled relationship to her American identity through layered essays treating her bifurcated Indian and American past. Exploring her family’s immersion in Gujarati subculture when she was a child growing up in Rochester, New York; her experience as one of few people of color in her MFA creative writing program; and many family weddings in which she must confront her presumed future as a desi bride, Shah questions her place in both American culture and the thriving American-Gujarati subculture. By placing dates at the ends of the essays, it is suggested that her complicated and lifelong conflicts about race and cultural identity can be told chronologically. But, as she explains in her introduction, many essays had multiple end dates after having been revised and reconsidered as time moved forward. The multiple end dates elegantly upend the notion that a rational, hypothesis-thesis-synthesis structure can encompass the complexities of identity and belonging. Shah’s choice to write non-narratively about her conflicts of identity provide insight for anyone raised with a dual or multiple cultural identity—anyone who may, at different points of time, feel a greater allegiance to one culture, another, or a never straightforward amalgam of many. Who we understand ourselves to be, Shah’s book tells the reader in subtle ways, is not a fact so much as a moving target, an unending query.

Sue William Silverman, How to Survive Death and Other Inconveniences (University of Nebraska Press)

Silverman is the author of three previous memoirs. In How to Survive Death and Other Inconveniences , she tells her life story through the lens of an obsession with death and the desire to come to terms with the inevitable but often avoided reality that in the end we are mortal. The essays begin with a chronological life story of growing up in New Jersey and encountering American culture’s death-avoidance, but then take a swerve when several brief but elusive mentions accrue into an account of a rape at a young age and a discovery that her memory of the event connects to her fixation on death. A chronological structure gives way to a thematic plot, in which Silverman seeks to confront her topic through reporting, immersion, and reflection—for instance by visiting a morgue, exploring mythological figures associated with death, and recollecting a family funeral. The sophisticated writing and structure make the whole greater than the sum of its many fascinating and worthy parts. Silverman’s essays continually reveal the irrational functioning of memory and how it connects our pasts to our worldviews. Honoring subconscious logic, How to Survive Death and Other Inconveniences makes the gambit that the mysteries of the self are both keys to understanding and uncertainties to be celebrated. We become who we are without being fully conscious of our choices—probing those choices won’t give us easy answers, but the discoveries along the way will be illuminating and well worth the necessary befuddlements.

__________________________________

Elizabeth Kadetsky’s memoir , The Memory Eaters, is available now from University of Massachusetts Press.

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UB faculty member turns to environment with essay collection

By BERT GAMBINI

Published July 31, 2024

UB faculty member Laura Marris turns to the environment in her debut essay collection, “The Age of Loneliness” (Graywolf Press).

It’s her first solo-authored book since translating into English Albert Camus’ “The Plague.” Her work on the French literary classic for the Knopf Doubleday Publishing Group was the first updated translation of Camus’ book for an American audience since 1948.

Marris, visiting assistant professor in the Department of English, will launch the essay collection with a reading and conversation at 6 p.m. Aug. 6 at Fitz Books, 433 Ellicott St., Buffalo.

Marris’ thoughtful meditations in “The Age of Loneliness” call attention to the growing separation between people and more-than-human stories of place. By situating personal experience in the context of natural history, she provides readers with clear sightlines toward the history of local places and an appreciation for their ecology and scales of time.

“I hope people will use these essays as an occasion to investigate and sit with the human and more-than-human histories that are unfolding in the places of their own lives, especially the histories that might previously have been invisible,” she says.

The idea for the book emerged in 2018, Marris’ first year in Buffalo, when she was commuting to her job at Boston University for part of each week, as she and her husband worked to get two jobs in the same place. She started reading about ecological issues to put the loneliness of her commute into perspective.

“At first, I didn’t think personal loneliness and landscapes were related, but I began to see connections between issues of ecology and my lonely commutes,” says Marris. “My long-distance relationship was also an estranged relationship to the natural world.”

In many ways, the closer we are to a place the harder it is to see what is missing. Familiarity softens perceptions, and a decline in what was once common can escape notice as it becomes increasingly scarce, she notes.

“If you’re not paying attention, if you’re not thinking about absence, then it’s difficult to recognize the changes in landscapes that are occurring every day,” she says.

Landscape, for Marris, is an appropriate representation for the way humans have interacted with their environment because it can imply not only what’s seen, but what has been modified.

“Everything around us is touched by humans,” she says. “There isn’t a pristine place that lacks human imprint.”

Although the Anthropocene is customarily used to identify the current geological era — defined by human impacts in earth’s fossil record — Marris instead uses her essays to explore the implications of the Eremocene. Coined by biologist E.O. Wilson, the Eremocene, or the age of loneliness, is a time of declining abundance and humanity’s subsequent isolation if humans allow wildlife loss to continue unabated.

“It’s interesting to investigate things through the lens of loneliness because the root word of Eremocene can mean a lonely person or a desolated place,” says Marris. “If we make a place lonely, then we become lonely ourselves because that reciprocity is a reflection of the broader ecosystem.”

But places are resilient, and the underlying sense of hope in Marris’ book comes with recognizing that measurable action doesn’t need to be a grand effort. Community projects can make a big difference.

“Community science, for example, which is an important part of the book, is a way of discovering what’s happing in a place, from bird counts, to planting a garden, to helping with a survey,” she says. “The gains are impressive when people push their grief slightly toward longing for, and cultivating, the abundant landscapes they’d like to see.”

And through the process of writing the book, Marris feels that change in herself.

“I began in a more alienated place as a commuter, writing and returning to the woods,” she says. “I didn’t expect the book to moderate my own fears, but through the ground-truth of community science, I became more grounded in my personal and ecological relationship to these places.”

Awareness can inspire change. And it’s time to start looking, since, as Marris points out through a quote in the book from Walt Whitman, “much unseen is also here.”

The 50 Best Romance Novels to Read Right Now

Irresistible picks for readers of all kinds of romance, from enemies-to-lovers to marriage of convenience to just one bed

Romance Novels Are Literature

by Casey McQuiston

by Frances Burney

Pride and Prejudice

by Jane Austen

Friday’s Child

by Georgette Heyer

The Price of Salt

by Claire Morgan

Lord of Scoundrels

by Loretta Chase

by Beverly Jenkins

If Only It Were True

by Marc Levy

Jewels of the Sun

by Nora Roberts

The Viscount Who Loved Me

by Julia Quinn

by Stephenie Meyer

A Hunger Like No Other

by Kresley Cole

Devil in Winter

by Lisa Kleypas

Lover Awakened

by J.R. Ward

Slave to Sensation

by Nalini Singh

All Through the Night

by Suzanne Brockmann

How Romance Novel Covers Have Evolved Through Time

Nine Rules to Break When Romancing a Rake

by Sarah MacLean

A Night to Surrender

by Tessa Dare

Crazy Rich Asians

by Kevin Kwan

The Lotus Palace

by Jeannie Lin

The Luckiest Lady in London

by Sherry Thomas

To All the Boys I’ve Loved Before

by Jenny Han

by Simona Ahrnstedt

An Extraordinary Union

by Alyssa Cole

by Ilona Andrews

Intercepted

by Alexa Martin

The Wedding Date

by Jasmine Guillory

Ayesha at Last

by Uzma Jalaluddin

Forget Me Not

by Brenda Jackson

Get a Life, Chloe Brown

by Talia Hibbert

Red, White & Royal Blue

The Bride Test

by Helen Hoang

The Flatshare

by Beth O’Leary

by Rebekah Weatherspoon

Boyfriend Material

by Alexis Hall

The Duke Who Didn’t

by Courtney Milan

You Had Me at Hola

by Alexis Daria

It Happened One Summer

by Tessa Bailey

Last Night at the Telegraph Club

by Malinda Lo

Seven Days in June

by Tia Williams

A Caribbean Heiress in Paris

by Adriana Herrera

Before I Let Go

by Kennedy Ryan

Book Lovers

by Emily Henry

Dating Dr. Dil

by Nisha Sharma

Honey & Spice

by Bolu Babalola

by Hannah Grace

Part of Your World

by Abby Jimenez

The Very Secret Society of Irregular Witches

by Sangu Mandanna

The Vibrant Years

by Sonali Dev

Chef’s Choice

by TJ Alexander

Love, Theoretically

by Ali Hazelwood

This project is led by Lucy Feldman, Annabel Gutterman, Megan McCluskey, and Meg Zukin, with additional writing and reporting by Judy Berman, Shannon Carlin, Mahita Gajanan, Kari Sonde, and Olivia B. Waxman; photography editing by Kara Milstein; art direction by Katie Kalupson and Chelsea Kardokus; video by Brian Braganza, Man Sum Lai, Joseph Lautrup, Lisa Nho, and Erica Solano; production by Nadia Suleman; commerce strategy by Alexandra Miguel; photography by Rachel Stern for TIME.

• Mike Argento

York County at 275: All about its deep history before and after its founding in 1749

To borrow an image from a sage historian, York County’s story is  a deep and swift stream that carries the things that historians notice and record.

You know, pivotal events, breakthrough achievements and, alas, times we just don’t get it right.

My expanded and updated general history “Never to be Forgotten” tells the story of this stream to be sure. And it takes a strong gaze in what is happening on the stream’s banks – York countians living their lives, building homes, raising families, making things and growing communities.

This history shows in about 200,000 words and more than 250 pictures – a community that is working hard at getting better. York County and its people are building on a worthy past honed with strong hands, smart minds and kind hearts and are heading toward a future with a sense of promise.

What I’ve written so far comes, more or less, from this 440-page book’s back cover blurb, but I’m not sure of a better way to summarize this work that I’ve been crafting for three years.

The book, just off the press, has already generated a number of queries. So I’ll use this question-and-answer format to explain this work, the most challenging of the 10 books I’ve written or co-written.

Why did you write this book?

As in everything I write, my goal is to help York countians – whether living in the county or beyond - make sense of this amazingly complex place. We were initially the first stop west of the Susquehanna River, and the county has sat on the long Mason-Dixon line where North meets South for more than 250 years.

Our geographical placement means many paths and people have crossed here. So such an event-filled region demands that someone should periodically write a general history - “Never to be Forgotten” is in that category. Since 1834, there have been six general histories aiming to tell the county’s complete story. You might recognize some of the authors – John Gibson, George Prowell and Georg Sheets.

I wrote the original “Never to be Forgotten” – general history No. 6  – in conjunction with the 250th anniversary of York County in 1999. I figured an update could be timed with the 275th in 2024 and the two big 250ths coming up – the anniversaries of the Declaration of Independence and Articles of Confederation.

Why do I need to add this book to my collection, especially if I have the 1999 version?

York County historian June Burk Lloyd wrote the foreword, and here’s her answer: “Because this is not just the same book with 25 more years of recent history. Jim has included lots of new material on many people and many events pertinent to the whole 275 years of York County’s existence and added stories about the Native American inhabitants and settlers who lived here before that official August 1749 creation.

“This history is an easy read that you can approach however you please. The core timeline and index make finding people, places and events simple, and much of the text of the volume is arranged chronologically.”

What was the biggest challenge in writing this book?

I bring the story of the county up to the present day, which means I am writing about 21 st -century people and events. It’s difficult to make a lasting assessment of the county’s story as it evolves. To put a finer point on this challenge, I felt compelled to offer to future historians a sampling of intriguing contemporary people whose still-productive lives are worthy of further exploration.

Here’s an excerpt about 10 influential people, still contributing, who future historians should consider:

“Robert Simpson, Crispus Attucks’ CEO since 1979; Delma Rivera-Lytle, second-generation Latino leader and Ms. Pennsylvania Senior America 2022; Loretta Claiborne, medal-winning Special Olympian; Roxanna Gapstur, president of WellSpan, York County’s largest employer; Tom Wolf, two-time Pennsylvania governor and longtime York County businessman; Susan P. Byrnes, former county commissioner and namesake of the Byrnes Health Education Center; Mark Platts, Susquehanna National Heritage Area president; Eric Menzer, York Revolution president and community leader; artist and businesswoman Ophelia Chambliss; and influential historian June Burk Lloyd, librarian emerita, York County History Center.”

Generally, it is challenging to research and then explain a county with such a long history that played key roles in every major American war. And communities in change because of our geography where we’re near everything means thousands of people come and go or stay, adding to that complexity.

What is something that you think “Never to be Forgotten” adds to the telling of York County’s story?

I like the way June Lloyd explains this in her foreword in referencing previous general histories:

“The earlier one of these general York County histories was published, the more it was populated exclusively by white men. Toward the end of the 19th century, a very few women began to be included, but their stories had to be exceptional.”

“McClure’s 1999 ‘Never to be Forgotten’ was a breakthrough, sharing the stories of minorities and women and working-class individuals and families, not just males of the upper echelon. Twenty-five years later, many more people of all skin shades, genders, and social and economic status have each made their mark, and we can learn, too, about them here. Our making, and telling, of history is becoming more balanced.”

Who helped you the most with this book?

Lots of people. That’s the short answer. Historian Scott Mingus served as publisher, and June Lloyd and my journalist/historian son Joe McClure edited this work. Scott, historian Stephen H. Smith and others reviewed parts of the manuscript. I also worked to ensure the bibliography is as comprehensive as possible and hope it is helpful to readers.

This book comes in partnership with the York County History Center and York Daily Record/Sunday News. York County 275 in 2024, the first of the anniversaries, is included in this book, with its “Special Anniversary Edition,” on the cover.

Where can I buy the book?

You can find it in the book shop at the new York County History Center’s museum at Philadelphia and Pershing and at Brown’s Orchards and Farm Market in Loganville. Publication was timed with the new History Center’s opening in mind. It also can be ordered via Amazon.com.

Three book signings are planned: I will sign copies from 5:30 to 8:30 p.m. Aug. 2, during the formal opening of the new Museum, and from noon to 2 p.m. Aug. 3, as part of the museum's opening weekend. I will sign books before and after my presentation about the book and York County’s 275th anniversary at 6:30 p.m., Aug. 14. at Red Land Community Library in Etters.

Who is this book for?

My friend and longtime colleague June Lloyd answers this question in her foreword: “This book is for you, no matter if your ancestors chose this part of the universe hundreds of years ago or you just moved here last week.  Or you may be a visitor, and you are learning that this smallish chunk of the Northeastern United States seems to have had a finger in a surprising variety of happenings in history. Whatever your story, you are part of our infinitely varied community, and every one of you is needed to make up the rich, ever-changing tapestry that is York County. “

Jim McClure is a retired editor of the York Daily Record and has authored or co-authored nine books on York County history. Reach him at [email protected] . 

• Share full article

Opinion David Wallace-Wells

Food as You Know It Is About to Change

Credit... Alma Haser

Supported by

By David Wallace-Wells

Opinion Writer

• July 28, 2024

This essay is part of What to Eat on a Burning Planet, a series exploring bold ideas to secure our food supply. Read more about this project in a note from Eliza Barclay, Opinion’s climate editor.

From the vantage of the American supermarket aisle, the modern food system looks like a kind of miracle. Everything has been carefully cultivated for taste and convenience — even those foods billed as organic or heirloom — and produce regarded as exotic luxuries just a few generations ago now seems more like staples, available on demand: avocados, mangoes, out-of-season blueberries imported from Uruguay.

But the supermarket is also increasingly a diorama of the fragility of a system — disrupted in recent years by the pandemic, conflict and, increasingly, climate change. What comes next? Almost certainly, more disruptions and more hazards, enough to remake the whole future of food.

The world as a whole is already facing what the Cornell agricultural economist Chris Barrett calls a “food polycrisis.” Over the past decade, he says, what had long been reliable global patterns of year-on-year improvements in hunger first stalled and then reversed. Rates of undernourishment have grown 21 percent since 2017. Agricultural yields are still growing, but not as quickly as they used to and not as quickly as demand is booming. Obesity has continued to rise, and the average micronutrient content of dozens of popular vegetables has continued to fall . The food system is contributing to the growing burden of diabetes and heart disease and to new spillovers of infectious diseases from animals to humans as well.

And then there are prices. Worldwide, wholesale food prices, adjusted for inflation, have grown about 50 percent since 1999, and those prices have also grown considerably more volatile, making not just markets but the whole agricultural Rube Goldberg network less reliable. Overall, American grocery prices have grown by almost 21 percen t since President Biden took office, a phenomenon central to the widespread perception that the cost of living has exploded on his watch. Between 2020 and 2023, the wholesale price of olive oil tripled ; the price of cocoa delivered to American ports jumped by even more in less than two years. The economist Isabella Weber has proposed maintaining the food equivalent of a strategic petroleum reserve, to buffer against shortages and ease inevitable bursts of market chaos.

Price spikes are like seismographs for the food system, registering much larger drama elsewhere — and sometimes suggesting more tectonic changes underway as well. More than three-quarters of the population of Africa, which has already surpassed one billion, cannot today afford a healthy diet; this is where most of our global population growth is expected to happen this century, and there has been little agricultural productivity growth there for 20 years. Over the same time period, there hasn’t been much growth in the United States either.

How climate change could transform yields of two major crops

Projected change in corn and wheat yields in 2050, based on an upper-middle scenario for global warming.

Change in crop yield in 2050

Corn production in 2050

Drought conditions have already led Mexico to import a record amount

of corn in recent years. Climate change could further decrease its yields.

China is the world’s second-largest

producer of corn, but yields are projected to decrease across most of the country.

Wheat production in 2050

Pakistan, where wheat accounts for nearly two-thirds

of all calories

consumed, could

see sharp declines.

The U.S., one of the largest exporters of wheat, could see increased yields, especially in more northern latitudes.

Drought conditions have already led Mexico to import a record amount of corn in recent years. Climate change could further decrease its yields.

Rising temperatures could make the highlands of Peru

a more productive area for corn.

Pakistan, where wheat accounts for nearly two-thirds of all calories consumed, could see sharp declines.

producer of corn,

but yields are

projected to decrease across most of the country.

consumed, could see sharp declines.

Sources: Jägermeyr et al. (2021) “ Climate Impacts on Global Agriculture Emerge Earlier in New Generation of Climate and Crop Models ,” Nature Food ; World Bank; U.S.D.A.

Note: Yields shown are for the SSP370 middle-upper warming scenario and are compared with a 1983-2013 baseline.

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